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Re: Margaret's question,

Is there any chance that St-Denis had a link to or a church in Avallon, i.e. St Hugh of Lincoln's birthplace?

Jane



On 9 October 2016 17:40:46 BST, "Cormack, Margaret Jean" <[log in to unmask]> wrote:
>medieval-religion: Scholarly discussions of medieval religion and
>culture
>
>And it is now the feast of the saint I am interested in! Does  anyone
>know the reason for St. Denis being associated with Lincoln Cathedral
>(or Lincoln more generally)? Is there any information on saints' cults
>in the city?
>Meg
>
>
>________________________________
>From: medieval-religion - Scholarly discussions of medieval religious
>culture <[log in to unmask]> on behalf of Gordon Plumb
><[log in to unmask]>
>Sent: Sunday, October 9, 2016 6:26 AM
>To: [log in to unmask]
>Subject: Re: [M-R] FEAST - A Saint for the Day (October 9): St.
>Dionysius (Denis) of Paris
>
>medieval-religion: Scholarly discussions of medieval religion and
>culture
>
>St Denis:
>
>a few more images:
>
>Lincoln Cathedral, sII, 1a, St Denis bearing top of his head, c1230:
>https://www.flickr.com/photos/22274117@N08/2259035172<https://urldefense.proofpoint.com/v2/url?u=https-3A__www.flickr.com_photos_22274117-40N08_2259035172&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=4WgLlDQp4t-ePGgcTa7fvyuIsxuXVDeNBYDtlp7RAnw&e=>
>and detail:
>https://www.flickr.com/photos/22274117@N08/5455163925<https://urldefense.proofpoint.com/v2/url?u=https-3A__www.flickr.com_photos_22274117-40N08_5455163925&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=MwEIlqQs2IN-126GjiLdRrIDTA9eEaG_I_yXI0-EGEs&e=>
>
>Chartres, Cathédrale Notre Dame, Bay 116, St Denis giving oriflamme to
>Jean Clément of Metz:
>https://www.flickr.com/photos/22274117@N08/8070019929<https://urldefense.proofpoint.com/v2/url?u=https-3A__www.flickr.com_photos_22274117-40N08_8070019929&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=g2fcAdUVpvtVtzhyDb_PXaWxY-VmPf1KmgHyhUwOUkw&e=>
>
>Winchester College Chapel, Fromond’s Chantry, east window, A10, 15thc.:
>https://www.flickr.com/photos/22274117@N08/3453119357<https://urldefense.proofpoint.com/v2/url?u=https-3A__www.flickr.com_photos_22274117-40N08_3453119357&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=2ySbGAt2RzbWh9bw040ZQ9FoTwZgN4hghNc8aRE1KB4&e=>
>and detail:
>https://www.flickr.com/photos/22274117@N08/3453937140<https://urldefense.proofpoint.com/v2/url?u=https-3A__www.flickr.com_photos_22274117-40N08_3453937140&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=tk-aMqnjPJ3rOFsU8lyp0NNEqgkQScIIYNTVOI44rgI&e=>
>
>Bourges, Cathédrale Saint-Étienne, Bay 31, St Denis window of 1517-18,
>an album of views:
>https://www.flickr.com/photos/22274117@N08/albums/72157660703314954<https://urldefense.proofpoint.com/v2/url?u=https-3A__www.flickr.com_photos_22274117-40N08_albums_72157660703314954&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=Rh9vglCG8vSi_z0JERMxrYfsC8pt6N60MxD03i17niI&e=>
>
>Gordon Plumb
>
>
>
>-----Original Message-----
>From: John Dillon <[log in to unmask]>
>To: MEDIEVAL-RELIGION <[log in to unmask]>
>Sent: Sun, Oct 9, 2016 11:10 am
>Subject: [M-R] FEAST - A Saint for the Day (October 9): St. Dionysius
>(Denis) of Paris
>
>medieval-religion: Scholarly discussions of medieval religion and
>culture
>
>Dionysius (Denis, etc.) is the fairly legendary protobishop of Paris,
>named by St. Gregory of Tours (_Historia Francorum_, 1. 30) as one of
>seven missionaries sent to evangelize Gaul during the reign of the
>emperor Decius (249-251) and as one of two of these who later were
>martyred (in Dionysius' case, by decapitation). He is entered under
>today, along with the priest Eleutherius and the deacon Rusticus, in
>the (pseudo-)Hieronymian Martyrology and in the martyrologies of Florus
>of Lyon and St. Ado of Vienne. Dionysius' numerous Passiones (BHL
>2171ff.) make Rusticus a priest and Eleutherius a deacon and in this
>they are followed both by Usuard of Saint-Germain and, in what is now
>expressly a summary of tradition, by the Roman Martyrology.
