Supernatural Cities II: Gothic
Cities.6th-7th April 2017, Limerick School of Art and Design,
LIT, Limerick, Ireland in collaboration with the University of
Portsmouth, UK.
‘For Gothic of a city rather than just in a city, that city
needs a concentration on memories and historical associations.’
(Mighall 2007)
According to Alexandra Warwick, the city is both lived
experience and a powerful image, ‘read and re-read constantly,
used as a metaphor of ideal and catastrophe, of promise and
horror.’ (Warwick, 1999). The dark resonances of the urban
landscape have frequently appeared in Gothic and supernatural
representations. Since the late nineteenth century, the darker
spaces of the city-scape have underpinned the development of
these modes leading to a proliferation of Gothic and
supernatural urban themes in contemporary popular culture.
Urban Gothic spatialities in these contexts are intimately
connected to site-specific narratives and here the
physical/material and the folkloric collide in the recurrence of
the past in the present. As Ivan Chtecheglov puts it: “[a]ll
cities are geological; you cannot take three steps without
encountering ghosts bearing all the prestige of their legends.
We move within a closed landscape whose landmarks constantly
draw us towards the past (1953/58).
Traditional disciplines engaged with this concept of the Gothic
city include history, literature, folklore, anthropology,
geography, and social theory, but the city has also become a
locus for cultural and theoretical engagements in additional
fields of research and practice, such as psychogeography,
mythogeography, art, curatorial and design practice. With the
rise of dark tourism there are also new and interesting tensions
to explore between commercial, academic and ethical cultural
practices. In light of this we are open to discussing new
definitions of the Gothic City and of the place of the
supernatural in relation to the urban experience
Addressing the interaction between these disciplines in relation
to how the Gothic city can be understood, this conference aims
to promote new research interventions and approaches including,
but not limited to, topics such as:
· The supernatural city in Gothic literature· The supernatural
city in cinema· Urban legend and folklore· Dark tourism· Urban
ruins and haunted spaces· Practice-led explorations of the
Gothic city through art, design and curation
Please send abstracts of 200 words along with a brief biography
of 50-100 words to [log in to unmask] and [log in to unmask]
Deadline for submission of abstracts is Friday December 16th,
2016.
Panel proposals are welcome.
http://royalhistsoc.org/calendar/cfp-supernatural-cities-ii-gothic-cities-deadline-16-december-2016/
Dr Leo Ruickbie, PhD (Lond), MA, BA (Hons), Associate of
King's College
Editor, Paranormal Review, the magazine of the
Society for Psychical Research
Member: European Society for the Study of Western Esotericism, Gesellschaft für Anomalistik (Committee), Parapsychological Association, Societas Magica, Society for Psychical Research, Royal Historical Society
Author: Witchcraft Out of the Shadows (Robert Hale, 2004; 2nd ed., 2011); Faustus: The Life and Times of a Renaissance Magician (The History Press, 2009); A Brief Guide to the Supernatural (Robinson, 2012); A Brief Guide to Ghost Hunting (Robinson, 2013); The Impossible Zoo (Robinson, 2016); Angels in the Trenches (Robinson, forthcoming)
Website: www.ruickbie.com