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Modern Drama

Volume 59, Number 1, Spring 2016

This issue contains:

The Physics of the Mola: Writing Indigenous Resurgence on the Contemporary Stage

Jill Carter

Realizing Personality in The Importance of Being Earnest

Sarah Balkin

Performing Catastrophe: Erwin Piscator’s Documentary Theatre

Minou Arjomand

Dramatizing Biographers: Michael Meyer’s A Meeting in Rome and Robert Ferguson’s Dr. Ibsen’s Ghosts

Ellen Rees

The Future and the Commodity: Walter Benjamin and Eric Overmyer’s On the Verge

Keith Appler

 

REVIEWS

Faedra Chatard Carpenter, Coloring Whiteness: Acts of Critique in Black Performance

Jennifer Larson

Diana Looser, Remaking Pacific Pasts: History, Memory, and Identity in Contemporary Theater from Oceania

Margaret Werry

Liang Luo, The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics

Siyuan Liu

Mary Noonan, Echo’s Voice: The Theatres of Sarraute, Duras, Cixous and Renaude

Judith G. Miller

Laurence Senelick and Sergei Ostrovsky, eds., The Soviet Theater: A Documentary History

Ania Aizman

Kirsten Shepherd-Barr, Theatre and Evolution from Ibsen to Beckett

Mike Vanden Heuvel

Bryoni Trezise and Caroline Wake, eds., Visions and Revisions: Performance, Memory, Trauma

Patrick Duggan

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