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Dear Friends of the Fibreculture Journal,

We are pleased to announce FCJ 28—Creative Robotics. Edited by Petra Gemeinboeck. Elena Knox, Jill Bennett and Andrew Murphie. 

This really is one of our best issues ever. 

Many thanks to the Editors for what has been a great deal of work for an amazing issue. 

Many thanks as always to Mat Wall-Smith for getting it all online (and keeping it there—despite hackers and so forth).

Enjoy!

http://twentyeight.fibreculturejournal.org/

FCJ-203 Introduction
Petra Gemeinboeck

FCJ-204 Degrees of Freedom
Elena Knox

FCJ-205 Life and Labour of Rovers on Mars: Toward Post-Terrestrial Futures of Creative Robotics
Katarina Damjanov

FCJ-206 From Braitenberg’s Vehicles to Jansen’s Beach Animals: Towards an Ecological Approach to the Design of Non-Organic Intelligence
Maaike Bleeker

FCJ-207 Game On: A Creative Enquiry into Agency and the Nature of Cognition in Distributed Systems
Michaela Davies

FCJ-208 This Machine Could Bite: On the Role of Non-Benign Art Robots
Paul Granjon

FCJ-209 Indigenous Knowledge Systems and Pattern Thinking: An Expanded Analysis of the First Indigenous Robotics Prototype Workshop
Angie Abdilla and Robert Fitch

FCJ-210 Falling Robots.
Lian Loke

FCJ-211 Embodying a Future for the Future: Creative Robotics and Ecosophical Praxis
Keith Armstrong


Andrew Murphie on behalf of the Fibreculture Journal Editorial Team


--

"A traveller, who has lost his way, should not ask, Where am I? What he really wants to know is, Where are the other places" - Alfred North Whitehead

Andrew Murphie - Associate Professor
School of the Arts and Media,
University of New South Wales, Sydney, Australia, 2052

UNSW is CRICOS Provider code number 00098G

Editor - The Fibreculture Journal http://fibreculturejournal.org/>
web: http://www.andrewmurphie.org/ 

fax:612 93856812 tlf:612 93855548
room 311H, Robert Webster Building

"Those who use the expression 'unrealistic' are claiming an authority about the nature and assessment of realism not necessarily granted to them by others." (Edith Berry in Frank Moorhouse's Cold Light:657)
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