I would be VERY grateful to any member of the Group who could provide
very high resolution images of the reproduction of the center doorway sculptures of the Royal Portal of Chartres Cathedral in the collection of the
Le musée des Monuments français, depicted
here. (Open the link and scroll down a bit) This reproduction was reportedly made from plaster molds taken sometime between 1880 and 1920.
I am currently studying the unusual iconography of the twelve angels sculpted in the innermost archivolt band, seven of which reportedly hold astrolabes. It is the details of these 7 angels and their astrolabes that I am most interested in seeing.
I would also welcome all comments on the iconographic interpretation of these twelve angels and their attributes. For instance:
- Placed closer to the Christ figure, should we consider their didactic importance as outranking the 24 Elders?
- Is it accurate to say only one of the twelve has a halo, and if so, why?
- Is it accurate to say only one has a head covering, and if so, why?
- Would the positioning of the astrolabes, sometimes above the waist, sometimes below, have any significance?
- What is the significance of the astrolabes being held in a draped hand (compared to other objects held in bare hands)?
- Is the drapery covering the hands part of the angels' robes or a separate cloth and would any traces of paint survive to show such a distinction?
- What would be the significance of possibly only one of the seven astrolabes being held in the right rather than the left hand?
- Is there any history of written commentary on these astrolabe sculptures aside from Saurlander and Levis-Godechot?
Thanks,
Richard J Legault
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