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Dear Mike and All While it may be stimulating to witness the endevours of list members, we could be spared communications that are only correspondence between individuals. Life is short, demands are excessive – please address your messages to the person(s) you need to communicate with rather than to the whole list. With thanks, Carlos On 16/07/2015 12:59, Mike Croft wrote: > Dear Sally > > Can you please confirm that you have received my last email and > Dropbox okay, sent on 4th July. > > With many thanks > > Mike > > On Sunday, July 12, 2015, Mike Croft <[log in to unmask] > <mailto:[log in to unmask]>> wrote: > > Dear Sally > > Here is a Dropbox link to a paper and hi-res pics in response to > the 'Drawing as Presence' paper call. > > https://www.dropbox.com/sh/7r17btgv78byuip/AAAqWQb2fVRA6VK5g4v1jANZa?dl=0 > > Please let me know if you cannot open this, or if there are > details still needed. > > With kind regards > > Mike > > On 7 July 2015 at 19:01, Sally Bellman <[log in to unmask] > <javascript:_e(%7B%7D,'cvml',[log in to unmask]);>> wrote: > > Hi Mike, > > Yes this will be fine. > > Kind Regards > > Sally > > Sally Bellman > > School Research Administrator > > School of the Arts, English and Drama > > Loughborough University > > 01509 223379 > > http://www.lboro.ac.uk/departments/sota/ > > http://www.lboro.ac.uk/departments/english-drama/ > > esig-whatuni-qap > > *From:*The UK drawing research network mailing list > [mailto:[log in to unmask] > <javascript:_e(%7B%7D,'cvml',[log in to unmask]);>] > *On Behalf Of *Mike Croft > *Sent:* 04 July 2015 12:17 > *To:* [log in to unmask] > <javascript:_e(%7B%7D,'cvml',[log in to unmask]);> > *Subject:* Re: [DRAWING-RESEARCH] Call for Papers - TRACEY > Journal - Drawing and ‘presence’ > > Dear Sally > > I have an article to send for the 'Drawing and presence' paper > call. > > Will it be okay to send you the paper and pics as a Dropbox link? > > Also, I notice I've saved hi-res pics as 300dpi jpegs, not > tiffs. I hope this will also be okay. > > Please let me know and I will then email you the link. > > Many thanks. > > Regards > > Mike Croft > > > On Wednesday, June 17, 2015, Sally Bellman > <[log in to unmask] > <javascript:_e(%7B%7D,'cvml',[log in to unmask]);>> wrote: > > /TRACEY /Journal is a fully peer reviewed electronic journal > dedicated to drawing and visualisation. It is varied and > diverse with a fast growing readership of academics, students > and practitioners representing a wide range of drawing > interests including fine art, architectural design, product > design and visual communication - ideally any activity in > which drawing and visualisation is essential. > > You can see us at http://www.lboro.ac.uk/departments/sota/tracey/ > > In this next invitation for submissions, we are focusing on > the theme of /Drawing and ‘presence’/, particularly in > relation to the following questions: > > What is the relationship between ‘drawer’ and ‘drawn’ in the > moment of drawing? > > Does drawing enable immediate sensuous presence in relation to > its object? > > How might the sustained attention of drawing be characterized? > What is the role of immediacy, mediation, meditation, repetition? > > What role do empathy, intensity and materiality play in > drawing? What role do order, analysis and clarity play in > drawing? > > Is drawing a meaningful activity? If so, in what way? Do > drawings have meaning? Is their meaning objective, subjective > or both? > > What does drawing say about desire? Is drawing a form of > appropriation, a will-to-possess, a way of taking hold of > things? Or does it imply a moment of dispossession, a > surrender of ‘self’ in search of a new understanding? > > Do accident, loss of control and the properties of the medium > influence thinking? > > Does drawing offer a mode of engagement that enables > understanding the world in terms of ‘becoming’ rather than > ‘being’, in terms of dynamic processes rather than static objects? > > Does drawing reduplicate the world or can it transform it? Is > it a kind of metamorphosis? > > A submission may constitute drawings or other visual material, > texts or research papers that have not been published before > or have been published in a different context and also texts > and images combined. There is no word or image limit. All > submissions will be peer reviewed by two members of the peer > review panel. Please visit the site to view our guidelines for > submissions and a list of our peer reviewers. > > Submissions should be on submitted electronically as > compressed folders, saved with your name and theme as the > folder identifier (eg. Smith_A_Drawing_and_Presence). The > folder should include: > > • Introduction > > • Brief biographical paragraph > > • Concise summary of content for the editorial team as a MS > Word document. > > Together with the following files, depending on your > submission type: > > • The paper, text or images > > • Text submissions should be formatted using the > template, which can be downloaded by clicking on the link below: > > http://www.lboro.ac.uk/departments/sota/tracey/journal/call.html > > • If your text includes images, please send these > as separate jpegs and ensure that they are correctly > captioned. Italics should be highlighted in colour. > > • Image submissions should be sent as 300 dpi, RGB > Tiff files. > > Please send all submissions to Sally Bellman: > [log in to unmask] or c/o Sally Bellman, /TRACEY/, > Loughborough University, School of the Arts, English