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To Fiona:

I was very interested to read about Kathryn Timmons' enquiry; although I no
longer work in museums (I'm now a Teaching Assistant in a special
school/college - rather different!), I have remained a member of SHCG and
am always interested to see what's going on in the 'social history world'.

When on holiday, my wife and I are usually to be found in France and I
spend a lot of time in Roman Catholic churches as a result of my (sometimes
all-too consuming!) interest in the mystery of the villlage of
Rennes-le-Chateau, the (now famous) hilltop village in the Pyrenees upon
which Dan Brown's* The Da Vinci Code* is based. I have been a colleague of
Henry Lincoln, principal author of *The Holy Blood and the Holy Grail*,
(upon which Dan draws extensively) for over thirty years and my current
focus of research is the iconography of the Stations of the Cross in
Rennes-le-Chateau church, which are bizarre to say the least! In the course
of the last three decades I must have seen dozens of Station sets and while
the overwhelming majority have been in France, I have occasionally had to
refer to others elsewhere in Europe. Whilst, sadly, the mystery of the
villlage of Rennes-le-Chateau does attract a 'lunatic fringe', I am not
amongst them. The foundation upon which the mystery of Rennes-le-Chateau is
built does not depend upon whether Jesus was married or not, nor indeed
whether the *Priory of Sion* exists or not. Equally, to dismiss the whole
mystery as a 'hoax' would be a mistake; there is something about that
particular location on the face of the earth that is much more profound. It
is 'demonstrable and provable', as Henry would say, but at the moment it is
not fully understood.

The Stations of the Cross in Sileby are certainly very beautiful and I have
all of its fourteen Stations logged in my archive. I think these are indeed
late nineteenth century, but as you'll have gathered, the manufacturers are
often very difficult to identify. I also think these might well be Italian,
as Kathryn suggests; I have checked Nikolaus Pevsner's *Guide to Buildings
in Leicestershire and Rutland*, but sadly St Gregory's church does not get
a mention therein. However, I do know of an Italian icon manufacturer,
established in 1872 and still in business, to whom I propose to send some
of the Sileby Station images to see whether this company might be able to
confirm them as their own (if they have kept catalogues) or indeed suggest
alternative manufacturers. Interestingly enough, this company is based not
too far away from where the Rosmini headquartes were established in Italy
during the nineteenth century, so this might augur well...

I'll let you know how I get on!

With kind regards and best wishes

Jim Garretts.

On 6 March 2015 at 07:56, Fiona Ure <[log in to unmask]> wrote:

> This is an email sent via the SHCG List. If you reply to this message,
> your message will be sent to all the people on the list, not just the
> author of this message.
> ---------------
>
>
> Dear All,
>
> A query from a member of the public which I am completely unable to help
> with.
>
> Does anyone out there have any expertise on Church art?
>
> Fiona Ure
> Local Heritage Officer
> Leicestershire County Council
> Charnwood Museum
> Queens Park
> Granby Street
> Loughborough
> Leicestershire
> LE11 3DU
> tel. 01163057424
> general museum number 01509 233754
>
>
> I would be very grateful for some help in finding some information about
> the Stations of the Cross in St Gregory's Catholic Church Sileby.
>
> I have attached one photograph . The stations measure 94cm H and 53cm
> wide. I have other photographs including some of one station which is
> partly dismantled : partly to repair it and partly to try and find some
> clues about the makers. There were no visible signs of a maker . The church
> was opened in 1874 by the Rosminians from Ratcliffe College , so there were
> Italian connections. We have not been able to find any bills or records
> relating to the Stations. We know they were already there in 1939 , one of
> our parishioners came to Sileby as an evacuee at the beginning of the war
> and remembers seeing them. We are just interested to know the story . The
> church is a very simple brick built church with very little decoration.
> These are the only really decorative items we have, the church is being
> redecorated just now ,which is what has provoked the query,
>
> I am very happy to do anything which might be helpful in solving this
> puzzle,
>
> With thanks and all good wishes,
>
> Kathryn Timmons
>
>
>
>
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The SHCG list is provided for members of Social History Curators Group to discuss subjects relevant to social history in museums. To join SHCG visit www.shcg.org.uk . Opinions expressed in this email are the responsibility of the author and are not necessarily shared by SHCG. To leave the list do not reply to this message but send an email to [log in to unmask] with a blank subject line and these words as the body of the email: SIGNOFF SHCG-LIST