Dear Nicholas, please check under: http://www.mediaarthistory.org (declaration) Best, Oliver >>> Nicholas O'Brien <[log in to unmask]> 30.06.14 21.12 Uhr >>> Is there a version of this somewhere online that isn't formatted to this email thread? Thanks very much for sharing Oliver! very best On Sun, Jun 29, 2014 at 3:25 AM, Oliver Grau <[log in to unmask]> wrote: > Thank you Paul and Johannes for the very informed contribution! > > Since there might be a number of new people on the list, I would like to > take the opportunity and share here > the "LIVERPOOL-Declaration" and would like to encourage those of you who > have not signed so far to do > and share it also among your institutions and national/international > funding sources > - btw Serota and Weibel for example also signed.. > > > --------------------------------------------------- > MEDIA ART NEEDS GLOBAL NETWORKED ORGANISATION & SUPPORT – International > Declaration > State of Affairs > Digital technology has fundamentally changed the way art is made. Over > the last forty years, Media Art has become a significant part of our > networked information society. Although there are well-attended > international festivals, collaborative research projects, exhibitions > and database documentation resources, Media Art research is still > marginal in universities, museums and archives. It remains largely > under-resourced in our core cultural institutions. > As a result of rapid changes in technology, many major works made even > 10 years ago can no longer be shown or are disappearing without a trace. > If this situation is not addressed, we face losing an art form that is a > central part of our post-industrial digital culture. To date, systematic > global preservation and documentation campaigns do not exist. > Many important online documentation and research projects are also > disappearing from the web. As they falter, we risk losing their valuable > material forever. Contemporary scientific research relies on access to > shared data. The same is true of the Arts and Humanities, which lack a > concerted international policy for sustainability and support of the > digital heritage, such as exists partly in the natural sciences. > Several science disciplines have developed large collective projects to > address the challenges and opportunities of our time by way of networked > digital environments, based on a sustainable and international support > structure. International Media Art research needs similar global > organisation and collaboration. > Goals > a.) Establish international and sustainable funding structures > Therefore it is essential to establish international and sustainable > funding structures that can guarantee the persistence of these valuable > resources, and to make use of networked collaboration to archive key > data in a cooperative process of knowledge transfer between artists, > institutions and researchers internationally. While many nations are > devoting funds for interdisciplinary e-research, we urgently need global > networked collaboration in Media Art research. > Such an international structure/alliance needs the actively supported > membership of media art organisations, archives and individuals. It > should be supported with adequate funding and expertise from the > existing networks of funding agencies, archives, online initiatives and > research institutions. > b.) Supporting an International Association/Institution for Shared Data > We urgently need global networked collaboration in Media Art research > across the aforementioned networks. We need as many bridges into society > as possible: archives, conferences, text repositories, collective > database documentation, and preservation. > This alliance will promote collaboration and advocate the > sustainability, understanding and appreciation of media art heritage by: > · Recognizing and building upon existing knowledge and resources > · Providing and fost> · Enabling the international research community to > create/upload/access data to be shared. > · Encouraging peer exchange and addressing the new challenges of > Media Art > · Developing scientific technologies for documentation and > preservation of Media Art > · Providing inspiration and resources for curators, artists, > scholars, educators and audiences > · Supporting the Media Art History network, its conference series, > text repositories and scientific publications > · Promotion of new ways of understanding media art, science, > technology and its histories > Only when we develop systematic strategies to address these challenges > will we be able to fulfill the task that digital culture and its > research demands of us in the 21st Century. > Signing Instructions > Governments, universities, research institutions, researchers, artists, > academics, funding agencies, foundations, libraries, museums, archives, > learned societies and professional associations who share the vision > expressed in this Declaration are invited to join the signatories that > have already signed the Declaration. > Chair. Prof. Dr. Sean CUBITT, Goldsmiths College, University of London > Chair. Prof. Dr. Oliver GRAU, Image Science, Danube University Krems, > Austria > Chair. Prof. Dr. Ross HARLEY, COFA, University of New South Wales, > Sydney, Australia > Prof. Dr. Christiane PAUL,The New School, New York, USA > Prof. Dr. Diana DOMINGUES, Universidade de Brasília, Brazil > Prof. Lanfranco ACETI, Goldsmiths and Sabanci University, UK / Turkey > Prof. Dr. Frieder NAKE, University of Bremen, Germany > Prof. Dr. h.c. Peter WEIBEL, Chairman and CEO ZKM | Center for Art and > Media Karlsruhe > Prof. Dr. Roy ASCOTT, University of Plymouth, UK > Sir Nicholas SEROTA : Director- Tate, London > Dr. Martin WARNKE, Leuphana University, Germany > Prof. Mike STUBBS, Director of FACT Liverpool, UK > Benjamin WEIL, Artistic Director, LABORAL, Spain > Dr. Andreas BROECKMANN, Director of the Leuphana Arts Program, Germany > Chair. Prof. Jeffrey SHAW, City University Hong Kong School of Creative > Media > Prof. Eduardo KAC, Arts Institute Chicago > Prof. Dr. Christa SOMMERER, Professor for Interface Culture, University > of Art and Design Linz, Austria > Prof. Dr. Laurent MIGNONNEAU, Professor for Interface Culture, > University of Art and Design Linz, Austria > Alex ADRIAANSENS – dir. V2_ Institute for the Unstable Media, Rotterdam, > Netherlands > Prof. Dr. Horst BREDEKAMP, Institut fuer Kunst- und Bildgeschichte, > Humboldt-Universität zu Berlin > Howard BESSER, Professor / Director, Moving Image Archive and > Preservation Program, NYU’s Tisch School of the Arts, Cinema Studies > Department > Vanina HOFMAN, PhD; Universitat Oberta de Catalunya, Founder of > Taxonomedia, Spain / Argentina > Ass. Prof. Ianina PRUDENKO, National Pedagogical Dragomanov University, > Kyiv, Ukraine. > Prof. Dr. Anna Maria GUASCH, Universitat de Barcelona, Spain. > Sara DIAMOND, President OCAD University, Toronto, Canada > Prof. Dr. Barbara Maria STAFFORD, Georgia Institute of Technology, > Atlanta, Ga. > Darko FRITZ, freelance curator, researcher and artist, Croatia / NL > Dr. Lisa GYE, Swinburne University, Melbourne, AU > Assoc. Prof. Dr. Anna MUNSTER, National Institute for Experimental Arts, > Sydney, AU > Dr. Stephen JONES, Stephen Jones & Associates P/L (Video Conservation), > Sydney, AU > Dr. Andy WILLIAMSON, Digital Strategist and Commentator, UK > Prof. Em.Vera FRENKEL, FRSC, Faculty of Fine Arts, York University > Prof. Dr. Gilbertto PRADO, Visual Arts Departement, ECA/USP – Sao Paulo > University, Brazil. > Winnie FU, Curator and Chairperson of Microwave International New Media > Arts Festival, Hong Kong > Prof. Stephen PARTRIDGE, Duncan of Jordanstone College of Art and > Design, University of Dundee, UK > Prof. Dr. Paul THOMAS, COFA, University of New South Wales, Sydney, > Australia > Adj. Prof. Alessandro LUDOVICO, Academy of Art Ca> Dr. Vince DZIEKAN, Monash University, Melbourne, Australia > Jon IPPOLITO, Associate Professor of New Media, Still Water lab, The > University of Maine > Prof. Dr. Darren TOFTS, Swinburne University, Melbourne Australia > Prof. em. Itsuo SAKANE, Institute of Advanced Media Arts and Sciences, > Tokyo, Japan > Mitsuhiro TAKEMURA, Professor, Sapporo City University, Faculty of > Design, Media Design Lab. > Prof. Dr. Lev MANOVICH, University of California, San Diego, USA > Prof. Dr. ZHANG Ga, The New School / Tsinghua University, US and China > Dr. Michele BARKER, COFA, University of New South Wales, Sydney, > Australia > Prof. Pier Luigi CAPUCCI, NABA, Milan; NoemaLab, Italy > Prof. Dr. Jin-Woo Lee, Ph.D., Chair Professor, Division of Humanities > and Social Sciences, Pohang University of Science and Technology, Korea > Assoc. Prof. Nina CZEGLEDY, University of Toronto, Canada > Prof. Paul Alsina GONZÁLEZ, Universitat Oberta de Catalunya, Spain > Prof. Dr. Peter MATUSSEK, Chair for Media Aesthetics, University of > Siegen, Germany > Prof. Mikel ROTAECHE y GONZÁLEZ de Ubieta, Universidad Complutense de > Madrid, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain > Dr. Nelson VERGARA, National University of Colombia, Bogota, Colombia > Prof. Wolfgang MUENCH, Dean Faculty of Media Arts, LASALLE College of > the Arts, Singapore > Gabriela BALDOMÁ, Directora del Instituto de Investigación, Conservación > y Restauración de Arte Moderno y Contemporáneo, Argentina > Prof. Dr. Ryszard W. KLUSZCZYNSKI, University of Lodz, Poland > Dr. Raivo KELOMEES, Estonian Academy