Dear Colleagues,
We are very happy to announce that after (too) many years a new English translation of work by the inimitable Luigi Malerba is finally hitting the shelves - in the same year that Mondadori has released his works in their Meridiani series, as well.
Fantasmi romani, translated as Roman Ghosts, brings Malerba's most recent work to English readers for the first time. It is now available from Italica Press and on Amazon in a translation by Miriam Aloisio and myself. The volume features an introduction by Rebecca West.
www.amazon.com
Roman Ghosts (Italica Press Modern Italian Fiction Series) [Luigi Malerba, Miriam Aloisio, Michael Subialka, Rebecca West] on Amazon.com. *FREE* shipping on qualifying offers. Giano and Clarissa are the image of Rome’s intellectual and cultural elite. Married
for over twenty years
|
From the cover:
"Giano and Clarissa are the image of Rome’s intellectual and cultural elite. Married for over twenty years, they are wealthy, childless, in love, and unfaithful. He is an architect and a professor of urban planning who wants to restore Rome’s cityscape, deconstructing modern buildings and entire neighborhoods from the city’s ugly economic boom. She is an attractive forty-something, who enjoys wandering the streets of Rome with no precise destination and an eye out for adventure. But the tenuous balance of their mutual infidelities and hypocrisies is challenged by events outside their control, and the dissolution of this modern marriage mirrors that of the city they both love and hate.
Written as a novel within a novel, a meta-fiction of exchange between the two characters’ points of view, this book is direct, humorous and full of surprises. In the drama of its protagonists, it captures an entire microcosm of modern Rome, a world that is deceptively calm and only apparently in order. As the characters criss-cross the historical center, Piazza Navona, the Pantheon and the adjacent streets, Malerba exposes the crises that threaten to tear both them and us apart — from climate change to the absence of faith or the security of family, from an obsession with casual (even pathological) sex to the worship of a hyper-technological modernity."
Michael Subialka
Assistant Professor of Comparative Literature and Italian
University of California, Davis
Editor, PSA: The Journal of the Pirandello Society of America