Thank you Jane.  I quite agree about not wanting people to feel doubly excluded - good point. Management of mobile tablets might present a problem for this setting, but a fixed one on the ground floor might be an option.  The lack of a good mobile signal as no Wi-Fi would also be a concern for an app to actually work. So, any low-tech ideas also welcome!

Hannah



From: Jane Frederick <[log in to unmask]>
To: [log in to unmask]
Sent: Friday, 17 March 2017, 13:43
Subject: Re: Interpretation and 'access' to inaccessible spaces

Hi Hannah,
Working on a project at the moment that will be using 3D scanning to create virtual access to a crypt area - the 3D scans will be available on site on a digital device. The scans will be similar to the online version the Soane Museum has or the fly through that the ORNC has recently put on view in their Visitor Centre.
I think QR codes present a problem if you are trying to give access to a space that people may not be able to access because of mobility or other physical issues if you are relying on them using their own technology. If they don't have a smartphone, or don't have a smartphone with a QR code reader, then they may feel doubly excluded from the experience.
Cheers
Jane
On 17 March 2017 at 13:33 Hannah Brownlow <[log in to unmask]> wrote:


Hi all,

I am following responses to Barbara's post with interest.  I am currently considering ways to make the views and interpretation from the top of a 19th century watchman's tower accessible to those who have to stay on ground level.  

I have been thinking along the lines of a 360 photograph, 3-D modelling or film.  But I also want to incorporate layering of past and present views to show how the landscape has changed over time.
For our purposes I think something which visitors could view on their own smartphones by scanning a QR code might work best, but I'd really like to hear of any examples people might be able to give.

Many thanks,

Hannah Brownlow
Heritage Learning Consultant
07961 424521




From: Spencer Clark <[log in to unmask]>
To: [log in to unmask]
Sent: Friday, 17 March 2017, 12:23
Subject: Re: Interpretation and 'access' to inaccessible spaces

Hi Barbara,
 
A few considerations that we have explored and implemented.
 
Provide a device (screen, tablet) to the visitor and provide a range of possible content options:
 
Film (of space, or a demonstration of an object) including audio
Photographs of spaces/objects
Live stream video of inaccessible areas (with a camera(s) placed in inaccessible areas)
360 photograph – with zoomable and explorable features.
360 Film
 
A step up from the tablet device could be a Virtual Reality headset with appropriate content (could include the above 360 stills or a 360 film) of the space/room/areas – or a 3D modelled recreation if you wanted to show what eth room looked like in the past, or to virtually pick up/explore objects.
 
I’d be more than happy to chat through ideas if you’d like.
 
Very best,
 
Spencer.
 
Spencer Clark
 
t: 023 9259 5000   
m: 07787 176888
skype: spencer_clark
 
We’ve been secretly growing our film production team, take 2 minutes to watch our latest film production showreel and let me know what do you think.
 
Latest project news:
Eltham Palace reinterpretation project won ‘Museum and historic property/sites’ AHI Award 2015
St Paul’s Cathedral multimedia guides are now live
National Portrait Gallery re-appoint ATS as trusted multimedia partner
 
Creating innovative visitor experiences with Multimedia Guides, Apps, Audio Guides, Film.
 
LinkedIn-Logo
 
Head Office: 1 South Lane, Clanfield, Waterlooville, Hants, PO8 0RB
 
  
 
 
 
 
 
From: List for discussion of issues in museum education in the UK. [mailto:[log in to unmask]] On Behalf Of Wood, Barbara
Sent: 17 March 2017 11:58
To: [log in to unmask]
Subject: Interpretation and 'access' to inaccessible spaces
 
Hi colleagues
 
I’m looking for examples of effective and interesting provision of ‘access’ and information related to historic places/spaces which visitors are unable to physically reach.  That might be attics, caves, secure areas and small or fragile spaces.  I’d be grateful for any examples – good and bad – and also for any ideas that you’ve had that might be interesting.
 
I’m working with a decorated gallery space which is designed to be viewed from below but which of course, everyone would like to get up to see.  It is extremely fragile and there is no way to create direct physical access.
 
With the usual apologies for cross posting
 
Many thanks
Barbara
 
Barbara Wood
Curator (South West)
Devon Office
Killerton House
Broadclyst
Exeter
EX5  3LE
 
01392 883180
07789 745272
 
 
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