>
>BHL 2171 claims an apostolic origin for the churches of the various
>early missionaries (Dionysius of course included) by placing their
>mission in the first century under pope St. Clement I. This tradition
>was known to the author of the first Vita of St. Genovefa of Paris (BHL
>3334; ca. 520). Genovefa, in turn, is said to have erected at some time
>in the later fifth century a church over Dionysius' tomb at Catulliac
>in Parisian territory some miles north of the city proper and close to
>the royal villa at Clichy. In the sixth century St. Venantius
>Fortunatus knew of Diohysius' church there, which was beginning to
>receive important burials, and of another dedicated to him in Bordeaux.
>In the early seventh century the church at Catulliac was being tended
>by a monastic community that would evolve into the famous abbey of
>Saint-Denis. It was also drawing pilgrims in such numbers that Dagobert
>I (the first king to be buried there) founded an adjacent fair on
>Dionysius' feast day.
>
>This Dionysius' identification with Dionysius the Areopagite (3.
>October) appears to begin with his eighth-century Passio BHL 2178, a
>product of the abbey of Saint-Denis that also presents Dionysius in
>what would become his standard construction as a cephalophore. His
>ninth-century Passio by abbot Hilduin elaborates Dionysius' legend and
>uses matter from the late antique philosopher Dionysius (in mss. called
>the Areopagite), thus making Dionysius of Paris also a theologian.
>Slightly later Byzantine synaxary notices of Dionysius the Areopagite
>likewise collapse the three Dionysii into one. By this time Dionysius
>of Paris had become a "national" saint in Francia and his cult was
>radiating elsewhere. In the twelfth century abbot Suger translated
>relics believed to be those of Dionysius, Rusticus, and Eleutherius
>from the crypt of his rebuilt abbey church to underneath its main
>altar. In the later Middle Ages Dionysius was one of the Fourteen Holy
>Helpers, invoked in cases of illness of or injury to the head.
>
>Today (9. October) is Dionysius of Paris' feast day in the diocese of
>Paris. The latter now celebrates Rusticus and Eleutherius on 8.
>November in a celebration of all the saints of the church of Paris. In
>the Roman Martyrology today is the day of commemoration of Dionysius of
>Paris and unspecified companions.
>
>
>Some period-pertinent images of St. Dionysius of Paris:
>
>a) as depicted (at left; at center, Rusticus; at right, Eleutherius) in
>an earlier eleventh-century gradual for the use of the abbey of
>Saint-Denis near Paris (ca. 1030; Paris, Bibliothèque Mazarine, ms.
