JISCMail - MECCSA Archives

Dear Subscribers

X-posting apologies.

If anyone is interested in reviewing a title for Studies in European Cinema over the coming few months, please let me know.

I have on my desk a bunch of books that I would happily send along to reviewers, including the below list.

Graduate students are in particular welcome to review. And if you have any ideas - as a reviewer or as an author - to suggest, please let me know.

With best wishes

William

List starts:-

Antoine de Baecque and Noel Herpe - Eric Rohmer: A Biography

Isolina Ballesteros - Immigration Cinema in the New Europe

Stefano Baschiera and Russ Hunter (eds) - Italian Horror Cinema
Louis Bayman - The Operatic and The Everyday in Post-War Italian Film Melodrama
Stefania Benini - Pasolini: The Sacred Flesh
Steve Choe - Afterlives: Allegories of Film and Mortality in Early Weimar Germany
Michael Gott - French-Language Road Cinema: Borders, Diasporas, Migration and 'New Europe'
Paul Douglas Grant - Cinéma Militant: Political Filmmaking & May 1968
Vittorio Hosle - Eric Rohmer: Filmmaker and Philosopher
Ozlem Koksal - Aesthetics of Displacement: Turkey and its Minorities on Screen
Angelos Koutsourakis and Mark Steven (eds) - The Cinema of Theo Angelopoulos
Abigail Loxham - Cinema at the Edges: New Encounters with Julio Medem, Bigas Luna and José Luis Guerín
Todd McGowan - Psychoanalytic Film Theory and The Rules of the Game
Hilary Neroni - Feminist Film Theory and Cléo from 5 to 7
Catherine O'Rawe - Stars and Masculinities in Contemporary Italian Cinema
Martin O'Shaughnessy - Laurent Cantet
Nick Rees-Roberts and Darren Waldron (eds) - Alain Delon: Style, Stardom and Masculinity
Paul Matthew St Pierre - Cinematography in the Weimar Republic: Lola Lola, Dirty Singles, and the Men Who Shot Them
Christophe Wall-Romana - Jean Epstein: Corporeal Cinema and Film Philosophy

Dan Williams - Klein, Sartre and Imagination in the Films of Ingmar Bergman

James S Williams - Space and Being in Contemporary French Cinema

James S Williams - Encounters with Godard

[James S Williams has been busy, hasn't he?]

Also, I can double up some of these for reviews in Film-Philosophy (basically, if it has philosophy in the title, but I can be flexible.

So if you are not the only person vying for a title, I shall see what I can do.

With best wishes to one and all for 2017

William

Dr William Brown
Senior Lecturer in Film
Department of Media, Culture and Language
University of Roehampton
London SW15 5SL
T: (020)8 392 3713
M: 07950 978 708
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Blog: http://wjrcbrown.wordpress.com/
Website: http://begstealborrowfilms.wordpress.com/

Author: Supercinema: Film Philosophy for the Digital Age (2013)
Co-author: Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010)
Co-editor: Deleuze and Film (2012)
Co-editor: Special Issue of animation: an interdisciplinary journal on Avatar (2012)
Director: En Attendant Godard (2009), Afterimages (2010), Common Ground (2012), China: A User's Manual (Films) (2012), Selfie (2014), Ur: The End of Civilization in 90 Tableaux (2015), The New Hope (2015), Circle/Line (post-production), The Benefit of Doubt (post-production)