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Dear All, With apologies for cross posting, I include below the CFP for an exciting new special collection on The Comics Grid, Brilliant Corners: Approaches to Jazz and Comics. The CFP can also be found on our website here - http://blog.comicsgrid.com/2015/07/cfp-jazz-and-comics/ Many thanks Hattie Kennedy *The Comics Grid: Journal of Comics Scholarship <http://comicsgrid.com/>* invites authors and artists to submit contributions for a special collection on the general topic of Jazz and Comics. This will be an open access scholarly collection co-edited by Dr Nicolas Pillai (Birmingham City University) and Dr Ernesto Priego (City University London). We welcome submissions from researchers, artists, graduate students, scholars, teachers, curators, publishers and librarians from any academic, disciplinary or creative background interested in the multidisciplinarystudy and/or practice of comics and jazz. Submissions must fulfil *The Comics Grid*’s editorial guidelines, available here <http://comicsgrid.com/about/submissions>. *The Comics Grid: Journal of Comics Scholarship* is an open access journal; authors retain copyright of their own work and the published content is made available on HTML and PDF under a Creative Commons-Attribution License. The popular forms of jazz and comics have shared similar historical and cultural tendencies. As expressions of modernism, they have been subject to the demands of the marketplace and consumed by wide and varied audiences. Yet the liberatory qualities of comics and jazz have provoked concern in moral guardians, particularly in relation to the subcultures they have generated. Recalling Bourdieu, we might note that, within these subcultures, very divergent and often incompatible judgements are fiercely defended (1983: 24). In the 21st century, both jazz and comics are accepted as art forms. However, this elevated cultural position has arguably come at a price, contributing to the restriction of some forms of jazz and comics to specialised spaces of purchase and consumption. Over the last forty years, the fields of jazz studies and comic studies have gained currency within the academy and have been enriched by interdisciplinary approaches. The New Jazz Studies has invigorated the discipline beyond its musicological roots, while Comics Studies has thrived in the digital age. This collection aims to find meeting points between the disciplines. We are encouraged by the fact that distinguished jazz musicians such as Wayne Shorter, Sonny Rollins, Herbie Hancock and Vince Guaraldi have each stated the influence of comic books on their musical development, while artists and writers have frequently turned to jazz for inspiration (e.g. strips about music appreciation by Harvey Pekar or Blutch). Jazz musicians have been the subjects of comic strips (e.g. *Charlie Parker: Handyman*, the *BD Jazz* series) and jazz musicians have created comic strips (Wally Fawkes/Trog). The *Comics Grid: Journal of Comics Scholarship *welcomes research articles, book reviews, research notes, interviews, commentaries and research in comics form that develop the existing scholarship on jazz and comics as cultural and artistic practices within specific contexts and specific material conditions. We are particularly interested in work which emphasises interconnection and the multimodal. We proceed from an assumption that comics are not silent and that jazz is inherently visual. Potential contributors are encouraged to think about jazz and comics expansively—and to consider them as practices that resist rigid formal definitions. While this will primarily be an academic collection of essays, we welcome work that challenges traditional forms of academic writing that nonetheless follow rigorous academic practice. Submissions might, for example, present academic book reviews in comics form, or research-based interviews with practitioners or scholars. Possible topics may include (but are not restricted to): The role of materiality and/or performativity in comics and jazz cultures Comics and jazz collections in libraries and archives, and what comics and jazz librarianship and curatorial practice might learn from each other Representations of jazz musicians and jazz history in comics Visual and literary representations of jazz music in comics Collectionism in comics and jazz cultures The role of jazz music in films about comics and comics artists Gender and jazz in comics Critical engagements with biographies of jazz musicians in comics form Submissions can be in any of the article types listed in our author guidelines <http://comicsgrid.com/about/submissions/>. It is essential all research submissions include and directly refer to and discuss, in-text, specific examples of comics (panels, pages). Please ensure you have read the author guidelines carefully before submitting. Submissions must be uploaded directly to the journal here <http://comicsgrid.com/about/submissions/>. All research submissions are subject to peer review. For technical specifications and special guidelines for research presented in comics form, please contact <http://comicsgrid.com/contact/> the editors before submitting. *Important dates* Submission deadline: 15 January 2016 Estimated Acceptance/Rejection Notices date: 15 April 2016 Estimated author revisions and proofreading period: 15 April- 15 June 2016 Estimated Publication date: 15 July 2016 *Depending on the number of accepted submissions outputs may be published in the order they are accepted.