>384, fol. 117v):
>http://www.culture.gouv.fr/Wave/savimage/enlumine/irht16/IRHT_065156-p.jpg<https://urldefense.proofpoint.com/v2/url?u=http-3A__www.culture.gouv.fr_Wave_savimage_enlumine_irht16_IRHT-5F065156-2Dp.jpg&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=EFB6wUNgBhAzpbKMj3JTCVUxe9sh0S_uWWJNj772TbQ&e=>
>
>b) as portrayed in a mid-eleventh-century relief in the entrance hall
>to the Kirche St. Emmeram in Regensburg, originally the church of a
>monastery claiming to possess Dionysius' remains:
>http://www.fantomzeit.de/wp-content/uploads/wibald03.jpg<https://urldefense.proofpoint.com/v2/url?u=http-3A__www.fantomzeit.de_wp-2Dcontent_uploads_wibald03.jpg&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=_ec3yg9Y4OTAWv8fTaSsPlkFK738EMzpzN3YuapnheQ&e=>
>
>c) as depicted in an historiated initial "P" in an earlier
>twelfth-century passionary from St Augustine's Abbey in Canterbury
>(London, BL, MS Arundel 91, fol. 47v):
>http://www.bl.uk/catalogues/illuminatedmanuscripts/ILLUMIN.ASP?Size=mid&IllID=12269<https://urldefense.proofpoint.com/v2/url?u=http-3A__www.bl.uk_catalogues_illuminatedmanuscripts_ILLUMIN.ASP-3FSize-3Dmid-26IllID-3D12269&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=McMly6kt1wMy68sKMyW9I-8IWiOhbO3Tdt1PiIv4qcc&e=>
>http://www.bl.uk/catalogues/illuminatedmanuscripts/ILLUMINBig.ASP?size=big&IllID=12269<https://urldefense.proofpoint.com/v2/url?u=http-3A__www.bl.uk_catalogues_illuminatedmanuscripts_ILLUMINBig.ASP-3Fsize-3Dbig-26IllID-3D12269&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=Ifb5S2Ufwv6daGuS4kRYmUFZQ9HbH3O21LpMJy3_HdA&e=>
>
>d) as portrayed in relief with the background removed (at center; at
>left, Rusticus; at right, Eleutherius) in a mid-twelfth-century walrus
>ivory plaque (from a portable altar) in the Musée du Louvre in Paris:
>http://tinyurl.com/5ue9chx<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_5ue9chx&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=hTI_o9PExrFhxx1cEruXd4tsq-rYCQKrexrRMLJeZQs&e=>
>http://tinyurl.com/5rr2goz<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_5rr2goz&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=8fHlhl-67wkPW0YX3MsJLbC8jJnfS_FrNEAE3Fb1EzY&e=>
>
>e) as depicted in one of four panels of a full-page illumination in the
>late twelfth-century so-called Bible of Saint Bertin (ca. 1190-1200;
>Den Haag, KB, ms. 76 F 5, fol. 28v, sc. 2A):
>http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_76f5%3A028v_min_a2<https://urldefense.proofpoint.com/v2/url?u=http-3A__manuscripts.kb.nl_zoom_BYVANCKB-253Amimi-5F76f5-253A028v-5Fmin-5Fa2&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=IHew8sj3tBwrXEh9Du5vsDyY9TNQIrjm4fP8ouaL7S0&e=>
>
>f) as portrayed in relief (at center) in the jambs of the left portal
>of the south porch (betw. 1194 and 1230) in the basilique cathédrale
>Notre-Dame in Chartres:
>http://tinyurl.com/4o6rjl<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_4o6rjl&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=Bp0JxYpCgiu0IbPce0FsyH0Eim7E5iEd5ohVky9zL8o&e=>
>Detail view (Dionysius' head):
>http://tinyurl.com/4zncmm<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_4zncmm&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=IAh5QQKKpkjTrbg9QGKJN_Jka3Fl1vOsk1FjTSGVFVM&e=>
>
>g) as portrayed (at far right) in an earlier thirteenth-century statue
>on a choir screen in Bamberg's Dom St. Peter und St. Georg
>(consecrated, 1237):
