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Dear Subscribers X-posting apologies. If anyone is interested in reviewing a title for Studies in European Cinema over the coming few months, please let me know. I have on my desk a bunch of books that I would happily send along to reviewers, including the below list. Graduate students are in particular welcome to review. And if you have any ideas - as a reviewer or as an author - to suggest, please let me know. With best wishes William List starts:- Antoine de Baecque and Noel Herpe - Eric Rohmer: A Biography Isolina Ballesteros - Immigration Cinema in the New Europe Stefano Baschiera and Russ Hunter (eds) - Italian Horror Cinema Louis Bayman - The Operatic and The Everyday in Post-War Italian Film Melodrama Stefania Benini - Pasolini: The Sacred Flesh Steve Choe - Afterlives: Allegories of Film and Mortality in Early Weimar Germany Michael Gott - French-Language Road Cinema: Borders, Diasporas, Migration and 'New Europe' Paul Douglas Grant - Cinéma Militant: Political Filmmaking & May 1968 Vittorio Hosle - Eric Rohmer: Filmmaker and Philosopher Ozlem Koksal - Aesthetics of Displacement: Turkey and its Minorities on Screen Angelos Koutsourakis and Mark Steven (eds) - The Cinema of Theo Angelopoulos Abigail Loxham - Cinema at the Edges: New Encounters with Julio Medem, Bigas Luna and José Luis Guerín Todd McGowan - Psychoanalytic Film Theory and The Rules of the Game Hilary Neroni - Feminist Film Theory and Cléo from 5 to 7 Catherine O'Rawe - Stars and Masculinities in Contemporary Italian Cinema Martin O'Shaughnessy - Laurent Cantet Nick Rees-Roberts and Darren Waldron (eds) - Alain Delon: Style, Stardom and Masculinity Paul Matthew St Pierre - Cinematography in the Weimar Republic: Lola Lola, Dirty Singles, and the Men Who Shot Them Christophe Wall-Romana - Jean Epstein: Corporeal Cinema and Film Philosophy Dan Williams - Klein, Sartre and Imagination in the Films of Ingmar Bergman James S Williams - Space and Being in Contemporary French Cinema James S Williams - Encounters with Godard [James S Williams has been busy, hasn't he?] Also, I can double up some of these for reviews in Film-Philosophy (basically, if it has philosophy in the title, but I can be flexible. So if you are not the only person vying for a title, I shall see what I can do. With best wishes to one and all for 2017 William -- Dr William Brown Senior Lecturer in Film Department of Media, Culture and Language University of Roehampton London SW15 5SL T: (020)8 392 3713 M: 07950 978 708 E1: [log in to unmask] E2: [log in to unmask] Blog: http://wjrcbrown.wordpress.com/ Website: http://begstealborrowfilms.wordpress.com/ Author: Supercinema: Film Philosophy for the Digital Age (2013) Co-author: Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010) Co-editor: Deleuze and Film (2012) Co-editor: Special Issue of animation: an interdisciplinary journal on Avatar (2012) Director: En Attendant Godard (2009), Afterimages (2010), Common Ground (2012), China: A User's Manual (Films) (2012), Selfie (2014), Ur: The End of Civilization in 90 Tableaux (2015), The New Hope (2015), Circle/Line (post-production), The Benefit of Doubt (post-production) -- To manage your subscription or unsubscribe from the Film-Philosophy list, please visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html -- Journal: http://www.film-philosophy.com/ Conference: http://www.film-philosophy.com/conference/ --