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Female Authorship in Contemporary Documentary Media.

In conjunction with women’s increasing claim to equal societal rights and
vocalisation on a global scale, women have also taken centre stage in the
documentation of contemporary issues.

Of course, this is not a new phenomenon per se; in terms of culture and
scholarship women have been seeking to establish myriad voices and
perspectives on issues of gender, politics, history and selfhood throughout
the various waves of feminism.

However, increasing globalization, changed socio-political discourses, new
technologies, developing education and job opportunities in countries
outside of Western Europe and USA have all had an impact on the way women
experience and document their own lives.

This call for papers asks for contributions to a planned monograph (we
already have interest from a prestigious publisher) on contemporary issues
relating to the expanding horizon and potency of women’s experience in
documentary formats. We seek to explore what female authorship is from the
perspective of multiplicity and cultural diversity. What are, in fact, the
theoretical, political and aesthetic discourses that contribute to female
documentary practices right now?

Abstracts of 300-500 words should be sent to Dr. Boel Ulfsdotter and Dr.
Anna Backman Rogers of Gothenburg University, Sweden by 31st July.
Notifications of acceptance to be sent out by August 15th. Final articles
of 5-6000 words to be submitted February 1st 2016. We especially welcome
abstracts from scholars working on non-Western documentary media practices.

Possible topics could include, but are not limited to:

• Behind the scenes documentaries on female auteurs
• New perspectives on womanhood
• Female adolescence and the phenomenon of the blog.
• Advertising and visual culture (depilation and menstruation)
• Non-European documentary practices
• Democracy
• Digital technology as a facilitator to activist documentary practice
• Documentaries on fashion photography
• Re-discovering or repositioning the work of female photographers
• Eating and food.
• Female education
• Women’s rights and documentary practice
• Aging and the media
• Re-framing the female gaze
• The female body and digital technology
• Clothing and Fashion in relation to documentary practice
• Female documentary auteurs
• Career
• Emigration
• The cross over from fiction to documentary film formats.

Please address emails to [log in to unmask] and [log in to unmask]
with the heading Female Authorship Project.

--
Dr William Brown
Senior Lecturer in Film
Department of Media, Culture and Language
University of Roehampton
London  SW15 5SL
T: (020)8 392 3713
M: 07950 978 708
E1: [log in to unmask]
E2: [log in to unmask]
Blog: http://wjrcbrown.wordpress.com/
Website: http://begstealborrowfilms.wordpress.com/

Author: Supercinema: Film Philosophy for the Digital Age (2013)
Co-author: Moving People, Moving Images: Cinema and Trafficking in the New
Europe (2010)
Co-editor: Deleuze and Film (2012)
Co-editor: Special Issue of animation: an interdisciplinary journal on
Avatar (2012)
Director: En Attendant Godard (2009), Afterimages (2010), Common Ground
(2012), China: A User's Manual (Films) (2012)


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