>https://wgue.smugmug.com/Orte/Franken/Bamberg-Dom/i-nGSqWTv<https://urldefense.proofpoint.com/v2/url?u=https-3A__wgue.smugmug.com_Orte_Franken_Bamberg-2DDom_i-2DnGSqWTv&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=2gsHvSrkO8rhVCTU6NSFaE5_KTkyAl0432BS_g0Jgyg&e=>
>Another view:
>http://tinyurl.com/69dhonr<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_69dhonr&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=fKeSsD6FMEi5u_zn4fBxMDbvPC1fT_PVrLbXXEWQYR4&e=>
>
>h) as depicted (at left; presenting the oriflamme to Jean Clément at
>right) in an earlier thirteenth-century window (1228-1231) of the south
>transept clerestory in the basilique cathédrale Notre-Dame in Chartres
>(not to miss the important bibliography cited on this page):
>http://tinyurl.com/3v5epn<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_3v5epn&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=1nBtmtRsiqLaBqkVUUyWGMizLPTBRSxCRbVaroGJwfU&e=>
>
>i) as depicted in a later thirteenth-century window (ca. 1280) in the
>Stadtkirche St. Dionys in Esslingen am Neckar:
>http://tinyurl.com/yfa8loy<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_yfa8loy&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=UMH51S0humC40fM3wiEPaX0nnKKDZJ5xvRdKngUzmkA&e=>
>
>j) as depicted (at center between Rusticus and Eleutherius; their
>martyrdom) in a late thirteenth-century copy of French origin of the
>_Legenda aurea_ (San Marino, CA, Huntington Library, ms. HM 3027, fol.
>142v):
>http://digitalassets.lib.berkeley.edu/ds/huntington/images//000923A.jpg<https://urldefense.proofpoint.com/v2/url?u=http-3A__digitalassets.lib.berkeley.edu_ds_huntington_images__000923A.jpg&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=eLQHzvKOHKADNTbD60fdn2q3FFVlmOZg_Mnml5hkNYM&e=>
>
>k) as depicted (at left; at right, St. Piatus of Seclin [1. Oct.]) in
>the late thirteenth-century Livre d'images de Madame Marie (ca.
>1285-1290; Paris, BnF, ms. Nouvelle acquisition française 16251, fol.
>84v):
>http://tinyurl.com/y8v48ko<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_y8v48ko&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=5fEMVBnHHGkUVVZbyRILb7Ksf3zIi-yKZ7bINsxHaCc&e=>
>
>l) as depicted (surrounded by his biographers) in the first volume of a
>richly illuminated early fourteenth-century copy, now in three volumes,
>of Yves of Saint-Denis' _Vita et passio sancti Dionysii_ together with
>its French-language translation by Boitbien (ms. completed, 1317;
>Paris, BnF, mss. Français 2090-2092, at ms. Français 2090, fol. 12v):
>http://gallica.bnf.fr/ark:/12148/btv1b8447296x/f30.item.zoom<https://urldefense.proofpoint.com/v2/url?u=http-3A__gallica.bnf.fr_ark-3A_12148_btv1b8447296x_f30.item.zoom&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=C6S_NbBtTSAFgOwZKEII_cPWKXsr6DPLXsuJr_xg_Ik&e=>
>The three volumes as digitized and presented in Gallica:
>http://gallica.bnf.fr/ark:/12148/btv1b8447296x/f1.item.zoom<https://urldefense.proofpoint.com/v2/url?u=http-3A__gallica.bnf.fr_ark-3A_12148_btv1b8447296x_f1.item.zoom&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=jMzyF7Le0C6J4QavHj2UUvSW8Iadvd-Cn8Lb4-oo7uI&e=>
>http://gallica.bnf.fr/ark:/12148/btv1b8452762k/f1.item.zoom<https://urldefense.proofpoint.com/v2/url?u=http-3A__gallica.bnf.fr_ark-3A_12148_btv1b8452762k_f1.item.zoom&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=n59vXJmVT2-K4AsEv6CgULUssHWaXtuFOsyNBGJ65Fk&e=>
