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CTR 163 (Summer 2015)
Performance Futures: Imagining Theatre in 2030

Edited by Jenn Stephenson and Laura Levin

CTR 163 (Summer 2015): Performance Futures: Imagining Theatre in 2030, edited by Jenn Stephenson and Laura Levin, explores very recent innovations in theatre and performance, and asks what they can tell us about where the field is headed. Focusing on new formats of theatrical production and reception, contributors have been invited to answer the question: "What will the performance landscape in Canada look like in fifteen years?" This is not theatre in a distant sci-fi future but theatre that is just around the corner. The assembled collection brings together voices that are passionate and visionary, and address such disparate topics as the future of theatre in online venues, the future of interculturalism and cultural diversity in theatre, the future of theatre funding, and the future of theatre criticism. The script featured in this issue is Concord Floral, winner of the 2015 Dora Mavor Moore Award for Outstanding New Play. Written by Governor General Award-winning playwright Jordan Tannahill, and co-created with acclaimed artists Erin Brubacher and Cara Spooner along with a group of exceptional Toronto teens, this powerful text exhibits alternative ways of representing the lives of tomorrow's youth as well as more ecologically responsive human futures. Concord Floral is accompanied by an arresting series of staged photo-portraits by Erin Brubacher, which help reconceptualize the boundaries of a theatrical script and production.

ONLINE FEATURE

Where Is Theatre Going?

Laura Levin, EmmaRose MacDonald

FEATURES

Introduction: Performance Futures

Jenn Stephenson

Adventures in Hybrid Space

Liz Solo

Spinning a National Imaginary

Sarah Garton Stanley

Absent, Invisible, and Incoherent: Archiving Queer Women’s Performance Futurities

Laine Zisman Newman

A Multicultural Stage

Mumbi Tindyebwa

Digesting Hunter, Gatherer, Purveyor

Eric Moschopedis, Mia Rushton

Dear Michael: A Letter from the Margins

Donna-Michelle St. Bernard

Collaborative Producing

Ravi Jain

The Poetics of Play

Andy Moro

The Futures of Theatre Criticism

Karen Fricker

2030: Indigenous and Culturally Diverse Stories and Their Value to Society

Corey Payette

Matter Matters: Performing a Stone in the Woods

Mariah Horner, Grahame Renyk

SCRIPT

Concord Floral and This is my room. Look.

Jordan Tannahill, Erin Brubacher

VIEWS AND REVIEWS

Editorial

J. Paul Halferty

Charting Incommunicable Truths: The Ghosts of the Franklin Expedition

Tracy C. Davis, Baz Kershaw

The Metacritical Work of Autobiography in Performance

Deirdre Heddon Ryan

Affective Theatres

Jean-Marc Larrue

Taking the Measure of Nuit Blanche 2014
Caitlin Austin, Kat Dos Santos, Sarah Gilpin, Minji (Rita) Kim, Jonas Trottier and Kim Solga

 

 

The Canadian Theatre Review features award-winning, thought-provoking plays and articles on current issues and trends in Canadian theatre. CTR provides the Canadian theatre community with in-depth feature articles, manifestos, slideshows, videos, design portfolios, photo essays, and other documents that reflect the challenging forms that theatre takes in the contemporary Canadian arts scene.

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