Now available on Project MUSE…

Eighteenth-Century Fiction - Volume 29, Number 3, Spring 2017

http://bit.ly/ecf293pm

Articles

Imagining Eliza Haywood

Patrick Spedding

Marie Jeanne Riccoboni’s Poetry: Rescued from the Flames and Piracy

Marijn S. Kaplan

Hé bien! La Guerre: Situating Les Liaisons dangereuses in the Culture Wars of Pre-Revolutionary France

Karen Pagani

William Beckford’s Comic Book, or Visualizing Orientalism with Vathek

Eliza Bourque Dandridge

Colonial Discourse on Irish Dress and the Self as “Outward Dress”: Swift’s Sartorial Self-Fashioning

Siyeon Lee

Reflections

The Stableboy Discovered: Editing the Memoirs of Thomas Hammond

George Boulukos

Reviews/Critiques

The Oxford History of the Novel in English: Volume 5: The American Novel to 1870 ed. by J. Gerald Kennedy and Leland S. Person (review)

Thomas Allen

The Secrets of Generation: Reproduction in the Long Eighteenth Century ed. by Raymond Stephanson and Darren N. Wagner (review)

Jan Golinski

Sovereign Power and the Enlightenment: Eighteenth-Century Literature and the Problem of the Political by Peter DeGabriele (review)

Christopher F. Loar

Spectacular Disappearances: Celebrity and Privacy, 1696–1801 by Julia H. Fawcett (review)

Brian Cowan

Textual Vision: Augustan Design and the Invention of Eighteenth-Century British Culture by Timothy Erwin (review)

K.L.H. Wells

What Was Tragedy? Theory and the Early Modern Canon by Blair Hoxby (review)

Anna Rosensweig

Raving at Usurers: Anti-Finance and the Ethics of Uncertainty in England, 1690–1750 by Dwight Codr (review)

Ann Louise Kibbie

Theatre and the Novel, from Behn to Fielding by Anne F. Widmayer (review)

Lisa A. Freeman

Mind, Body, Motion, Matter: Eighteenth-Century British and French Literary Perspectives ed. by Mary Helen McMurran and Alison Conway (review)

Matthew Rowney

Lucretian Thought in Late Stuart England: Debates about the Nature of the Soul by Laura Linker (review)

Jacqueline Broad

Defoe’s Major Fiction: Accounting for the Self by Elizabeth R. Napier (review)

Kit Kincade

Pensées errantes; avec quelques lettres d’un Indien by Bonne-Charlotte de Bénouville (review)

Marie-Laure Girou Swiderski

Brothers of the Quill: Oliver Goldsmith in Grub Street by Norma Clarke (review)

Maureen Harkin

Sterne, Tristram, Yorick: Tercentenary Essays on Laurence Sterne, ed. by Melvyn New, Peter de Voogd, and Judith Hawley (review)

Jesse Molesworth

Sade’s Sensibilities, ed. by Kate Parker and Norbert Sclippa (review)

Melissa Deininger

Malvina by Sophie Cottin (review)

JoEllen DeLucia

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Eighteenth Century Fiction publishes articles in both English and French on all aspects of imaginative prose in the period 1700–1800, but will also examine papers on late 17th-century or early 19th-century fiction, particularly when the works are discussed in connection with the eighteenth century. http://bit.ly/ECFonline

Eighteenth Century Fiction is available online at:

Project MUSE - http://bit.ly/ecf_pm

ECF Online - http://bit.ly/ECFonline

Submissions to Eighteenth Century Fiction

The editors invite contributions on all aspects of imaginative prose in the period 1700-1800, but are also happy to consider papers on late seventeenth-century or early nineteenth-century fiction. The languages of publication are English and French. Articles about the fiction of other languages are welcomed and comparative studies are particularly encouraged. The suggested length for manuscripts is 6,000-8,000 words, but longer and shorter articles have been published in the journal.

The Chicago Manual of Style is used for most points in ECF. Articles submitted should be double-spaced, including quotations. Email submissions are encouraged [log in to unmask]. As ECF evaluates manuscripts anonymously, the author's name ought not to appear on the article itself.

Posted by T Hawkins, UTP Journals