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I know what you mean. It's simple to arrange. You cost out the cost of my travel and lavish subsistence, find a funding body and book it. You would have my full cooperation. I haven';t been further west than Toronto, unless you count Chicago Airport L On 31 October 2014 16:43, Douglas Barbour <[log in to unmask]> wrote: > Someday I hope to hear you L, & maybe join in. > > I remember Bob Cobbing improvising with Toronto saxophonist (& I can't > recall his name) at the bp celebration: amazing conjoining of voice with > horn... > > D > On Oct 31, 2014, at 9:43 AM, Lawrence Upton <[log in to unmask]> > wrote: > > > Yes, I very rarely make work that isn't to be sounded whether it's in a > > book or on a wall. > > > > Naming Sue I don't think I have done yet. Not sure! > > > > Nunhead, certainly; solo and with a drunk audience > > > > Faversham - with benedict Taylor (the violist not the actor) > > > > Oswiecim with Jeff Cloke (laptop, live processing) > > > > Trellis - with benedict > > > > I sent Nico some stuff I performed with Tina Krekels (Gerperson based in > > UK) on sax, but they didn't get selected. She is very good. There was one > > garish image I'd made; and I was preoccupied; and then found myself in a > > room full of expectant people; so I screamed like a banshee with a roof > > nail entering its head and Tina went up the scale of acted agony with me > > before we reached the top of that world and started doing something else > > with it, both grinning at each other. I remember that high. V good > musician > > is Ms Krekels > > > > Glad you liked the work > > > > L > > > > > > > > On 31 October 2014 15:26, Douglas Barbour <[log in to unmask]> wrote: > > > >> Fabulous, Lawrence. Especially the variations. Do you vocalize these? > >> > >> (Ive a feeling Bob C would have...). > >> > >> Doug > >> On Oct 31, 2014, at 7:57 AM, Lawrence Upton <[log in to unmask]> > >> wrote: > >> > >>> Five visually-oriented works of mine have been published in *Coldfront* > >>> magazine by editor Nico Vassilakis on Friday 31 October 2014. > >>> > >>> *Naming for Sue* > >>> > >>> *Faversham Sequence * > >>> > >>> *Nunhead* > >>> > >>> *In the railway truck to Oswiecim Variation 1* > >>> > >>> *Trellis * > >>> > >>> I think that he, Nico, has chosen well from the large selection to > which > >> I > >>> gave him access. > >>> > >>> *http://coldfrontmag.com/five-works-by-lawrence-upton/ > >>> <http://coldfrontmag.com/five-works-by-lawrence-upton/>* > >>> > >>> Here I spelt the Polish town name as Oswiecim because I know what > happens > >>> here to the Polish char set! > >>> > >>> Ive spelt it kosher on Nico's website > >>> > >>> It's the place that was called Auschwitz that I am talking about. And > >> those > >>> railway trucks. So much for Halloween. > >>> > >> > >> Douglas Barbour > >> [log in to unmask] > >> > >> Recent publications: (With Sheila E Murphy) Continuations & > Continuation 2 > >> (UofAPress). > >> Recording Dates (Rubicon Press). > >> > >> that we are only > >> as we find out we are > >> > >> Charles Olson > >> > > > > Douglas Barbour > [log in to unmask] > > Recent publications: (With Sheila E Murphy) Continuations & Continuation 2 > (UofAPress). > Recording Dates (Rubicon Press). > > that we are only > as we find out we are > > Charles Olson >