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Doug, Intriguing title. Wish I knew how to transmit certain visual effects you get, but still limited in that area to pen on paper. Your fifth line the most striking unit in itself, while also syntactically connected to lines 4 and 6. A very rereadable snap. Barry On Thu, 29 Jun 2017 09:20:55 -0600, Douglas Barbour <[log in to unmask]> wrote: >Thanks, you three. > >Doug >> On Jun 29, 2017, at 4:06 AM, Bill Wootton <[log in to unmask]> wrote: >> >> Like the surprising word dances here, Doug. >> >> Bill >> >> On Thu, 29 Jun 2017 at 4:00 am, Sheila Murphy <[log in to unmask]> >> wrote: >> >>> Doug, this really hits the mark, and shapes together the now plus >>> retrospective places. Sheila >>> >>> On Wed, Jun 28, 2017 at 10:04 AM, Patrick McManus < >>> [log in to unmask]> wrote: >>> >>>> ah those lies! P >>>> >>>> >>>> On 28/06/2017 17:08, Douglas Barbour wrote: >>>> >>>>> Again a lyric lies >>>>> in wait what >>>>> can it hope to say >>>>> sing whose heart >>>>> break line dance >>>>> of old words anew >>>>> >>>>> >>>>> Douglas Barbour >>>>> [log in to unmask] >>>>> https://eclecticruckus.wordpress.com/ >>>>> >>>>> Recent publications: (With Sheila E Murphy) Continuations & >>> Continuations >>>>> 2 (UofAPress). >>>>> Recording Dates (Rubicon Press). >>>>> Listen. If (UofAPress): >>>>> >>>>> >>>>> The palms rattle, the eucalypts >>>>> shed bark and blossom. Uninterpreted. >>>>> >>>>> Denise Levertov >>>>> >>>> >>> > >Douglas Barbour >[log in to unmask] >https://eclecticruckus.wordpress.com/ > >Recent publications: (With Sheila E Murphy) Continuations & Continuations 2 (UofAPress). >Recording Dates (Rubicon Press). >Listen. If (UofAPress): > > >The palms rattle, the eucalypts >shed bark and blossom. Uninterpreted. > > Denise Levertov