>http://gallica.bnf.fr/ark:/12148/btv1b84478804/f1.item.zoom<https://urldefense.proofpoint.com/v2/url?u=http-3A__gallica.bnf.fr_ark-3A_12148_btv1b84478804_f1.item.zoom&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=rCEZvqsKjO7C4zak1eitX0llfi0OBPe0ag8TrxbK5MQ&e=>
>
>m) as portrayed (seated) in an earlier fourteenth-century polychromed
>walnut-wood statue from Köln (ca. 1320) now in that city's
>Schnütgen-Museum:
>http://www.museum-schnuetgen.de/medien/abb/1434/2650__2720000.jpg<https://urldefense.proofpoint.com/v2/url?u=http-3A__www.museum-2Dschnuetgen.de_medien_abb_1434_2650-5F-5F2720000.jpg&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=l2ToC63nujuzdv-DzzdlJuuzk4ga66-DhH7EUdYSq3g&e=>
>Another view (before restoration but showing the object's backside):
>http://www.museenkoeln.de/portal/medien/img_bdw/hi/1998_43.jpg<https://urldefense.proofpoint.com/v2/url?u=http-3A__www.museenkoeln.de_portal_medien_img-5Fbdw_hi_1998-5F43.jpg&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=1Om-xrI9ui9pjwaLLDcnsv5IS8BOTwFD1GS0Rwb5xrU&e=>
>
>n) as portrayed in relief (at right; at left, Eleutherius; at center,
>Rusticus) in an earlier fourteenth-century marble sculpture (ca.
>1326-1350), formerly part of a retable, in the Musée du Louvre in
>Paris:
>https://api.art.rmngp.fr/v1/images/17/627933?t=WOaBpphURrcF0HuHvhXDVQ<https://urldefense.proofpoint.com/v2/url?u=https-3A__api.art.rmngp.fr_v1_images_17_627933-3Ft-3DWOaBpphURrcF0HuHvhXDVQ&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=LARZRO3BI9R4a7J2BlIlWnPYC9a4S9eFL5BW16gT-Vk&e=>
>
>o) as depicted (scenes of his life and and suffering) in an earlier
>fourteenth-century copy of the _Legenda aurea_ in its French-language
>version by Jean de Vignay (ca. 1326-1350; Paris, BnF, ms. Français 185,
>fols. 202r, 203v, 204r, 204v, 205v, 206v, 207v), the last also
>depicting the martyrdom of Rusticus and Eleutherius:
>http://tinyurl.com/ylrytq7<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_ylrytq7&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=QRm63x0AhstBgSFMZ0F5-f53WlgxuGXofKQTYpD18tE&e=>
>http://tinyurl.com/yllhhq9<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_yllhhq9&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=p1JZYheFn-u-_QrDV8I8Q3rsAVq_5k-u1SrUNGLlpdo&e=>
>http://tinyurl.com/ykgrryk<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_ykgrryk&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=f14lpfefGlPqEjpCu59usGYJ-aN0gFetKkMOYg922Yc&e=>
>http://tinyurl.com/yfrz7hr<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_yfrz7hr&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=Q6F2HQcgml8P80reBt6JKJr-XqW_nB4c8M3uMS5jDlA&e=>
>http://tinyurl.com/yzbemgu<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_yzbemgu&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=S5tOG9gxjw-SuhrXpGKQoc9UvyIZwHXZJO3TeB7mSnE&e=>
>http://tinyurl.com/yfnbkse<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_yfnbkse&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=TlX3IIy3FqSHhI7ypIXNIH9EUfkH-wXieSmNl1xVpVc&e=>
>http://tinyurl.com/ylppvlk<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_ylppvlk&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=aBfIeyFAj6HnQtbpo8C5vx2a9HAlRCxeMKjUGlYQLak&e=>
>
>p) as depicted in a mid-fourteenth-century copy, from the workshop of
>Richard and Jeanne de Montbaston, of the _Legenda aurea_ in its
>French-language version by Jean de Vignay (1348; Paris, BnF, ms.
