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CFP. Supernatural Cities II: Gothic Cities – deadline 16 December 2016 Supernatural Cities II: Gothic Cities.6th-7th April 2017, Limerick School of Art and Design, LIT, Limerick, Ireland in collaboration with the University of Portsmouth, UK. ‘For Gothic of a city rather than just in a city, that city needs a concentration on memories and historical associations.’ (Mighall 2007) According to Alexandra Warwick, the city is both lived experience and a powerful image, ‘read and re-read constantly, used as a metaphor of ideal and catastrophe, of promise and horror.’ (Warwick, 1999). The dark resonances of the urban landscape have frequently appeared in Gothic and supernatural representations. Since the late nineteenth century, the darker spaces of the city-scape have underpinned the development of these modes leading to a proliferation of Gothic and supernatural urban themes in contemporary popular culture. Urban Gothic spatialities in these contexts are intimately connected to site-specific narratives and here the physical/material and the folkloric collide in the recurrence of the past in the present. As Ivan Chtecheglov puts it: “[a]ll cities are geological; you cannot take three steps without encountering ghosts bearing all the prestige of their legends. We move within a closed landscape whose landmarks constantly draw us towards the past (1953/58). Traditional disciplines engaged with this concept of the Gothic city include history, literature, folklore, anthropology, geography, and social theory, but the city has also become a locus for cultural and theoretical engagements in additional fields of research and practice, such as psychogeography, mythogeography, art, curatorial and design practice. With the rise of dark tourism there are also new and interesting tensions to explore between commercial, academic and ethical cultural practices. In light of this we are open to discussing new definitions of the Gothic City and of the place of the supernatural in relation to the urban experience Addressing the interaction between these disciplines in relation to how the Gothic city can be understood, this conference aims to promote new research interventions and approaches including, but not limited to, topics such as: · The supernatural city in Gothic literature· The supernatural city in cinema· Urban legend and folklore· Dark tourism· Urban ruins and haunted spaces· Practice-led explorations of the Gothic city through art, design and curation Please send abstracts of 200 words along with a brief biography of 50-100 words to [log in to unmask] and [log in to unmask] Deadline for submission of abstracts is Friday December 16th, 2016. Panel proposals are welcome. http://royalhistsoc.org/calendar/cfp-supernatural-cities-ii-gothic-cities-deadline-16-december-2016/ All the best, Leo -- Dr Leo Ruickbie, PhD (Lond), MA, BA (Hons), Associate of King's College Editor, /Paranormal Review/, the magazine of the Society for Psychical Research Member: European Society for the Study of Western Esotericism, Gesellschaft für Anomalistik (Committee), Parapsychological Association, Societas Magica, Society for Psychical Research, Royal Historical Society Author: /Witchcraft Out of the Shadows/ (Robert Hale, 2004; 2nd ed., 2011); /Faustus: The Life and Times of a Renaissance Magician/ (The History Press, 2009); /A Brief Guide to the Supernatural/ (Robinson, 2012); /A Brief Guide to Ghost Hunting/ (Robinson, 2013); /The Impossible Zoo/ (Robinson, 2016); /Angels in the Trenches/ (Robinson, forthcoming) Website: www.ruickbie.com <http://www.ruickbie.com>