To Allison her contribution may have been unrelated but I have had to grow a thick skin. David's contributions are all reasoned as well as specific so I do not understand Jamie why you cannot see his points?

To be open means expressing oneself with no favours expected. My early years on the sports grounds of Cork city taught me a lot on give and take. One learned that one could be knocked out flat and in those years concussion was no big deal. This exchange on Hobsbaum is simply to point out his role which many younger list members may be unaware of in a poetic context. There is no conspiracy theory Jamie as I believe more in the cock -up theory rather than the conspiracy one. Nobody is suggesting Philip was planted at Queen's!


To bear grudges merely adds weight to one's being and I am sure I am not everyone's cup of tea. If I was everyone on the list would be ordering my "Free Range" from Paul Green in Peterborough in great numbers. Invites to read in public would be zooming through my e mail as well as messages on my welfare. I would soon be a jetset poet with dates galore on my calender. I could pop in to Jesse in Japan and Alison in Australia or Peter O' Leary in Chicago.

Then of course in the summer I could spend a few days in my native Cork with the great and the good. Jamie and myself could both travel together to save costs. My years in the wilderness would be over and I might consider recording my first album. It all is an exiting prospect for a young man with a crazy dream as L. Cohen said in London at an O2 gig.


I could then set up a quality website where all could hit me up. Old friendships could be renewed and all thanks to dear Jamie. A mouthwatering prospect!




-----Original Message-----
From: [log in to unmask]
To: BRITISH-IRISH-POETS <[log in to unmask]>
Sent: Wed, 18 Dec 2013 22:03
Subject: Re: (No subject)

David, (once again) I suppose that this post is meant to be offensive to me, but I’m struggling to work out what you’re saying. Or maybe you’re just clearing your throat?
Excuse me for taking it step by step.
 
The preamble “This is a mere personal observation of a me speaking” I think we can take more or less as read. But I’m at sea with “I feel like I am talking to a politician”. Are you saying that I talk like a politician? How exactly is that? (I’ve only spoken to three or four politicians and they all had different ways of talking.) Do you mean I’m being slippery or evasive? Or too impersonal? Or even, here I’m really guessing, that I represent some kind of privileged class?
 
You follow that with: “I remember somebody telling me that was what it was like meeting Seamus Heaney in person.” Somebody told you – is this you talking “personally”? Blame by hearsay. Hundreds of people who’ve met Heaney would give you a very different account. My own experience, if you want me to talk personally, was that he was exceptionally kind, pithy, irreverent, not even guarded as he might easily have been, and about as far away from a politician as I could imagine. I don’t think you know what you’re talking about. Still, the first point was I think an attack on me which is at least not as cowardly as attacking someone who can’t reply.
 
Your next sentence is in a contortedly passive mood – is this a parody of politician-speak? “What I have noticed is that under cover of a concern about etiquette on lists it seems to have been insinuated that someone on the list needs psychiatric help.” (“Talk about ad hominem!”) Are you saying that “under cover of a concern” about list rules, I have “insinuated someone needs...psychiatric help.” To the best of my knowledge neither here nor elsewhere have I suggested anything of the sort. If you think I have, you should say so clearly and tell me where. I’m quite willing to apologize or explain if I can see the fault, and have always been repelled by that dictum often used by politicians, though coined by a seasick admiral: “Never apologize; never explain”.
Or are you referring to Alison’s post about the psychiatrist in “You, The Living”? Though Sean seems to have taken it personally, there’s no indication at all that it was directed at him or anyone in particular on the list. It’s as likely that it’s directed at me since I’ve been talking almost as much. So I don’t see the “ad hominem” element since no-one is being named, and I certainly don’t see why you should be addressing this to me. Anyway, for me her post was a welcome distraction from what was getting to be a fruitless argument, and now lies in ruins.
 
And your last point again leaves me bewildered as to why it should be addressed to me. Perhaps this was the intended effect?
“It might be interesting to consider how the role of free-lance self-employed writers in the marketplace squares with ideas of social obligesse, in fact how any such a market traders position supposes any lost echoes of the Victorian higher mind (touchstones available guvnor any day any time Burke and Hare Personal PLC)”
I have spent almost the last 40 years as a “free-lance self-employed writer” – apart from some 8 years as a plasterer and 4 years as a lettore in an Italian university – is that personal enough? I used to do some reviewing but precious little now, and at present work mainly as a translator, for which the pay is really a pittance if you reckon it on an hourly basis. Could you unravel this for me?
 
It seems to me that if anyone talks like a politician (with the attributes of evasiveness) on this list it’s you. Most of the time if asked a direct question you go off on a periphrastic tangent or don’t reply – take, just as one example, Tim’s questions to you about there being “any essential difference between a small private circulation between the members of the local poetry group and someone in a university department circulating their poems to their own 'poetry group'?” which addressed what you’d been saying but received no response.
  
If the accusation of being a “politician” is related to my enquiry about list rules – I can only say that I stated the case openly. You replied ironically, clearly in disagreement, and I responded to that with a question that again received no answer. Except this abusive post.
 
