 |
 |
REGISTRATION IS NOW OPEN Parallax Views of Moving Image Practice 2 Friday 30 May 2014 9am-7pm Moving Image Research Centre University of East London Cyprus DLR The event is hosted by the Moving Image Research Centre and builds on the success of Parallax Views 1 (2013) in creating a platform for practitioners, theorists, historians, exhibitors and organisations to share ideas and concepts, and to break down binaries associated with the moving image, such as documentary/fiction, art/industry, theory/practice. Confirmed Speakers: Keynote, Stella Bruzzi (Warwick) Susanna Chisholm (Film & Video Umbrella), Felicia Chan (Manchester Univ), James Hellings (School of Art, Birmingham City University), Lindsay Hallam (UEL), Ole Hagen (Artist-filmmaker, School of Art, Birmingham City University), Miranda Pennell (Artist-filmmaker, Westminster), Johannes Maier (Artist-filmmaker, UEL), Maia Conran (Artist-filmmaker, UEL), Faisal Abdu'Allah (Artist-filmmaker, UEL), Alice Sharp (Curator, Invisible Dust), Lucy Clout (Artist-Filmmaker). Schedule: 9-10 – Welcome and coffee 10- 11.30 – Panel 1 - Aura and Occult Lindsay Hallam – The Occult as a Humanity James Hellings - Aura in Tacita Dean and Hito Steyerl Ole Hagen - Ephemera and the immaterial essence of ‘all-things’ 11.45-12.30 SCREENING 12.30-1.30 LUNCH 1:30 – 3.00pm Panel 2 - Acts of Translation and Interpretation Susanna Chisholm and Lucy Clout – Minor Speech Johannes Maier - The Interpreters Felicia Chan - The Cosmopolitan Challenge of Multilingual Cinema 3.00 - 3.15pm Break 3.15pm - 4.45pm - Panel 3 - Performance and Place (title TBC) Alice Sharp Miranda Pennell - A corporate colonial archive and family archive Faisal Abdu'Allah Maia Conran 5.00pm – Keynote, Professor Stella Bruzzi, Historical layers in Jeremy Deller's The Battle of Orgreave (2001) and Clio Barnard's The Arbor (2010). 6.30 -7:30 – Drinks Reception The Moving Image Research Centre has six areas of research, listed below. In addition, we have identified panel themes. Moving Image Research Centre research areas: - Artists' Moving Image (gallery practices, multi screen installation, artists' feature film, sound art, film & performance art, materiality and process, digital/analogue) - Historiography (particularly British cinema and Hindi cinema, film archives, the cinematic essay, the concept of the extra) - Counter cultural cinema (cult film, occult film, film collectives, guerrilla filmmaking, cinema of transgression, underground film, film activism, doc-fiction hybrids, De Sade studies) - Contextual and relational practices (site specific film, use of reenactment, landscape film, new education paradigms) - Inference and Affect (new narrative iterations, Deleuze studies, autism and cinema, film and game culture, time-image) - Film and Ethics (advocacy, agency, encountering taboo, minor cinema, the marginal, borders, new ethnographies) - Reworking the canon - Transworld Cinemas - The occult as a humanity - Acts of translation and interpretation - Ethics and the post-other The event is free and open to all but spaces are limited. Please RSVP to: [log in to unmask] For more information about the Moving Image Research Centre and both this year's and last year's symposia, visit: www.uel.ac.uk/mirc/ -- To manage your subscription or unsubscribe from the Film-Philosophy list, please visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html -- Film-Philosophy Journal: http://www.film-philosophy.com/ Film-Philosophy Conference 2014 (University of Glasgow 2-4 July): http://www.film-philosophy.com/conference/ --