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italian-studies: Scholarly discussions in any field of Italian studies


   The Italianist  
   Oral Culture in Early Modern Italy: Performance, Language, Religion
   Volume: 34, Number: 3 (October 2014) 
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   The above issue is now available online at: 
   http://www.maneyonline.com/toc/ita/34/3
 
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   ORAL CULTURE IN EARLY MODERN ITALY: PERFORMANCE, LANGUAGE, RELIGION 
   The Italianist; Vol. 34 
   http://www.maneyonline.com/doi/abs/10.1179/0261434014Z.00000000094

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   THE SINGING VOICE AND THE PRINTING PRESS: ITINERARIES OF THE 
   ALTISSIMO’S PERFORMED TEXTS IN RENAISSANCE ITALY 
   Luca Degl’Innocenti 
   The Italianist, Vol. 34, No. 3: 318-335. 
   http://www.maneyonline.com/doi/abs/10.1179/0261434014Z.00000000093

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   THE WORD ON THE STREET: STREET PERFORMERS AND DEVOTIONAL TEXTS IN 
   ITALIAN RENAISSANCE CITIES 
   Rosa Salzberg 
   The Italianist, Vol. 34, No. 3: 336-348. 
   http://www.maneyonline.com/doi/abs/10.1179/0261434014Z.00000000095

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   ‘IN VITUPERIUM STATUS VENETI’: THE CASE OF NICCOLÒ ZOPPINO 
   Massimo Rospocher 
   The Italianist, Vol. 34, No. 3: 349-361. 
   http://www.maneyonline.com/doi/abs/10.1179/0261434014Z.00000000096

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   THE SOCIAL CONNOTATIONS OF SINGING VERSE IN CINQUECENTO ITALY 
   Brian Richardson 
   The Italianist, Vol. 34, No. 3: 362-378. 
   http://www.maneyonline.com/doi/abs/10.1179/0261434014Z.00000000097

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   A VERNACULAR RENAISSANCE OF PLAUTUS: TEXTS AND PERFORMANCES OF 
   BATTISTA GUARINO’S COMEDY I MENECHINI 
   Chiara Sbordoni 
   The Italianist, Vol. 34, No. 3: 379-399. 
   http://www.maneyonline.com/doi/abs/10.1179/0261434014Z.00000000098

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   ‘FEMINA PROTERVA, RUDE, INDOCTA [...], CHI T’HA INSEGNATO A PARLAR IN 
   QUESTO MODO?’ WOMEN’S ‘VOICES’ AND LINGUISTIC VARIETIES IN SIXTEENTH- 
   AND SEVENTEENTH-CENTURY WRITTEN TEXTS 
   Helena Sanson 
   The Italianist, Vol. 34, No. 3: 400-417. 
   http://www.maneyonline.com/doi/abs/10.1179/0261434014Z.00000000099

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   PREGARE CON LA BOCCA, CON GLI OCCHI E COL CUORE NELL'ITALIA DELLA 
   PRIMA ETÀ MODERNA 
   Ottavia Niccoli 
   The Italianist, Vol. 34, No. 3: 418-436. 
   http://www.maneyonline.com/doi/abs/10.1179/0261434014Z.000000000100

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   MUSIC, MEMORY, AND FAITH: HOW DID SINGING IN LATIN AND THE VERNACULAR 
   INFLUENCE WHAT PEOPLE KNEW ABOUT THEIR FAITH IN EARLY MODERN ROME? 
   Noel O'Regan 
   The Italianist, Vol. 34, No. 3: 437-448. 
   http://www.maneyonline.com/doi/abs/10.1179/0261434014Z.000000000101

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   DRAMATICS IN (AND OUT OF) THE PULPIT IN POST-TRIDENTINE ITALY 
   Emily Michelson 
   The Italianist, Vol. 34, No. 3: 449-462. 
   http://www.maneyonline.com/doi/abs/10.1179/0261434014Z.000000000102

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   ‘FAITHFUL TO THE SPOKEN WORD’: SERMONS FROM ORALITY TO WRITING IN 
   EARLY MODERN ITALY 
   Stefano Dall'Aglio 
   The Italianist, Vol. 34, No. 3: 463-477. 
   http://www.maneyonline.com/doi/abs/10.1179/0261434014Z.000000000103

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   LE AMBIGUITÀ DELLA PAROLA: ERESIA E ORTODOSSIA TRA ORALITÀ E SCRITTURA 
   NELLA PREDICAZIONE ITALIANA DEL CINQUECENTO 
   Giorgio Caravale 
   The Italianist, Vol. 34, No. 3: 478-492. 
   http://www.maneyonline.com/doi/abs/10.1179/0261434014Z.000000000104

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The Italianist, which first appeared in 1981, has become established as one of the leading international journals of Italian Studies. From the start, it has distinguished itself from other scholarly periodicals by the broad scope of its interests, opening its pages to articles dealing with all aspects of Italian art, culture, and life from the Middle Ages to the present. Thus it has successfully brought together medieval philology and modern critical theory, history and gender studies, dialectology and cultural studies, history of art and the history of cinema, linguistics and economics.  Find out more at www.maneyonline.com/ita

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Kate Smith 
Maney Publishing

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