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Dear All, Yet another session for your consideration at the next RC21 Conference in Leeds. Class, place, heritage and critical urban futures (see below) Deadline for Abstract Submission is 10th March 2017. Abstracts of 300-500 words should be sent by e-mail to [log in to unmask], [log in to unmask] AND to [log in to unmask] Further details on abstract submission and the conference at: https://rc21leeds2017.wordpress.com/ Best, Andrew and Gareth --- Class, place, heritage and critical urban futures The histories, ‘ruinations’ (Mah, 2012) and infrastructures of ex-industrial and Rust Belt cities across the Global North offer an awkward, contested and ambiguous context for post-industrial urban development. Physical and cultural heritage is mobilised to authenticate boosterist regeneration projects, radical histories are selectively heralded, whilst new formulations of ‘craft’ / creative economies are framed as lineages of urban industrial innovation. This occurs alongside continued economic dislocations, class-based defamations and latterly, discourses of political dysfunction. In the UK, we see the cities of the English north drawn into a ‘Northern Powerhouse’ policy framing with industrial infrastructures and working class histories viewed as key strategic resources to forge new place-identities and economic imaginaries (such as Sheffield’s ‘Year of Making’). However, we do not fully understand how and to what end this heritage is mobilised or what kind of development agendas and urban experiences it produces. With the political resurgence of conservative populism and its connection in media discourses with disgruntled ‘left behind’ spaces, how working class / industrial histories, materialities and experiences are located within and exploited by contemporary urban policy is crucial to understand. In the session, we envisage papers examining themes such as: Heritage regeneration The politics and materialities of deindustrialisation Industrial infrastructures and the post-industrial city ‘Craft’, ‘making’ and ‘new’ artisanship The exploitation of radical urban movements / histories Contested urban memory Urban nostalgias Tourism and the industrial landscape The gentrification of heritage Aesthetics of industrial ‘ruination’