>Français 241, fol. 275v):
>http://gallica.bnf.fr/ark:/12148/btv1b84260044/f554.item.zoom<https://urldefense.proofpoint.com/v2/url?u=http-3A__gallica.bnf.fr_ark-3A_12148_btv1b84260044_f554.item.zoom&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=73MLmNs0QSOvswZ9dhFM3YG2uBtRJfCWDr7b0VS3PwI&e=>
>
>q) as depicted (bottom register at right; at left, St. Valentine of
>Rome) in a later fourteenth-century glass window in the north transept
>of the Basilica St. Valentinus und Dionysius in Kiedrich (Lkr.
>Rheingau-Taunus-Kreis) in Hessen:
>https://c1.staticflickr.com/5/4134/4849130575_91e94985af_b.jpg<https://urldefense.proofpoint.com/v2/url?u=https-3A__c1.staticflickr.com_5_4134_4849130575-5F91e94985af-5Fb.jpg&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=K25BHylkZeZ5neKXf5tZY49o63W737jM9BP4LNyTBsM&e=>
>
>r) as depicted (at left; at center, Rusticus; at right, Eleutherius;
>their martyrdom) in a later fourteenth-century copy of the _Legenda
>aurea_ in its French-language version by Jean de Vignay (ca. 1380;
>Paris, Bibliothèque Mazarine, ms. 1729, fol. 262v):
>http://www.culture.gouv.fr/Wave/savimage/enlumine/irht16/IRHT_068254-p.jpg<https://urldefense.proofpoint.com/v2/url?u=http-3A__www.culture.gouv.fr_Wave_savimage_enlumine_irht16_IRHT-5F068254-2Dp.jpg&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=ix2sU6F0tB4UhxkLkEvbkaA_KoFxwVdG4cMPGzmtRMU&e=>
>
>s) as depicted (at center; at center, St. Louis the King) in the
>presentation illumination of a late fourteenth- or early
>fifteenth-century copy of the _Grandes chroniques de France_ (ca.
>1390-1405; Paris, BnF, ms. Français 2806, fol. 1r):
>http://gallica.bnf.fr/ark:/12148/btv1b8451604g/f9.image.zoom<https://urldefense.proofpoint.com/v2/url?u=http-3A__gallica.bnf.fr_ark-3A_12148_btv1b8451604g_f9.image.zoom&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=gbXlEJC8aSIO_ds5zkE84SU5j-mKu0ce5oDbi_yQ-Mc&e=>
>
>t) as depicted in a panel of the fifteenth-century chancel screen of
>the church of St Andrew, Hempstead (Norfolk):
>http://tinyurl.com/4q7jgt<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_4q7jgt&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=cLAvdHfjCAcaYzwmGJWDcpRK8RBbQxoYvhCvT-PgrXw&e=>
>
>u) as portrayed in a fifteenth-century polychromed stone statue,
>formerly in the église Saint-Rémi in Sacy (Yonne) and now in the abbaye
>Saint-Germain d'Auxerre in Auxerre:
>http://tinyurl.com/j3bxs5p<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_j3bxs5p&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=jCkJA_M-aDJE5WcDSADkJkR_z_b0c9pAL9xKPlmg-sM&e=>
>
>v) as depicted (between Rusticus and Eleutherius) in the early
>fifteenth-century Hours of René of Anjou (ca. 1410; London, BL, MS
>Egerton 1070, fol. 104r:
>http://tinyurl.com/6bwo4km<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_6bwo4km&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=nKUwnDkH5RMrIbE_bwZmOti9nw433Ga-YajOyMYZSHg&e=>
>http://www.bl.uk/catalogues/illuminatedmanuscripts/ILLUMINBig.ASP?size=big&IllID=48351<https://urldefense.proofpoint.com/v2/url?u=http-3A__www.bl.uk_catalogues_illuminatedmanuscripts_ILLUMINBig.ASP-3Fsize-3Dbig-26IllID-3D48351&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=aoIFYMt6hYO5qDhDPuiO6tu-wihcalqB-NoBOFdfNBA&e=>
>
>w) as depicted (central group at right; at left, Rusticus; at center,
>Eleutherius; their martyrdom) in the early fifteenth-century
>Châteauroux Breviary (ca. 1414; Châteauroux, Bibliothèque municipale,
>ms. 2, fol. 364r):
>http://www.culture.gouv.fr/Wave/savimage/enlumine/irht2/IRHT_054223-p.jpg<https://urldefense.proofpoint.com/v2/url?u=http-3A__www.culture.gouv.fr_Wave_savimage_enlumine_irht2_IRHT-5F054223-2Dp.jpg&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=-aTQuVkbU3KiZoiR2SWUU_lCAGKW_L3g0QI9iwxFVoI&e=>
>
>x) as depicted in the early fifteenth-century Vendôme Chapel window (c.