of Arts, Tallinn, Estonia > Dr. Mike LEGGETT, Creativity & Cognition Studios, University of > Technology, Sydney > Prof. Dr. Anne-Marie DUGUET, University of Paris 1, France > Paul BROWN, independent artist and writer; visiting professor, Centre > for Computational Neuroscience and Robotics, University of Sussex, UK; > Synapse artist-in-residence, Centre for Intelligent Systems Research, > Deakin University, Geelong, Australia > Prof. Dr. Will STRAW, Department of Art History and Communications > Studies, McGill University, Canada. > Steve DIETZ, President and Artistic Director of Northern Lights.mn, USA > Dmitry BULATOV, Curator at the National Center for Contemporary Arts, > Kaliningrad branch, Russia > Prof. Dr. Gunalan NADARAJAN, Maryland Institute College of Art (MICA), > Baltimore, USA > Ass. Prof. Maurice BENAYOUN, University Paris 8, France > Prof. Dr. Cleomar ROCHA, Universidade Federal de Goiás, Goiânia, Brasil > Lynn HERSHMAN LEESON, Artist; Professor Emeritus, University of > California, Davis; Chair, Film Department, San Francisco Art Institute > Prof. Dr. Akihiro KUBOTA, Tama Art University, Tokyo, Japan > Andres BURBANO, PhD researcher at the University of California, Santa > Barbara, USA > Eric KLUITENBERG, Chief of Tactical Media Files, Chelsea College of Art > and Design, London > Prof. Dr. Edward A. SHANKEN, University of Amsterdam, Netherlands > Andreia MAGALHAES, PhD researcher at the Fine Arts Faculty, Porto, > Portugal > Prof. Dr. Felipe Cesar LONDOÑO, International Image Festival, University > of Caldas, Colombia. > Prof. em. Frank POPPER, University of Paris VIII,Paris, France > Ass. Prof. Dr. Caitlin FISHER, York University,Toronto, Canada > Prof. Dr. habil Marion G. MÜLLER, Research Center Visual Communication > and Expertise (VisComX), Jacobs University Bremen, Germany > Prof. Dr. Timothy Conway MURRAY, Rose Goldsen Archiveof New Media Art, > Cornell University, New York > Prof. Dr. Douglas KAHN, National Institute for Experimental Arts, > University of New South Wales, Sydney, Australia > Ass. Prof. Dr. Baruch GOTTLIEB, transmediale, Germany > Prof. Dr. Angel KALENBERG, Instituto Valenciano deArte Moderno (IVAM), > Spain > Rafael LOZANO-HEMMER B.Sc., Independent artist,Mexico, Madrid, Montreal > Predrag RISTIC, Gradina FM, Member (Macedonia, Balkans) – design of > collaborative working practices and implementation of IT systems. > Patrick LICHTY, Critical Artist and Theorist, Columbia College Chicago > Dr. Lewis KAYE, Sound artist; instructor, Dept. of Communication > Studies, Wilfrid Laurier University, Waterloo, Canada > Maira Monteiro FROES, Prof. /Research Neuroscience, ArtSci Interface > Federal University of Rio de Janeiro Brazil > Ass. Prof. Dejan GRBA, University of the Arts / Faculty of Fine Arts in > Belgrade, Serbia > Ass. Prof. Shane MECKLENBURGER, Art & Technology, The Ohio State > University Dept of Art, Columbus, OH > Dr. Martin E. ROSENBERG, Independent Scholar, Pittsburgh, PA USA > Prof. Mariela CANTU, Researcher, Curator. Founder of Arca Video > Argentino -On line Archive and Database of Argentinian Videoart-. > Universidad de La Plata/Universidad del Cine/Instituto Universitario > Nacional del Arte. > Ass. Dir. Sherry Miller HOCKING, ExperiLaura BERAZADI, Executive Director, > InterAccess Electronic Media Arts > Centre, Toronto, Canada > Dr. Mikhail A. STEPANOV, Russian Institute for Cultural Research, St. > Petersburg, Russia > Dir. Helen SLOAN, SCAN, UK > Dr. Jussi PARIKKA, Winchester School of Art/University of Southampton > Jennifer Kanary NIKOLOVA, Artist, Researcher and Tutor Art and Research > Honours Programme Gerrit Rietveld Academie/University of Amsterdam > Po-Wei WANG, Art Critic, Curator, Representative of the Digital Art > Center, Taipei, Taiwan > Dr. Clarissa RIBEIRO, Director of The Double Collective, researcher at > ECA – USP / School of Communications and Arts, University of Sao Paulo, > Brazil > Prof. Dr. Bong Keun Yoo, Institute of Media Art, Seoul, Korea > Dr. Dmitry GALKIN, Institute for Arts and Culture, Tomsk State > University, Russia > Assoc. Prof. Bent FAUSING, Aesthetics and Visual Communications in > Modern Media, University of Copenhagen, Director of the international > research program: Sensoric Image Science, Denmark > Dr. Suzana MILEVSKA, Art historian and Curator, Faculty of Fine Arts, > Skopje > Dr. Melentie PANDILOVSKI, Director, Video Pool Media Arts Centre, > Winnipeg, Manitoba, Canada > Nina SOSNA, Russian University for Humanities > Dr. Karin WENZ, Director of studies MA Media Culture, Maastricht > University > Dr. Emmanuelle LOUBET, New Media artist, sound creator, programmer and > web developer, researcher, Canada / Japan > Dr. Mathias FUCHS, University Potsdam/ Germany and