Dear All

I am interested in getting some book reviews together to appear in the Film-Philosophy journal over the course of the coming months.

Among those titles for which I'd be interested in receiving a review are:

Thomas Elsaesser - Film History as Media Archaeology

Janet Harbord - Ex-Centric Cnema: Giogrio Agamben and Film Archaeology
Sylvie Magerstadt - Philosophy, Myth and Epic Cinema
Shaun May - A Philosophy of Comedy on Stage and Screen

Luis Rocha Antunes - The Multisensory Film Experience

Daniele Rugo - Philosophy and the Patience of Film in Cavell and Nancy

Saige Walton - Cinema's Baroque Flesh

And of course any other texts that broadly speaking come under the film-philosophy remit and which authors/reviewers/readers would like to see reviewed (do get in touch; I am open to suggestions although since the journal is now no longer online-only we do not have infinite space).

Reviews should be 1,000-1,500 words or so.

I perhaps especially encourage students doing their PhD to contact me about this.

(Although - and I speak from the experience of many reviewers never submitting their reviews - be wary that if you are flakey, I shall spread word of your flakiness via the secret editors' smoke signal forum and you'll never work in this town again... [that is a joke, by the way].)

With best wishes and season's greetings blah

William

Dr William Brown
Senior Lecturer in Film
Department of Media, Culture and Language
University of Roehampton
London SW15 5SL
T: (020)8 392 3713
M: 07950 978 708
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Blog: http://wjrcbrown.wordpress.com/
Website: http://begstealborrowfilms.wordpress.com/

Author: Supercinema: Film Philosophy for the Digital Age (2013)
Co-author: Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010)
Co-editor: Deleuze and Film (2012)
Co-editor: Special Issue of animation: an interdisciplinary journal on Avatar (2012)
Director: En Attendant Godard (2009), Afterimages (2010), Common Ground (2012), China: A User's Manual (Films) (2012), Selfie (2014), Ur: The End of Civilization in 90 Tableaux (2015), The New Hope (2015), Circle/Line (post-production), The Benefit of Doubt (post-production)