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Hurry Tomorrow a documentary feature I made long ago about life in a state run psychiatric institution screens October 10 in Arlington, Mass.  You need to get up before dawn since they are showing it at 8am.  Details and description below.  -- richard

http://RichardCohenFilms.com/

FRIDAY OCTOBER 10, 8 AM,  REGENT THEATER, ARLINGTON 
Thirty-nine years after the independent documentary feature HURRY TOMORROW opened eyes across America about conditions inside state run psychiatric institutions the landmark film will screen at the Mad In America’s International Film Festival on October 10, 2014 at 8 AM at the Regent Theater in Arlington. 

HURRY TOMORROW a cinema verite16mm film by filmmakers Richard Cohen and Kevin Rafferty (1975) documents life in a locked psychiatric ward at Metropolitan State Hospital in Los Angeles.  For six-weeks the filmmakers captured alarming images of forced drugging of patients, the use of restraints and isolation, brutality and psychological coercion.  They also filmed moments of tenderness and friendship between inmates.

Produced on a budget of $19,000 HURRY TOMORROW premiered in San Francisco in September 1975.  Amidst a fast growing storm of controversy the film then played at the Kenmore Square Cinema in Boston, the Orson Welles Cinema in Cambridge and the Royal Theater in Los Angeles.  The Los Angeles Times reported on December 7 and 11 that hospital staff called for the film to be banned.  In the words of one hospital employee the film created, “a stupid stinking internal horror of controversy.”

Nearly a year later California Governor Jerry Brown and his top administrators responded to these calls by launching an investigation into conditions in all state run mental hospitals.  More than a thousand patient deaths were uncovered.  All hospital directors were fired.  On December 22, 1976 HURRY TOMORROW was featured on the CBS Evening News with Walter Cronkite.  One reporter later commented the film created the biggest news story in California that year.

“A disturbing indictment of the assaults on human dignity practiced in many of this country’s mental hospitals”  Mack. VARIETY  (November 28, 1975) 

“A crucifying indictment of ward conditions, drug companies and the violations of present laws.  The film is an act of courage and a warning about mind control told with compassion and rage.”  Linda Gross, THE LOS ANGELES TIMES (December 5, 1975)

“Shocking, important and apt to make us feel angry at both Hollywood and ourselves for wasting so much time on cinematic entertainment.”

 Joe Kornfeld, BOSTON HERALD  (December 5, 1975)


 “A passionate, purposeful film document, all the more real for its righteous prejudice against unreasoning authority.”


    THE REAL PAPER, Andrew Kopkind  (January 14, 1976) 

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