University of Salford > , UK > Dr. Annette FINNSDOTTIR, Design & E-Concept Developing at Zibat, Campus > Køge bei Køge Business School, Kopenhagen, Denmark > Univ.Prof.Dr.phil.habil. Ramón Reichert, Professor for New Media, > Institute for Theater-, Film- und Media Studies, University of Vienna > Dr. Rudolf FRIELING, Curator of Media Arts, San Francisco Museum of > Modern Art > Dr. Kathy CLELAND, Director of the Digital Cultures Program, the > University of Sydney, Australia > PD Dr. Lutz MUSNER, IFK Internationales Forschungszentrum > Kulturwissenschaften an der Kunstuniversität Linz > Prof. Dr. Bernhard SEREXHE, Chief Curator ZKM | Media Museum, Karlsruhe, > Germany > Lidia STARODUBTSEVA, Director of the Center of Media Communications and > Visual Studies, V.N.Karazin National University, Ukraine > Prof. Dr. Birte KLEINE-BENNE, Ludwig Maximilians University Munich, > Germany > Lynn Hershman LEESON, Artist/Filmmaker Professor Emeritus U.C. David, > Visiting Artist New School for Social Engagement. > Jennifer Kanary NIKOLOVA, Artist, Researcher and Tutor Art and Research > Honours Programme Gerrit Rietveld Academie/University of Amsterdam > Po-Wei WANG, Art Critic, Curator, Representative of the Digital Art > Center, Taipei, Taiwan > > Dr. Clarissa RIBEIRO, Director of The Double Collective, researcher at > ECA – USP / School of Communications and Arts, University of Sao Paulo, > Brazil > Dr. Dmitry GALKIN, Institute for Arts and Culture, Tomsk State > University, Russia > Assoc. Prof. Bent FAUSING, Aesthetics and Visual Communications in > Modern Media, University of Copenhagen, Director of the international > research program: Sensoric Image Science, Denmark > Dr. Suzana MILEVSKA, Art historian and Curator, Faculty of Fine Arts, > Skopje > Dr. Melentie PAND> Nina SOSNA, Russian University for Humanities > Dr. Karin WENZ, Director of studies MA Media Culture, Maastricht > University > Dr. Emmanuelle LOUBET, New Media artist, sound creator, programmer and > web developer, researcher, Canada / Japan > Dr. Annette FINNSDOTTIR, Design & E-Concept Developing at Zibat, Campus > Køge bei Køge Business School, Kopenhagen, Denmark > Prof. Raquel HERRERA, freelance new media teacher, researcher and > translator, IDEC-Universitat Pompeu Fabra, Spain > Prof. Mario COSTA, Director, ARTMEDIA c / o University of Salerno-Italy, > Italy > Ed TANNENBAUM, Independent media Arstist, Crockett, US > Karin KAROUSSOS, PhD Researcher and Independent Artist,Athens School of > Fine Arts, Greek > Natale CUCINIELLO, Media Artist – Torre del Greco, 1946, Italy > Dr. Michael HOHL, Faculty of Art and Design, Bauhaus University Weimar > Dr. Chris MEIGH-ANDREWS, The Electronic & Digital Art Unit (EDAU) , > School of Art, Design & Performance, University of Central Lancashire, > Preston, UK > Dragana ZAREVSKA, Visual and performing arts practitioner and > researcher, Macedonia > Dr. Vince BRIFFA, Head of Department of Digital Arts, University of > Malta > Gudrun BIELZ, Artist, visiting artist at the Royal Academy of Arts, > London and PhD student at the University of Reading, UK. > Jens H. STRECK, computer scientist, University of Sussex, UK > Marisa OLSON, Artist, State University of New York, Purchase College > Prof. Simone MICHELIN, Coordinator Visual Arts/Sculpture, School of Fine > Arts, Federal University of Rio de Janeiro > Margit ROSEN, ZKM | Center for Art and Media > Dr. Daniel GIFILLAN, Arizona State University > Simon TAYLOR, independent researcher, SquareWhiteWorld, New Zealand > Dr Daniel PALMER, Senior Lecturer, Faculty of Art & Design, Monash > University > Prof. Thierry BARDINI, Université de Montréal > Stephen KOVATS, Initiator / Director, McLuhan in Europe 2011 Network > Reidar WASENIUS, Personal Brainer at BRIIM Center, Helsinki, Finland > Andreas TRESKE, Lecturer, Izmir University of Economics, Izmir/Turkey > Prof. Dr. Atau Tanaka, Director, Culture Lab Newcastle, Visiting Fellow, > Goldsmiths Digital Studios > Bani BRUSADIN, director of The Influencers festival, collaborator of > Center of Contemporary Culture of Barcelona, professor at Elisava – > Barcelona, Spain > Garrett LYNCH, new media artist, University of Glamorgan, Wales > Prof. Monika FLEISCHMANN, Research Artist & Scientist, Fraunhofer > Research, Germany > Wolfgang STRAUSS, Research Artist & Scientist, Fraunhofer Research, > Germany > Slavko KACUNKO, Professor for Kunsthistorie og Visuel Kultur, Institut > for Kunst- og Kulturvidenskab > Virginia PANIAGUA, artist and PhD researcher, Universidad de Castilla La > Mancha, Spain > Jonathan MUNRO, Artist, curator and co-director TINT, MFA student at > Goldsmiths, London > Piotr KRAJEWSKI, President and Chief Curator, WRO Art Center, Poland > Duda VALLE, artist , Rio de