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italian-studies: Scholarly discussions in any field of Italian studies

Dear Suzanne,

Finally a conference that promises to be animated and interesting.

Anthony Oldcorn

On Thu, Feb 11, 2016 at 12:20 AM, Suzanne M. Magnanini <
[log in to unmask]> wrote:

> italian-studies: Scholarly discussions in any field of Italian studies
>
> Sixteenth Century Studies Conference
> 18-20 August 2016 in Bruges
>
>
> Abstracts (up to 250 words in length) for individual presentations and
> complete panels may be submitted online at:
> www.sixteenthcentury.org/conference
> <http://click.icptrack.com/icp/relay.php?r=46134708&msgid=413688&act=1BCF&c=882930&destination=http%3A%2F%2Fwww.sixteenthcentury.org%2Fconference>
>
> The deadline for proposals is February 15, 2016.
>
>  I am also welcoming submissions for the panels listed below (submit
> abstracts in the "paper" category online:
> www.sixteenthcentury.org/conference
> <http://click.icptrack.com/icp/relay.php?r=46134708&msgid=413688&act=1BCF&c=882930&destination=http%3A%2F%2Fwww.sixteenthcentury.org%2Fconference>
> ).
>
>  Questions? Feel free to contact me directly:
> [log in to unmask]
> *Panel:  Before and After Ariosto*
>
> This panel will celebrate the 500th anniversary of the publication of the
> first edition of Ariosto's *Orlando Furioso. * Papers on the *Furioso*,
> Ariosto's predecessors (Pulci, Boiardo, *cantari*) and successors
> (especially women writers such as Fonte, D'Aragona, and Marinella), as well
> as related topics welcome!
>
> *Panel:  Renaissance Pop: Early Modern Italy in Contemporary Popular
> Culture*
>
>  From PBS's mini-series *Medici:  The Godfathers of the Renaissance* to
> Neil Jordan's *Borgias, *from Dan Brown's *DaVinci Code *to the *fumetti* based
> on *Guerrino detto il Meschino*, early modern Italy has figured
> prominently in popular Italian and Anglo-American culture of the past 75
> years.  This panel explores representations of early modern Italy in
> contemporary popular novels, graphic novels, films, tv series, etc.
>
>  *Panel:  Love and/or/not Marriage in Sixteenth-Century Italy*
>
> While the majority of early modern Italian elite couples are said to have
> married for economic or political reasons, some couples did marry for love.
>   Clandestine marriages arising from love matches are frequently depicted
> in 16th-century comedies; conjugal verse attests to the love between
> husband and wife; and some treatises on love and marriage advocated a
> "spiritual friendship" between spouses.  On the other hand, the many
> novellas about adultery published in the period attest to the frequency of
> loveless marriages.  This panel explores the ways in which love and
> marriage coincided or clashed in both literary and non-fiction texts.
>
>  *Workshop: Women's Studies? Gender Studies?  Queer Studies? New Names
> and/or New Paradigms for What We Do*
>
>  This panel will be Workshop C Panel (brief comments from maximum 4
> participants followed by lively audience participation).
>
>  This year at the annual conference the Women's Studies Caucus of the
> American Association of Italian Studies will consider changing its name "to
> best reflect the scope and range of its mission." Does it still make sense
> to do "women's studies"? Can one still teach a course on women writers?
> When and how are male voices "other voices"?  How does the study of
> masculinity fit into women's studies?  Are gender studies the way forward?
>   Brief papers (under 10 minutes) investigating these and related
> questions welcome.
>
> Dr. Suzanne Magnanini
> Chair, Department of French and Italian
> Associate Professor
> Department of French and Italian
> UCB 238
> Boulder, CO 80309
> 303-492-8210
>
>
>
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