>1415) in the basilique cathédrale Notre-Dame in Chartres:
>http://tinyurl.com/4vu3v2<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_4vu3v2&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=wadIDCDfZEhbqRI1Cf5IO35_ZXKP5JbB6fPzixUzU3w&e=>
>
>y) as depicted (at left, receiving communion from Jesus while
>imprisoned, and at right, undergoing martyrdom along with Eleutherius
>and Rusticus) by Henri Bellechose on an early fifteenth-century
>altarpiece (paid for in 1416) in the Museé du Louvre in Paris:
>http://tinyurl.com/3rey5zj<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_3rey5zj&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=4IpXAOpVUeWGD80KKqicKF-02zkQwwz6p9pU1f_P9Fo&e=>
>
>z) as portrayed in relief (martyrdom and cephalophory) on an earlier
>fifteenth-century boss (betw. 1423 and 1428) in the north walk of the
>cloister of the cathedral church of the Holy and Undivided Trinity in
>Norwich:
>http://tinyurl.com/o4rgjxc<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_o4rgjxc&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=Sdl-HqqKurxcA5VkPi9dEwaipRQLgmBKulzlzGuAAwg&e=>
>
>aa) as depicted in a full-page illumination of French or English
>workmanship in an earlier fifteenth-century book of hours (ca.
>1430-1440; Los Angeles, J. Paul Getty Museum, ms. 5, fol. 35v):
>http://tinyurl.com/yhcuuh5<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_yhcuuh5&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=oxyUx553H6Dgi0fTs4D0e20-S7Q1PFfENPo0kjX6fRw&e=>
>Detail view (Dionysius' severed head):
>http://tinyurl.com/ylooxrf<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_ylooxrf&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=_Eka-Pkem4idp364N8jjUtYyum7xKuoB9_si4C7PY5s&e=>
>
>bb) as depicted (_gesta_, martyrdom, and cephalophory) in the later
>fifteenth-century wall paintings (? ca. 1451-1475; restored, early
>twentieth century) in the Kirche St. Dionys-Wurmsbach in
>Rapperswil-Jona (Kanton Sankt Gallen):
>http://tinyurl.com/zlgr3t9<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_zlgr3t9&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=_01T1qTYds9UrPf55bNN8fViKUTE7uAsagLzlNuSyBI&e=>
>http://tinyurl.com/zjkyfe4<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_zjkyfe4&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=9odNkgF0hFXcX64aZqdLgUwuvqvXaHvRsxFcV5iP-0U&e=>
>http://tinyurl.com/hkz3psc<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_hkz3psc&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=aUTnKgbud7iYX8eTKH0p0BGaCEPBXt1I1QnonWODum8&e=>
>
>cc) as portrayed in a later fifteenth-century polychromed limestone
>statue (ca. 1460-1470) in the Bode-Museum in Berlin:
>http://tinyurl.com/4gvkeg<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_4gvkeg&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=TFGIobLEasP2bVcH1Y0bVqQZ1m8mAK2IuCbTYRyHp8U&e=>
>http://tinyurl.com/zm8sev2<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_zm8sev2&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=8OYNoldZ0Bsfl2CT4NEfR5uYwSD-6f_LcRR-g-KMVzI&e=>
>
>dd) as depicted (martyrdom and cephalophory) in a later
>fifteenth-century copy (ca. 1480-1490) of the _Legenda aurea_ in its