Janeiro, Brasil > Rika OHARA, Artist/filmmaker, Bluefat Magazine, Los Angeles, USA > Anna MAJ, Ph.D., researcher and curator, University of Silesia, > Katowice, Poland > Michał Derda-NOWAKOWSKI, Ph.D., researcher and curator, University of > Lodz, Poland > Rafael FAJARDO, Associate Professor Emergent Digital Practices > University of Denver > Conrad GLEBER, PhD Professor & Director Digital Arts & Multimedia > Design, La Salle University, Philadelphia > Professor Gail RUBINI, Professor of Art and Design, Director of the BFA > Program in Design, Florida State University, Tallhassee, Florida, USA > Samuel RACINE, artist. > Lene DENHART, Art historian, independent researcher, Copenhagen, Denmark > Celka STRAUGHN, PhD, Spencer Museum of Art, University of Kansas, > Sachiko HAYASHI, Independent Artist, Curator, Editor for online journal > Hz‑Journal, Founder of DIAN‑network, Sweden > Dr. Daniela REIMANN, Karlsruhe Institute of Technology (KIT) > Peter S BRIGGS, PhD, Graduate Faculty, Center for Advanced Study of > Museum Sc> Cathy BRICKWOOD, Programme Manager, Virtueel Platform, NL > Dr. Gianluca MURA, Politecnico di Milano University,Italy > Rosemary O’NEILL, Ph.D. Associate Professor of Art History, Parsons The > New School for Design > Gabriel VANEGAS, Botaniq.org – Conservation of experiences with media > art. Bogotá-Colombia > Kate Nearpass OGDEN, Associate Professor of Art History, The Richard > Stockton College of New Jersey > Rita SÁ, Artist, PhD student at the Faculty of Engineering of the > University of Oporto (FEUP), Portugal > Jo Ana Morfin GUERRERO (mexico), PhD researcher Bristol University > Michael DIETER, Lecturer Media Studies, The University of Amsterdam > Laura BENECH, artist, Argentina > Jennifer CHAN, Artist/curator/researcher, MFA Syracuse University, > Department of Transmedia, specializing Art Video, USA . > Denisa KERA, Ph.D, Assistant Professor , Communications &Programme, > Science Technology Society Research Cluster, National > University in Singapore > Lars GUSTAF, Lund University, Lund Sweden > Gorica ORSHOLITS, European Graduate School > Grégoire ZABÉ, Nobox-lab > Digital media artist, ESAD Strasbourg / Art > and Design > Nathalie MAGNAN, Ecole Nationale Supérieure d’Art de Bourges, France > Derrick GISCLOUX, independant artist and director at CreArtCom Studio, > Lyon, France > Dr. Ximena ALARCÓ, CRiSAP, University of the Arts London > Michelle MENZIES, University of Chicago > Lello MASUCCI, Direttore Artistico dell’Atelier Multimediale, Project > Leader di OLE Officina di Letteratura Elettronica > Prof Barbara GLOWCZEWSKI, Directrice de recherche (Professorial > researcher) at the Laboratoire d’Anthropologie Sociale > (CNRS/EHESS/Collège de France) > Margarita PAKSA, Professor, University of Buenos Aires, Argentina > PerMagnus LINDBORG, composer | BA Oslo Cursus Ircam DEA Paris‑4, > assistant professor | School of Art, Design and Media, Nanyang > Technological University > Vladimir TODOROVIC (Assistant Professor) | Interactive Media | School of > Art, Design & Media, Nanyang Technological University, Singapore > Fabián RIOS, media artist – multimedia developer. > Judith NOTHNAGEL, Independent artist and Founder Globalscreen.org > Ricard GRAS, Digital Media Producer > Rejane CANTONI, Catholic University of São Paulo, Brazil > Leonardo CRESCENTI, independent artist, São Paulo, Brazil > Marco DONNARUMMA, Researcher at SLE, The University of Edinburgh, UK > Alejandro TAMAYO, Interdisciplinary artist and researcher. Bogotá, > Colombia > Suzette WORDEN, Independent Researcher and Historian, Perth, Western > Australia > Dr. Wolfgang SCHNEIDER, Gesellschaft für Elektronische Kunst > Gladbeck/Köln, Germany > Ass. Prof. Dr. Kris PAULSEN, History of Art, The Ohio State University, > Columbus, OH > Kellie MORGAN, Data Coordinator and New Media Specialist, Brooklyn > Museum; and Index Festival Co-organizer > Hanna HÖLLING, researcher and conservator for contemporary art and new > media, University of Amsterdam > Alison FRAUNHAR, PhD, Associate Professor, Department of Art and Design, > Saint Xavier University, Chicago > Dr. Stefanie LUCCI, art critic, curator, Duesseldorf, Germany > Dr. Dagmar A. RIEDEL, Center for Iranian Studies, Columbia University > Heike HELFERT, Akademie Schloss Solitude, Germany > Andreas TENPLIN, visual artist, Berlin > Vanessa Ramos-VELASQUEZ, Interdisciplinary Artist, Flusser Award > Distinction (VFTA) at Transmediale.11 | Independent Researcher: > Flusser_Archiv, Universität der Künste, Berlin. > Erwin LIEDKE [boardmember] artLABOR e.v. for communication of > contemporary art, zur kommunikation zeitgenoessischer kunst > Ana CARVALHO, visual artist and independent researcher, Porto, Portugal > Paul FEIGELFELD, MA, Humboldt-Universität