and > Drama, Epinal Way, Loughborough, Leicestershire UK, LE11 3TU > no later than Friday 4^th September 2015. > > Siún Hanrahan > > Guest Editor | /TRACEY/ | Drawing and ‘presence’ > > Siún Hanrahan is a writer and artist, and formerly Head of > Academic Affairs and Research at the National College of Art > and Design, Dublin. One of the first people to complete a > practice-based doctorate in the UK, Hanrahan's practice as an > academic and writer has ranged across a number of fields, > including: practice-based research in art and design, pedagogy > in art and design, and drawing research. As a writer and > artist, her interest centres on the nature of meaning and is > reflected in contributions to edited anthologies such as > /Thinking Through Art/ and /Hyperdrawing/, journals such as > /Leonardo/ (MIT Press), and presentations at conferences such > as /The World Congress of Philosophy/, the /Congress of the > International Association of Empirical Aesthetics/, and the > /AICA Conference at Tate Modern/. > > /TRACEY /Journal is a fully peer reviewed electronic journal > dedicated to drawing and visualisation. It is varied and > diverse with a fast growing readership of academics, students > and practitioners representing a wide range of drawing > interests including fine art, architectural design, product > design and visual communication - ideally any activity in > which drawing and visualisation is essential. > > You can see us at http://www.lboro.ac.uk/departments/sota/tracey/ > > In this next invitation for submissions, we are focusing on > the theme of /Drawing and ‘presence’/, particularly in > relation to the following questions: > > What is the relationship between ‘drawer’ and ‘drawn’ in the > moment of drawing? > > Does drawing enable immediate sensuous presence in relation to > its object? > > How might the sustained attention of drawing be characterized? > What is the role of immediacy, mediation, meditation, repetition? > > What role do empathy, intensity and materiality play in > drawing? What role do order, analysis and clarity play in > drawing? > > Is drawing a meaningful activity? If so, in what way? Do > drawings have meaning? Is their meaning objective, subjective > or both? > > What does drawing say about desire? Is drawing a form of > appropriation, a will-to-possess, a way of taking hold of > things? Or does it imply a moment of dispossession, a > surrender of ‘self’ in search of a new understanding? > > Do accident, loss of control and the properties of the medium > influence thinking? > > Does drawing offer a mode of engagement that enables > understanding the world in terms of ‘becoming’ rather than > ‘being’, in terms of dynamic processes rather than static objects? > > Does drawing reduplicate the world or can it transform it? Is > it a kind of metamorphosis? > > A submission may constitute drawings or other visual material, > texts or research papers that have not been published before > or have been published in a different context and also texts > and images combined. There is no word or image limit. All > submissions will be peer reviewed by two members of the peer > review panel. Please visit the site to view our guidelines for > submissions and a list of our peer reviewers. > > Submissions should be on submitted electronically as > compressed folders, saved with your name and theme as the > folder identifier (eg. Smith_A_Drawing_and_Presence). The > folder should include: > > • Introduction > > • Brief biographical paragraph > > • Concise summary of content for the editorial team as a MS > Word document. > > Together with the following files, depending on your > submission type: > > • The paper, text or images > > • Text submissions should be formatted using the > template, which can be downloaded by clicking on the link below: > > http://www.lboro.ac.uk/departments/sota/tracey/journal/call.html > > • If your text includes images, please send these > as separate jpegs and ensure that they are correctly > captioned. Italics should be highlighted in colour. > > • Image submissions should be sent as 300 dpi, RGB > Tiff files. > > Please send all submissions to Sally Bellman: > [log in to unmask] or c/o Sally Bellman, /TRACEY/, > Loughborough University, School of the Arts, English and > Drama, Epinal Way, Loughborough, Leicestershire UK, LE11 3TU > no later than Friday 4^th September 2015. > > Siún Hanrahan > > Guest Editor | /TRACEY/ | Drawing and ‘presence’ > > Siún Hanrahan is a writer and artist, and formerly Head of > Academic Affairs and Research at the National College of Art > and Design, Dublin. One of the first people to complete a > practice-based doctorate in the UK, Hanrahan's practice as an > academic and writer has ranged across a number of fields, > including: practice-based research in art and design, pedagogy > in art and design, and drawing research. As a writer and > artist, her interest centres on the nature of meaning and is > reflected in contributions to edited anthologies such as > /Thinking Through Art/ and /Hyperdrawing/, journals such as > /Leonardo/ (MIT Press), and presentations at conferences such > as /The World Congress of Philosophy/, the /Congress of the > International Association of Empirical Aesthetics/, and the > /AICA Conference at Tate Modern/. > > Kind Regards > > Sally > > Sally Bellman > > School Research Administrator > > School of the Arts, English and Drama > > Loughborough University > > 01509 223379 > > http://www.lboro.ac.uk/departments/sota/ > > http://www.lboro.ac.uk/departments/english-drama/ > >