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This again is a fascinating subject but one fraught with opportunities for misunderstanding due to the inadequacy of word-based language alone as a means of exploring the topic (sorry Ken!). 

I have taught drawing in the context of illustration for many years. As Jacques Giard observes, many students cannot draw because they cannot see. In 1856, a couple of years before he gave his address here at the opening of Cambridge School of Art, John Ruskin wrote in The Elements of Drawing:

“For I am nearly convinced, that when once we see keenly enough, there is very little difficulty in drawing what we see; but, even supposing that this difficulty be still great, I believe that the sight is a more important thing than the drawing; and I would rather teach drawing that my pupils may learn to love Nature, than teach the looking at Nature that they may learn to draw.”

A simple starter project that I used for many years when I taught 1st year undergraduates was to give them a list of things to draw on a large sheet of paper, leaving plenty of space around each drawing. This list would comprise things that they could not have failed to see in the previous 24 hours (but could not look at in the studio for reference). Here in Cambridge that might include things such as a bicycle, the entrance to the Ruskin Building, a 50 pence piece, the spiral staircase in the adjacent student bar, the facade of the Fitzwiliam Museum. After attempting to draw these from memory, each student would then be sent to draw each element from direct observation, alongside the memory drawing. 

The results would generally be something of a revelation in exposing to the students the difference between 'look' and 'see'.

Best regards,

Martin

Professor Martin Salisbury
Course Leader, MA Children's Book Illustration
Director, The Centre for Children's Book Studies
Cambridge School of Art
0845 196 2351
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http://www.cambridgemashow.com

http://www.anglia.ac.uk/ruskin/en/home/microsites/ccbs.html


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