zu Berlin, Institut für > Musikwissenschaft und Medienwissenschaft > Gabriel HUBMANN, Cofounder of the project Studierendengespräche and > student of art history, Vienna, Austria > Dubravka Duba SAMBOLEC, Artist & Prof. of Fine Art, Academy of fine A> Jasmin FARAND, Consultant/Researcher, Communication-research-creation, > Gatineau, QC. > Uršula BERLOT, Assistant ProfeSsor at the Academy of Fine Arts and > Design, University of Ljubljana > Dr. Bruno LESSARD, Assistant Professor, School of Image Arts, Ryerson > University, Toronto > Jan MARONTATE Ph.D., Associate Professor, School of Communication, Simon > Fraser University, Canada > Rachael ARRIGHI, Interdisciplinary Critical Theory (Science, Technology > & The Humanites and Media Studies), Writer > Brigitte NEUFELDT, fine arist, media artist, master of art, curator, > Germany > Enrico TOMASELLI, Magmart Festival Art Director > Mechthild SCHMIDT, faculty Digital Communications and Media (DCoM), New > York University, USA > Prof. Dr. Mónica Benítez DÁVILA, Chief of Art and Humanities Department, > Universidad Autónoma Metropolitana- Lerma. México > Paul HERTZ, School of the Art Institute of Chicago > Martha ROSLER, Professor II of Art, Mason Gross School of the Arts, > Rutgers University, NJ > Aprille Best GLOVER, visual artist, France > Horea AVRAM, PhD candidate and independent curator, Art History and > Communication Studies, McGill University, Montreal > Eva FORGACS, Art Center College of Design, Pasadena, California > Neil JENKINS. Artist and curator. Sydney, Australia > Mechthild SCHMIDT,Digital Communications and Media (DCoM), New York > University > Prof. Cedomir VASIC, University of Arts, Belgrade, Serbia > Prof. Dr. Joseph NECHVATAL, MFACA School of Visual Arts (SVA), New York > M. Gökhan ASLAN, MA, Research Assistant, Dogus University, Editor, KULT > cultural studies journal > Julian STALLABRASS, Professor, Courtauld Institute of Art > Wolf LIESER, director, DAM Projects GmbH, Germany > Madelon HOOYKAAS, media artist, advisor, lectures/workshops on > intermedia arts in Europe and North America, founder of the Salon > InterMission, Amsterdam, The Netherlands > Dr. Beat SUTER, Lecturer Game Design, University of the Arts Zurich, > Switzerland > Prof. Johannes BIRRINGER, Chair in Drama and Performance Technologies, > Brunel University, London > Lonce WYSE, Associate Professor, Communications and New Media, Director, > IDMI Arts and Creativity Lab, National University of Singapore > Dr. Andréia Machado OLIVEIRA, Prof. Graduate Program of Visual Arts, > Chair of ICT in Education, Universidade Federal de Santa Maria/UFSM – > Brasil > Dr. Jie WU, Associate professor and Representative of Digital Media > Design, College of Design & Innovation, Tongji University, Shanghai > Grethe MITCHELL, Reader in DIgital and New Media, Lincoln School of > Media, University of Lincoln. > Elke GRUHN, Nassauischer Kunstverein Wiesbaden, Germany > Dr. Katharina GSOELLPOINTNER, Institute of Systemic Media Research, > Vienna, Austria > Ian CLOTHIER, Electronic artist, Executive Director, Intercreate > Research Centre/WITT Aotearoa New Zealand > Morten SØNDERGAARD, AAU cph, Denmark > José‑Carlos MARAIÁTEGUI, MSc. Director, Alta Tecnología Andina / > Escuelab.org (Lima, Perú) / Researcher, Informations Systems and > Innovation Group, London School of Economics and Political Science, > (London, UK) > Sebastian SPRENGER, M.A., media scientist/art historian, Karlsruhe > University of Arts and Design > Prof. Dr. Charlotte KLOCK, Institut für Kunst- und Bildgeschichte, > Institute of Art and Visual History; Humboldt-Universität zu Berlin > Somaya LANGLEY, Digital Preservation Specialist, National Library of > Australia > Reiner STRASSER, Artist, Germany > Dr Brigitta ZICS, Director of Digital Media, Culture Lab, King’s Walk, > Newcastle University, UK > Prof Lorenzo TAITUI, Art & Media Architectural Faculty Rome Italy > Florian WIENCEK, Research Center “Visual Communication and Expertise”, > Jacobs University Bremen > Dr. Dr. Lino García Morales, Universidad Politécnica de Madrid, Spain > Jennifer A. GONZALEZ, Associate Professor, University of California, > Santa Cruz > Peter KRAPP, Professor, Film & Media/Visual Studies, English> Informatics, University of California, Irvine > Prof. dr. Janez STREHOVIEC, Elmcip Principal Investigator, Uni. of > Ljubljana, Slovenia > Theresa SCHUBERT-MINSKI, PhD researcher / Ars Electronica Archive, Linz, > Austria > Ekmel ERTAN, Artistic Director of amberPlatform / BIS > Prof. Dr. Christopher SALTER, Director Hexagram Concordia/Design > +Computation Arts, Concordia University, Montreal > Peter RICHARDSON Director Visual effects Research Lab Duncan of > Jordanstone College Of Art and Design, University of