>French-language translation by Jean de Vignay (ca. 1480-1490; Paris,
>BnF, ms. Français 245, fol. 135r):
>http://tinyurl.com/yg4vhdu<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_yg4vhdu&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=6GZCv7ih8ff1XuF38yDRP7nOtMET8AN9t7eahOju638&e=>
>
>ee) as portrayed in a late fifteenth-century polychromed limestone
>statue in the Virginia Fine Arts Museum in Richmond (multiple views):
>http://www.artandartifice.com/st-denis-limestone-sculpture-15th-century.php<https://urldefense.proofpoint.com/v2/url?u=http-3A__www.artandartifice.com_st-2Ddenis-2Dlimestone-2Dsculpture-2D15th-2Dcentury.php&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=bN-pyPHJsuRK0efXF10Tm6GNmdAR2xn0Gc8UqJPAjmo&e=>
>
>ff) as depicted in a hand-colored woodcut in the Beloit College copy of
>Hartmann Schedel's late fifteenth-century _Weltchronik_ (1493;
>_Nuremberg Chronicle_) at fol. CIXv:
>http://tinyurl.com/9ghdm8w<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_9ghdm8w&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=LNkzPJcWrn_XNV7uSCMBW1rOKc1AkoYHUST7hQ2Q144&e=>
>
>gg) as portrayed in high relief in the early sixteenth-century choir
>stalls (betw. 1501 and 1507) in the St. Martinskirche in Memmingen in
>southwestern Bavaria:
>http://tinyurl.com/nahwgj9<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_nahwgj9&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=H5UNy7tffmkr5EiLgzrKJGIXcq9IXYpy6m20dkaoX50&e=>
>
>hh) as portrayed (at left; at right, St. Leodegar of Autun) in a panel
>of an earlier sixteenth-century window (bay 2; ca. 1501-1525) in the
>choir of the église Saint-Germain in Troyes:
>http://therosewindow.com/pilot/Troyes-St-Germain/w2-b3.htm<https://urldefense.proofpoint.com/v2/url?u=http-3A__therosewindow.com_pilot_Troyes-2DSt-2DGermain_w2-2Db3.htm&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=NsfxCAlqw41eM-qXHZyR_8-rmTSfeF_M6D8JqzMfgWU&e=>
>
>ii) as depicted (at left; at right, St. Margaret) by Vicente Macip in
>the central panel of his early sixteenth-century altarpiece (ca. 1510)
>in the capilla de San Dionisio y Santa Margarita in Valencia's catedral
>de la Asunción de Nuestra Señora:
>http://tinyurl.com/zfjsau3<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_zfjsau3&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=QFbmAjrjvPGUTNVgKHTPE_2g5FEu4R4dQhSoRb6hAZg&e=>
>http://tinyurl.com/3bbdu8b<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_3bbdu8b&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=W9cyisWTIKzLPocOvLDMUYLGKX2eu7X4px2S-vRkcss&e=>
>
>jj) as depicted by the Master of Messkirch on a panel from a
>dismembered earlier sixteenth-century altarpiece (ca. 1535-1540) in the
>Staatsgalerie Stuttgart:
>http://tinyurl.com/pd6m447<https://urldefense.proofpoint.com/v2/url?u=http-3A__tinyurl.com_pd6m447&d=DQMFaQ&c=7MSSWy9Bs2yocjNQzurxOQ&r=ck9DGMUVufrSrS57t_UT9k6In-tVqXkuW6oaFL10XQY&m=0Fk6aKI0-sJ6IXx4blEjYBMn7UByt3lo7-75cJyUrEM&s=xWO-NwYn--aXkvfOZ01bZQFuDn2zKEk7V3jUH7aVKx4&e=>
>
>Best,
>John Dillon
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-- 
Sent from my Android device with K-9 Mail. Please excuse my brevity.

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