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Well done, how exciting, can't make it up there to cambs that day but will
think of you and hope to se you and the book soon, S


On 14 November 2013 21:57, bronac ferran <[log in to unmask]> wrote:

> Dear New Media friends and colleagues
>
>
> I am delighted to invite you to the launch of a new book which I have
> edited, called 'Visualise: Making Art in Context', which will be launched
> at the Ruskin Gallery in Cambridge, on Friday 29th November, between 4.30pm
> and 6.00pm (speeches at 4.50 pm).   It relates nicely to some of the themes
> recently explored on this list relating to art history, time and evolution.
>
> The book has essays by some of the artists featured in the Visualise
> programme of exhibitions and events which took place from Autumn
> 2011-Summer 2012 in and around Anglia Ruskin University in Cambridge with
> reflections on the development of the programme by Professor Chris Owen
> Head of Cambridge School of Art and Andy Robinson, Project Manager of
> Visualise and Director of Futurecity's Cambridge office.  Among the essays
> are newly commissioned pieces relating to poetry, composition, music, code
> and language by Liliane Lijn, Eduardo Kac, Tom Hall, Alan Sutcliffe and
> Ernest Edmonds as well as interviews with Duncan Speakman and William
> Latham, a reflection on an art and industry collaboration by Giles Lane of
> Proboscis and David Walker of Philips Research and a previously unpublished
> holograph by Gustav Metzger.  The ISBN number for this new publication is
> ISBN:
> 978-0-9565608-6-5 and publication date is 28th November, 2013. Contributors
> to the book will be available to sign copies which will be free to
> attendees to the launch.  It has been published by Anglia Ruskin University
> and designed by Giulia Garbin.
>
> About Visualise: Making Art in Context
>
> From tales of a transgenic green bunny to a singing painting, from
> computer-generated lifecharms to a soundwalk at dusk in Cambridge's
> fashionable arcades, this publication conveys some of the myriad happenings
> which characterised Visualise a programme of public art, curated at Anglia
> Ruskin University in 2012. Funded by the University from Percent for Art
> sources, Visualise brought new life to hard streets, providing
> opportunities for public engagment in challenging visual art and sound
> installations, temporary events and exhibitions. It connected in direct and
> indirect ways to perceptions of Cambridge as context and site of scientific
> discovery and technological inventiveness. The book weaves the history of
>  Cambridge School of Art and the Ruskin Gallery (the place where Syd
> Barrett of Pink Floyd played his first gig and Gustav Metzger, renowned
> founder of auto-destructive art, had his first arts education before the
> end of the Second World War) with today's digital developments. A series of
> newly commissioned essays provide intriguingly personal insight into how
> world-leading international and local artists create lasting 'mark and
> meaning' (Eduardo Kac) working in contexts of historical time as well as in
> physical space.
>
>
> Any questions do get in touch.
>
> Many thanks
> --
> Bronaċ
>