Dundee, Scotland > Helen GRACE; National Central University. Jhongli, Taiwan; Founding > Director, MA Programme in Visual Culture Studies, Chinese University of > Hong Kong > Ewa WÓJTOWICZ, PhD, University of Arts in Poznan, Poland > Annie WAN, Ph.D., Center for Digital Arts and Experimental Media, > University of Washington, Seattle > Daniel López del RINCÓN, PhD student, University of Barcelona > Caroline YEAGER. Assistant Curator, Motion Picture Department, George > Eastman House > Pavel SEDLAK, CIANT | International Centre for Art and New > Technologies, Prague, Czech Republic > Andrej BOLESLAVSKY, CIANT | International Centre for Art and New > Technologies, Prague, Czech Republic > Natalia FONT, PhD candidate University of Exeter/Uruguay > Dušan BAROK, artist/writer, Rotterdam, The Netherlands > Maria RISKOVA, researcher, Academy of Fine Arts and Design, Bratislava > Noam KNOLLER, MA, MFA, Lecturer; PhD candidate, Dept. of Media Studies > and the Interface Studies Group,University of Amsterdam > Professor Don RITTER, Interactive; Multimedia Design, Hanyang > University, Seoul, South Korea > Lic. Diana ZUIK – IUNA – Argentine > Mag.ª Eva FISHER, artistic director /founder, sound:frame / Festival for > audeio:visual expressions > Richard LOWENBERG, Director of RADLab, 1st‑Mile Institute and SARC > (Scientists/Artists Research Collaborations) > Tiffany Elena WASHINGTON, Case Western Reserve University, Cleveland, > Ohio > Dr. Milena DOBREVA, Senior Lecturer in Library, Information and Archive > Studies, Faculty of Media and Knowledge Sciences, University of Malta > Dr. Birgit LÖFFLER, Director, DASMAXIMUM, KunstGegenwart > Prof. Dr. Hans DICKEL, University of Erlangen‑Nuernberg, Germany > Claudia MATTOS, University of Campinas, Brazil. > Assoc. prof. Marjeta CIGLENECKI, PhD, University of Maribor, Slovenia > Iván RUIZ, Full-time researcher. Programa de Semiótica y Estudios de la > Significación. Benemérita Universidad Autónoma de Puebla, México > Christine PREUß, artist, AdBK Nürnberg > Sylvester Okwunodu OGBECHIE, Ph.D., Associate Professor of Art History, > UCSB > Dr. Victoria H.F. SCOTT, Instructor of Art History, Emory University > Marcia VAITSMAN, artist, Sao Paulo and Atlanta > Stephanie SANTIAGO, student, Puerto Rico > Dr. Arnulf von ULMANN, former Head of the Institute of Art Technology > and Conservation, Germanisches Nationalmuseum Nürnberg > Prof. Dr. Claire L. KOVACS; Canisius College, Buffalo, NY > Dr. Paz TORNERO, Art, Science and Technology Studies. Complutense > University of Madrid. Spain > SOFIA KATOPI, PhD candidate in History of Art at the University of > Crete, Greece > Gabriela GALATI, PhD Researcher, University of Plymouth‑Planetary > Collegium/M‑Node, Milan, Italy > Prof. Dr. Gustavo D. FISCHER, Unisinos Communications Graduate Program, > Unidade de Graduação > Dr Toni SANT, Director of Research, School of Arts & New Media, > University of Hull – Scarborough Campus, UK > Professor Simon BIGGS, Edinburgh College of Art, University of Edinburgh > Prof. Dr. Gunnar HEYDENREICH, Cologne Institute of Conservation Sciences > / Cologne University of Applied Sciences > Mona JIMENEZ, Associate Arts Professor/Associate Director, Moving Image > Archiving and Preservation Program, New York University > Yves BERNARD, Director, iMAL (Center for Digital Cultures and > Technology), Brussels > Prof. Dr. Jack STENNER, Art + Technology, School of Art + Art History, > University of Florida, Gainesville, FL, USA > Dr Conor MCGARRIGLE, Assistant Professor, Emergent Digital Practices, > University of Denver, Colorado, USA > Per PLATOU, Artist/Curator, Director for PNEK, Oslo, Norway > Johannes BIRRINGER; director, Interaktionslabor; Director, Center for > Contemporary and Digital Performance > School of Arts, Brunel University > Dr. Su BALLARD, Senior Lecturer Art History University of Wollongong, > Australia, and Co-Director of the Aotearoa Digital Arts Network, New > Zealand > Pamela Seymour Smith SHARP, Director, Estate of Willoughby Sharp > Profa. Dra. Giselle BEIGUELMAN, Depto. de História da Arquitetura e > Estética do Projeto, Faculdade de Arquitetura e Urbanismo, > Universidade de São Paulo > Jane de ALMEIDA, professor – Graduate Program of Art, Education and > History of Culture at Mackenzie University (SÃO PAulo – Brazil) > Maciej OZOG, Ph.D., sound artist, researcher and curator, University of > Lodz, Poland > Paul GREEN, Senior Lecturer, Media Communications., CCAD, Cork Institute > of Technology > Brett AGGERSBERG, New Media Lecturer, University of Wales Trinity Saint > David, UK > Yasmeen BAIG-CLIFFORD, Director, Vivid Projects Ltd > Simona LODI, artistic director of Share Festival in Turin > Prof. Dr. Miklós PETERNÁK, Director, C3 Center for Culture and > Communication, Budapest, Hungary > Reader. Mr Jon THOMSON (artist: Thomson & Craighead), The Slade School > of Fine Art, University College London > Per PLATOU, Artist/Curator, DirProf. Johannes BIRRINGER, Director, Center > for Contemporary and Digital > Performance > School of Arts, Brunel University > Dr. Su BALLARD, Senior Lecturer Art History University of Wollongong, > Australia, and Co-Director of the Aotearoa Digital Arts Network, New > Zealand > Pamela Seymour Smith SHARP, Director, Estate of Willoughby Sharp > Profa. Dra. Giselle BEIGUELMAN, Depto. de História da Arquitetura e > Estética do Projeto, Faculdade de Arquitetura e Urbanismo, > Universidade de São Paulo > Prof. Jane de ALMEIDA, Graduate Program of Art, Education and History of > Culture at Mackenzie University, SÃO PAulo, Brazil > Maciej OZOG, Ph.D., sound artist, researcher and curator, University of > Lodz, Poland > Paul GREEN, Senior Lecturer, Media Communications, CCAD, Cork Institute > of Technology, Ireland > Yasmeen BAIG-CLIFFORD, Director, Vivid Projects Ltd > Brett AGGERSBERG, New Media Lecturer, University of Wales Trinity Saint > David, UK > Simona LODI, artistic director of Share Festival in Turin > Prof. Dr. Miklós PETERNÁK, Director, C3 Center for Culture and > Communication, Budapest, Hungary > Tina BASTAJIAN, media-artist, Lecturer Webster University, Leiden – PhD > Researcher University of Amsterdam > Eleanor KENT, visual artist using computers, curating high tech art, > past president of Ylem: Artists Using Science and Technology, leading > forums > Allan SIEGEL, Hungarian University of Fine Arts, Intermedia Department > Detlef HASTIK, board member MEGA – Museum of Electronic Games & Art e.V. > Gabriela Previdello ORTH, researcher in Digital Art Documentation, > FILE-Electronic Language International Festival archive coordinator > Canan HASTIK, M.Eng., IKuM, Institut für Kommunikation und Medien, > Hochschule Darmstadt > Yolande KOLSTEE, Head of AR Lab and Researcher Innovative Visualisation > Techniques, Royal Academy of Art, The Hague, The Netherlands > Winnie SOON, PhD candidate; School of Arts & New Media, University of > Hull, United Kingdom > Ass. Prof. Dr. Laura BELOFF, IT-University Copenhagen, DK. > Erich BERGER, The Finnish Society of Bioart > Perttu RASTAS, Finnish National Gallery > Rajashree BISWAL iswal, Ph.D. Research Scholar (Visual Studies), School > of Arts and Aesthetics, Jawaharlal Nehru University (JNU), New Delhi, > India > Dr. Takis ZOURNTOS, Engineer/Artist, OCAD University, Toronto, Canada > Dr. James WERNER, Assistant Professor of Visual and Media Arts, Program > Coordinator for New Media Arts , Southern Polytechnic State University > Asoc.prof. Dr Rasa SMITE, RIXC, The Center for New Media Culture, Riga, > and> Ass.prof. Raitis SMITS, RIXC, The Center for New Media Culture, Riga, > and PhD candidate at Latvian Academy of Arts, Riga, Latvia > Victoria SZABO, Assistant Research Professor, Visual and Media Studies, > Duke University, Durham, NC, USA > Ksenia FEDEROVA, University of California Davis, Ural Federal University > (Russia) > Dr. Damien CHARRIERAS, Assistant Professor, School of Creative Media, > City University of Hong Kong > Marc GARRETT, Co-founder and Co-director of Furtherfield.org > Jay NEEDHAM, MFA, Associate Professor-Radio and Audio Production, > Department of Radio,Television and Digital Media, College of Mass > Communication and Media Arts, Southern Illinois University, President > Gívan BELÀ (fka Guy Van Belle), artist, art director okno (be), worker > kravín hranice (cz) > Dragana LUCIK, Independent Art Researcher > Natalia FUCHS, Interdisciplinary Projects Curator, Polytechnic Museum, > Moscow, Russia > Catherine BEAUGRAND, artist, director of DatAData, ENSBA Lyon > Sue GOLLIFER, Director ISEA International Head Quarters, University of > Brighton, UK > Dr.Gianluca MURA, Politecnico di Milano,Italy, Arts&Design Virtual > Worlds, IJACDT Journal, OMA > Prof Paul CATANESE; Interdisciplinary Arts & Media MFA Program Director, > Columbia College Chicago > Barbara LATTANZI, Associate Professor of Interactive Arts, School of Art > and Design > NYSCC at Alfred University, New York > Eva SJUVE, independent media artist, Sweden > Angela FERRAIOLO, Assistant Professor of PlayaVisual Arts, Sarah Lawrence > College > Ashok MISTRY, Artist > Dr Karen GASKILL, Independent Curator, London, UK > Ghislaine BODDINGTON, Creative Director, body>data>space / b>d>s, > Research Associate Artist, ResCen Middlesex University > José R. ALCALÀ, Catedrático de Universidad / New Media Art Professor. > Universidad de Castilla-La Mancha, Spain > -- Nicholas O'Brien Visiting Faculty | Gallery Director Department of Digital Art, Pratt Institute doubleunderscore.net