Hi Nick Some first thoughts. Lack of participation by museums: (I may be wrong) but when I have looked at participation in Culture Grid it appears to require you to have your collection on-line somewhere before you can participate. I suspect this is still a barrier to many. (For various reasons, we still don't have our collections on-line). Many museums have no IT expertise in house and without a button in whatever they use to catalogue their collection they will struggle to participate. What does this mean? In order to increase participation Culture Grid will need to get suppliers to include "export to culture grid" as a function of their collections software and will need to be prepared to host data or find ways of facilitating data hosting (Ideally the UK could do with something like the New Zealand project that resulted in ehive). What is culture grid for I have never really seen Culture Grid as a destination in itself and I am not sure that this should be a focus. For me its focus should be on being the definitive, up to date, source of information about museum objects in the UK. I don't want (or have the time or resources) to provide data to PCF or Europeana or all the other very worthwhile projects that are out there. Trevor Reynolds, Registrar English Heritage, 37 Tanner Row, York, YO1 6WP +44 (0) 1904 601905 ________________________________________ From: Museums Computer Group [[log in to unmask]] On Behalf Of Nick Poole [[log in to unmask]] Sent: 03 November 2014 15:00 To: [log in to unmask] Subject: [MCG] Consultation over the development of the Culture Grid Dear MCG'ers, Some of you may have spotted that we've launched a consultation about the future development of the Culture Grid (www.culturegrid.org.uk), the aggregator which currently provides access to 3m+ records from UK museums, archives and libraries. We have been running the Culture Grid with the good people at Knowledge Integration for nearly 8 years now (and its origins predate this considerably in the form of the Peoples Network Discover Service) and it is time to step back and develop a clear plan for the way forward. I hope you won't mind if I shamelessly use you as a focus group for this, but as the nation's hive mind on all things digital and cultural, I would like to ask you to share your thoughts and opinions about the value of the Culture Grid, its strengths and weaknesses and your ideas both about aggregation in general and the Culture Grid in particular. I've posted on our blog about our thinking about the Culture Grid - see http://www.collectionstrust.org.uk/blog/culturegrid and we are also receiving comments directly via this email address or on twitter using the hashtag #cgfuture. I would be especially grateful for any views you are able to share on-list - we are keen for this to be as open and constructive a consultation as possible, and to ensure that whatever happens next with the Culture Grid it delivers genuine value for the people who expend time and effort participating in it. With many thanks in advance for your ideas and comments! All best, Nick Nick Poole Chief Executive Officer Collections Trust <http://www.collectionstrust.org.uk/copyright-seminar/copyright-seminar- 2015> <http://www.collectionstrust.org.uk/> <http://www.linkedin.com/groupItem?view=&gid=3280471&type=member&item=12 7734931&qid=f3e77705-7ec2-44c7-99db-7fe325bb16fc&trk=group_most_recent_r ich-0-b-ttl&goback=%2Egmr_3280471> Join Collections Trust's Collections Management Group <http://www.linkedin.com/groupItem?view=&gid=3280471&type=member&item=12 7734931&qid=f3e77705-7ec2-44c7-99db-7fe325bb16fc&trk=group_most_recent_r ich-0-b-ttl&goback=%2Egmr_3280471> <http://www.twitter.com/collectiontrust> Follow us on Twitter <http://www.twitter.com/collectiontrust> <https://www.facebook.com/hiddentreasuresuk?ref=hl> Like us on Facebook <https://www.facebook.com/hiddentreasuresuk?ref=hl> www.collectionstrust.org.uk. 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