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Lawrence, This piece moves its reader away from the changed person. The charcoal, charred change is haunting. The expression is held in abeyance. The one looking sees something in the self, and possibly the change is there. Change is everywhere. Very intriguing. Sheila On Tue, Sep 15, 2015 at 9:53 PM, Lawrence Upton <[log in to unmask]> wrote: > looking at a lover > > carefully a while > > > > her lips drooling > > > > there was a vagueness > > > > anything'd be scared > > or scarred > > > > small shoulders > > > > wanting to speak emphatically > > > > face as if stained bloodily > > breaking out > > through some curtaining > > near invisibility >