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The Dark Arts of Finance: Speculation, Collaboration and Artistic Labour
Wednesday March 19th @ 3-5PM, University of Essex Room 5B.202

Unlike his contemporaries, and unlike so many of today’s commentators, 
Marx was unsatisfied with approaches to the financial sector that saw it 
as merely parasitic (or as any more parasitic than other forms of 
capitalist accumulation). Rather, he suggested that finance represented 
one important means by which a key crisis endemic to capitalism might be 
(temporarily) averted: it provided a forum within which otherwise 
competitive capitalist actors might pool their wealth in the interests 
of their class and of the system as a whole. Such an approach to 
finance, and to the important but often overlooked forms of inadvertent 
cooperation at the heart of capitalist accumulation, may help us explore 
the politics and potentialities of artists’ collectives amidst today’s 
“financialization” of art. What might be gained if we imagined the 
infiltration of “art” by financial methods, measures and metaphors not 
as a parasitic imposition, but as new grounds for collaboration? Can we 
not imagine increasingly individuated and competitive artists as 
unwittingly enrolled in some form of (re)productive collectivity by the 
speculative currents of the art market? And, if so, how might this open 
up new ways to imagine radical collectivities that do not merely seek to 
return art to its allegedly pre-financialized pedestal, but that seize 
upon this new situation dialectically?

Max Haiven is an assistant professor in the Division of Art History and 
Critical Studies at the Nova Scotia College of Art and Design in Canada. 
His book Cultures of Financialization: Fictitious Capital in Popular 
Culture and Everyday Life is forthcoming from Palgrave MacMillan in 
2014. His book Crises of the Imagination, Crises of Power: Capitalism, 
Creativity and the Commons will be published by Zed Books in March 2014. 
More information can be found at maxhaiven.com.


Sponsored by the Centre for Work, Organization, and Society
This seminar is part of an ongoing workshop series on artist collectives.
For more information contact Stevphen Shukaitis: [log in to unmask]