   The last time I politely asked you to explain a rather opaque attack, you accused me of Blairite blandness. I wonder if you could do better this time?
Jamie
 

 
 
 
 
 
From: [log in to unmask]" href="mailto:[log in to unmask]">David Bircumshaw
Sent: Wednesday, December 18, 2013 11:16 PM
To: [log in to unmask]" href="mailto:[log in to unmask]">[log in to unmask]
Subject: Re: (No subject)
 
Jamie

Hi. This is a mere personal observation of a me speaking: I feel like I am talking to a politician. I remember somebody telling me that was what it was like meeting Seamus Heaney in person. What I have noticed is that under cover of a concern about etiquette on lists it seems to have been insinuated that someone on the list needs psychiatric help. Talk about ad hominem!
It might be interesting to consider how the role of free-lance self-employed writers in the marketplace squares with ideas of social obligesse, in fact how any such a market traders position supposes any lost echoes of the Victorian higher mind (touchstones available guvnor any day any time Burke and Hare Personal PLC)
Personally, Yours etc.

Sent from my BlackBerry smartphone from Virgin Media

From: Jamie McKendrick <[log in to unmask]>
Date: Wed, 18 Dec 2013 19:40:40 -0000
Subject: Re: (No subject)
 
Schwitters was a marvel of courtesy and Tzara by all accounts had very distinguished table manners. He even expressed a mild concern about those in public “acting in a manner more or less intimate with themselves”.
Anyway it doesn’t seem as though the rest of the list, apart from myself, actually has “such a concern”.
Yours, Dave, and Mark’s have been the only comments on my post, and both opposed.
I’d stand by what I said: that there is a difference between what Mark calls “a bit of name-calling” (which I don’t care for but wasn’t objecting to) and insinuations about people characters, in other words “ad hominem” attacks. I gave my reasons, and I suspect they were close to the reasons the rule was formulated here in the first place.
   If you feel the precedent of Dada exempts you from any social obligations of courtesy, and you don’t think the discussions on this list are impaired by making slurs about other poets, that’s fine. Why not, though, as I said to Mark, move to have the rule expunged?
Do the list owners (I’m sorry I don’t know who you are at present) have any opinion on the matter?
Jamie
 
From: [log in to unmask]" href="mailto:[log in to unmask]">David Bircumshaw
Sent: Wednesday, December 18, 2013 6:50 PM
To: [log in to unmask]" href="mailto:[log in to unmask]">[log in to unmask]
Subject: Re: (No subject)
 
It has struck me more than once that the level of bad etiquette that might appear on a list like this is mild compared to satirical reviews on such a bastion of middle-class middle-aged beslippered comfort as BBC Radio 4 let alone the exchanges at our august Houses of Parliament. It also comes to mind that it is rather odd for forums dedicated to Dada and beyond to have such a concern about table manners.
On psychiatrists - I have observed that many consider their responsibilities little more than authorising pills - there was a kind of spat recently between the our native psychologists and the pill-popping support workers aka psychiatrists aka the Sons of Mengele some of you may be aware.

More anon. Happy Chrumble mass

Dave
Sent from my BlackBerry smartphone from Virgin Media

From: Jamie McKendrick <[log in to unmask]>
Date: Wed, 18 Dec 2013 14:13:27 -0000
Subject: Re: (No subject)
 
 
The title of ‘You, the Living’ comes from Goethe’s Roman Elegies "Therefore rejoice, you, the living, in your lovely warm bed, until Lethe’s cold wave wets your fleeing foot." (Thanks, Wiki.) So another link, if it were needed, with a poetry list. The film’s score is also a wonder –  comic and heartbreaking –  from the tuba playing, the brilliant version of the Swedish song "I Have Heard of a City above the Clouds” to the fantasia guitar solo of Micke Larsson character played in a house that’s a train.
Jamie
 
 
From: [log in to unmask]" href="mailto:[log in to unmask]">Jaime Robles
Sent: Tuesday, December 17, 2013 11:05 PM
To: [log in to unmask]" href="mailto:[log in to unmask]">[log in to unmask]
Subject: Re: (No subject)
 
Hmm. I took Alison's comment rather like a poem that is posted on the site. You can accept it as it is or delete it. 
 
Do all posts have to deal with the issues you put forth, Sean, and only those? I didn't see any indication in the subject line that the email was addressed to your issue.
 
 
Cheers,
J

 
___________________________
 
Jaime Robles

 

 
On 17 Dec 2013, at 22:53, Sean Carey wrote:

But what dear Alison has this to do with the issues I am dealing with here?



-----Original Message-----
From: [log in to unmask]
To: BRITISH-IRISH-POETS
Sent: Tue, 17 Dec 2013 17:37
Subject: Re: (No subject)

Thanks Alison. You feel I need to see it on an intellectual or as entertainment basis?



-----Original Message-----
From: [log in to unmask]
To: BRITISH-IRISH-POETS
Sent: Tue, 17 Dec 2013 17:22
Subject: Re: (No subject)

Make of it what you will, Sean. I highly recommend Andersson's films, if you haven't encountered them.

xA


On Wed, Dec 18, 2013 at 8:45 AM, Sean Carey <[log in to unmask]> wrote:
Your point?



-----Original Message-----
From: [log in to unmask]
To: BRITISH-IRISH-POETS
Sent: Tue, 17 Dec 2013 16:37
Subject: (No subject)

 
I often think of the psychiatrist in Roy Andersson's beautiful film "You, The Living":

"People demand so much. They demand to be happy at the same time they are egocentric, selfish and ungenerous. Well, I would like to be honest. I would like to say that they are quite simply mean, most of them. Spending hour after hour in therapy trying to make mean people happy. There's no point. You can't do it. These days, I just give them pills."

xA


___________________________________________

Alison Croggon
ABC Arts Online Performance Critic
Home page: http://www.alisoncroggon.com




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___________________________________________

Alison Croggon
ABC Arts Online Performance Critic
Home page: http://www.alisoncroggon.com