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REMINDER Call for Papers - *Film Studies* no. 14: special issue on
“Institutions and Agency”





Under the auspices of the new film history, media industry studies, the new
political economy of communication and others, film and media scholars have
increasingly attended to institutions. This trend agitates against the long
disciplinary tradition by which media have been appreciated as the
expressions of subjective visions and artistic designs. To be sure, the new
institutional approaches are not without their critics, who have maligned
them as inflexible, reductive and ignorant of extra-economic motivations,
cultural inflections and individual decisions.



How can film and media scholarship effectively seek both macro *and* micro
explanations and attend to both larger networks *and* human agency? This
special issue of *Film Studies* (Manchester University Press), due for
publication in 2016, seeks to answer this question by collecting a diverse
series of case studies that illustrate such comprehensive approaches. These
6000-8000-word articles *may pertain to any area of film and media studies*,
but should grapple with their objects of inquiry by taking account of both
institutions and individual agency.



Possible topics might include (but are not limited to) case studies that
reveal:



--the place of (a) film (or a genre or production trend) in relation to
government bodies (e.g., the EU; the State Department; local municipalities)



--how individual directors, cinematographers, screenwriters or other film
workers negotiated with companies, unions, regulation bodies, government
authorities or other large organisations



--how media control, convergence or conglomeration has been inflected by
individuals’ decision-making



--the role of individuals in censorship and classification decisions



--how arts journalists or film critics fit into larger media organisations
and associations



--how individual cinemas, film festivals, distribution companies or other
film-cultural groups deal with larger networks; how these larger networks
codetermine the individuals’ everyday practices



--audience or fan studies that attend to both institutional pressures (or
incentives) and individual desires and tastes





Abstracts (of less than 200 words) and a short biographical note should be
sent by 1 November 2014 to Mattias Frey at [log in to unmask] Complete
manuscripts should be ready for peer review by the summer of 2015.
Publication is due for summer 2016.


Dr Mattias Frey
Senior Lecturer in Film Studies
Co-Editor, *Film Studies*
Co-Director, Centre for the Interdisciplinary Study of Film and the Moving
Image
University of Kent
Jarman School of Arts, 2-26
Canterbury CT2 7UG
UK

http://www.kent.ac.uk/arts/staff-profiles/profiles/film/frey.html

Postwall German Cinema: History, Film History, and Cinephilia
http://www.amazon.com/Postwall-German-Cinema-History-Cinephilia/dp/0857459473

Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship
http://www.amazon.co.uk/Cine-Ethics-Dimensions-Practice-Spectatorship-Routledge/dp/0415821258


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