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thank you!

On 03/08/2015 22:14, Thomas Deane Tucker wrote:
>
> In Arthur Penn’s film /Night Moves/, Gene Hackman’s character compares 
> the work of Eric Rohmer to watching paint dry. Here is a link to an 
> article from the Buffalo Film seminars which mentions this: 
> http://csac.buffalo.edu/nightmoves.pdf
>
> Also, on pg. 174 of Thomas Elsaesser’s book /European Cinema: Face to 
> Face with Hollywood/ there is an oblique reference to the above quote 
> about watching pain dry in the context of Jacques Rivette’s /La Belle 
> Noiseuse./
>
> Not much I know, but hope it helps a bit.
>
>
> Best,
> Deane
>
> Thomas Deane Tucker, Ph.D.
> Professor of Humanities
> Department of English and Humanities
> Chadron State College
> 1000 Main Street—Old ADM 209
> Chadron, NE 69337
> (308) 432-6309
> [log in to unmask] <mailto:[log in to unmask]>
>
> Be kind; everyone you meet is fighting a hard battle.
> ~Plato
>
>> On Aug 3, 2015, at 2:57 PM, Cormac Deane <[log in to unmask] 
>> <mailto:[log in to unmask]>> wrote:
>>
>> There is a whole section on films within film in the following:
>> Metz, Christian and Deane, Cormac (trans.) (2010) 'Impersonal 
>> Enunciation, or the Place of Film (extracts)', New Review of Film and 
>> Television Studies, 8: 4, 348 — 371
>>
>>
>>
>> On 3Lún2015, at 21:07, e-mail lucy.bolton wrote:
>>
>>> Dear all
>>>
>>> I have a query from a copyright lawyer friend about whether there is 
>>> any useful writing on films being quoted, or seen, or visible, in 
>>> other films (e.g. Top Hat at the end of The Purple Rose of Cairo). 
>>> Although I am having lots of fun coming up with examples, I can't 
>>> come up with any articles - does anyone have any suggestions?
>>>
>>> Thanks
>>>
>>>
>>> -- 
>>> Dr Lucy Bolton
>>> Lecturer in Film Studies
>>> School of Languages, Linguistics and Film
>>> Queen Mary, University of London
>>> Mile End Road
>>> London E1 4NS
>>>
>>> [log in to unmask] <mailto:[log in to unmask]>
>>> Room 1.02, Arts One
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