Choreographic Practices
'Words and Dance'
Dear Friends and Colleagues,
We are delighted to bring to your attention the newest issue of Choreographic Practices Vol 8/ No 1 which is available in print and online.
Guest edited by Robert Vesty (Middlesex University), 'Words and Dance' focuses upon the place of words in choreographic practices. The theme was inspired by a week-long event entitled Space and Words for Dancers, led by dancers/poets Julyen Hamilton (Spain) and Billie Hanne (Belgium) and hosted by Chisenhale Dance Space in London (July, 2015). Reflections upon this event are included in the issue in the form of a creative and multi-voiced collection entitled 'Artefacts'.
Robert Vesty writes in his editorial that:
'This special – Words and Dance – issue of Choreographic Practices... is concerned with not just how words look or sound on the page, stage and elsewhere, but how a dancer’s animate exploration of language can create particular opportunities to crack open words and reveal our playing with them as a deeply contingent and remarkably fleshy affair.
In the context of this issue, words are taken to mean linguistic formulations that usually manifest as spoken, or voiced, in performance. In the instances accounted for across these pages, they materialise in labyrinthine ways - as quotidian speech, as instruction, as mediated, as objects, as affects, as unfinished business (think of the fricative beginnings of a word yet to be fully formed), as-strings-of, as phrases, as sense and non-sense, as and when, and as, for the most part, poetry.'
In line with the ethos of Choreographic Practices we include discursive, creative and artistic materials that each, in their differing ways, investigates and illuminates the theme of the issue.
The full list of articles is as follows:
Words and Dance (Editorial)
Author: Robert Vesty
Vital Signs: Poetry, movement and the writing body
Authors: Scott Thurston and Sarie Mairs Slee
I wanted to find you by inhabiting your tongue: Mistranslating between words and dance in choreographic practice
Author: Alys Longley
Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice
Author: Hilary Elliott
Riffing, writing, realizing (Or, a simultaneous reflection on and re-entry into a particular score)
Author: Elise Nuding
How to communicate on the verge of collapse
Author: Stephan Jürgens
The ‘making’ of movement and words: A po(i)etic reading of Charlotte Spencer’s Walking Stories
Author: Daniela Perazzo Domm
Artefacts: A multi-voiced collection of paraphernalia, documentation and reflection on the Space and Words for Dancers work-week
Authors: Robert Vesty, Maria Andrews, Antonio de la Fe, Julyen Hamilton, Billie Hanne and Tomas Di Giovanni
The issue is available online at Intellect - Vol 8 Issue 1.
Enjoy!
Vida Midgelow and Jane Bacon
Co-Editors, Choreographic Practices
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Vida L Midgelow PhD
Prof, Dance and Choreographic Practices
Director of Research Degrees
Faculty of Arts and Creative Industries
Middlesex University,
The Burroughs,
Hendon,
London
NW4 4BT,
UK.
Co-Editor, Choreographic Practices
PI, Artistic Doctorates in Europe: Third Cycle Provision in Dance and Performance (Erasmus+)
Led co-ordinator, Transdisciplinary Improvisation Network
Co-Director, Choreographic Lab
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