Dear colleagues,

 

See below

 

All the best,

Pat

 

Dr Patricia Noxolo,

School of Geography, Earth and Environmental Sciences,

University of Birmingham,

Edgbaston,

Birmingham

B15 2TT

UK


From: British Black Studies [[log in to unmask]] on behalf of [log in to unmask] [[log in to unmask]]
Sent: 11 May 2017 09:26
To: [log in to unmask]
Subject: CfP: The Renaissance in Africa, Renaissance Society of America NOLA 2018

Dear British Black Studies,
Please can you post the following CfP on your list serve ?
Thank you very much for your assistance.
Kind regards,
Janie Cole

**********

CFP: interdisciplinary panel at Renaissance Society of America, New Orleans, 22-24 March 2018:

 

http://www.rsa.org/general/custom.asp?page=2018NOLA

 

"The Renaissance in Africa":

While the Renaissance has been regarded as a purely European phenomenon centered on a largely homogeneous ethnicity, recent scholarship has deconstructed this one-sided historical narrative and acknowledged the important role played by Africans from the mid-fifteenth century onwards in reshaping the Mediterranean into a cross-cultural and multi-ethnic space rich in African-European cultural exchanges and intellectual collaborations. Together with the rediscovery of ancient classical culture, the Renaissance also reflected the development of new techniques, theories and cultural innovations brought by Africans from all over the continent following intercontinental navigation through new trade routes opened by the Portuguese between Mediterranean Europe and the west coast of sub-Saharan Africa. With contributions grounded in music, literature, history, architecture, and visual media, this panel explores how African-European cultural exchanges shaped Africa in the early modern period with a focus on cultural production, performance and ethnic encounters. Interdisciplinary papers might consider how and why composers, artists, patrons, musical and art works, and cultural practices crossed African borders and cultures, and with what effects, whether aesthetic, generic, dramatic, political or social. Possible themes are the circulation, mobility and displacement of musical culture; intercontinental encounters across borders; the significance of African-European artistic traditions and differing types of influences; intertextualities; intercultural dialogues and transcultural performance practices; links between music and art and African-European politics; reception history, conceptions of Africa and intellectual attitudes to black culture in relation to constructions of European whiteness.

 

Please send by June 1, 2017 to [log in to unmask] :

 

*Individual paper title, not to exceed 15 words

*A 150-word maximum paper abstract 

*A 300-word max 1 page CV in paragraph form 

*Keywords (general, not specific) 

*AV requirements

 

Sincerely,

 

Dr. Janie Cole (University of Cape Town, South African College of Music), Discipline Rep for Music at RSA



--
Dr. Janie Cole, Ph.D. musicologist

visiting professor, University of Cape Town
South African College of Music/Centre for African Studies
Rondebosch 7701, Cape Town, South Africa

founder/executive director
Music Beyond Borders LLC
www.musicbeyondborders.net