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FINAL REMINDER Again, with apologies for cross-posting, please find below the CFP for “Global Exploitation Cinemas: Historical and Critical Approaches”, an academic conference and film event organised by the University of Lincoln (UK) in association with the forthcoming Bloomsbury book series<http://globalexploitationcinemas.weebly.com/> of the same name. We have had some very intriguing contributions thus far. WE WILL BE ACCEPTING ABSTRACTS UNTIL THE END OF TODAY: MONDAY 2 MARCH 2015. The event will take place 28 and 29 May 2015 at the historic Ritz Cinema and Theatre<http://ritzcinema.org/>. University of Lincoln presents … GLOBAL EXPLOITATION CINEMAS: HISTORICAL AND CRITICAL APPROACHES An academic conference and film event The Ritz Cinema and Theatre, Lincoln (UK), 28 and 29 May 2015 CONFIRMED KEYNOTE SPEAKERS: Eric Schaefer: "Exploitation and the Empirical Imperative" Emerson College, US, and author of Bold! Daring! Shocking! True! A History of Exploitation Films, 1919-1959 (Duke University Press, 1999) and editor of Sex Scene: Media and the Sexual Revolution (Duke University Press, 2014) I. Q. Hunter: "The Psychogeography of British Trash Cinema" De Montfort University, UK, and author of British Trash Cinema (BFI, 2012) and Cult Film as a Guide to Life (Bloomsbury, 2015). The academy’s approach to film history has undergone a significant shift in the 21st century, with previously marginalised, despised and neglected aspects of popular film being afforded unprecedented levels of attention. This process of revaluation has occurred on a global scale, highlighting the development of rich and relatively uncharted alternative film cultures and histories, including those of "exploitation" films, and in turn enabling fresh empirical and critical methodologies. The academic conference and film event "Global Exploitation Cinemas"—which is being funded by the University of Lincoln (UK) and is working in conjunction with the forthcoming Bloomsbury book series of the same name—aims to bring together an eclectic and diverse range of approaches to exploitation cinema, welcoming any perspective that adds to the burgeoning scholarship in this field of study. Proposals which emphasise the international dimensions of exploitation cinema are especially welcome, but the conference will remain broad and inclusive in considering topics for discussion. Potential subjects and approaches include, but are by no means limited to: • Critical reception and/or re-assessment • Socio-historical dimensions and debates • Form and aesthetics • Global and transnational perspectives • Sexploitation • The pornographic feature film • Media controversies and censorship • Publicity and advertising • Stardom • Directors, writers and producers • Movements, cycles and sub-genres • Exhibition and distribution • Geographies • Restoration and re-appropriation • Exploitation in the video age • Nostalgia • Publishing • "Mainstream" infiltrations • DVD documentaries/special features • Festivals and conventions • Ephemera and the collector • The internet and participatory cultures • Neo-exploitation in the 21st century Abstracts (of around 300 words) and some brief biographical information (of around 50 words) should be sent no later than MONDAY 1 MARCH 2015 to the following email address: [log in to unmask]<mailto:[log in to unmask]>. For more information about the event (and the book series) go to: http://globalexploitationcinemas.weebly.com. We look forward to receiving your abstracts! Best wishes, The organisers: Shaun Kimber (Bournemouth University) Neil Jackson (University of Lincoln) Austin Fisher (Bournemouth University) Johnny Walker (Northumbria University) Thomas Joseph Watson (Northumbria University) -------------------------------------------------------- BAFTSS mailing list -------------------------------------------------------- To manage your subscription or unsubscribe from the BAFTSS list, please visit: https://www.jiscmail.ac.uk/cgi-bin/webadmin?A0=baftss ------------------------------------------------------- This mailing list is a free service and is not restricted to members of BAFTSS. --------------------------------------------------------