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italian-studies: Scholarly discussions in any field of Italian studies



University of Pennsylvania - French and Italian Graduate Society 2014 Conference


March
22, 2014


NO MAN'S LAND - call for papers

 

Keynote
speaker: Prof. André Benhaïm
(Princeton
University)






The term “no man’s land”
came into general use in English during the First World War, referring to
inhabitable areas that saw the fiercest fighting between the two sides of the
conflict. No man’s land is full of emptiness, it is a ravaged space, shifting
constantly in size and shape, a lifeless and yet extraordinarily valuable
territory. Simultaneity, the explosion of temporality, and the powerful role of
boundaries all suggest that the First World War is a conflict that has to be
addressed spatially.And yet the term, “no
man’s land,” addresses a number of other discursive and experiential issues in
literature and theory that take it beyond the parameters of its primary
military and spatial designation. The in-betweenness of no-man’s land creates a
third space where the battle is not yet engaged, and surveillance seems more
important than the physical gap between rivals. 
 What, for example, are the
     implications of gender, sex, race and class for the bodies placed in a disordered and
shattered landscape?Associated with ‘man’ in its
     broadest definition, what does the paucity of references to women, to
     African immigrants, to farmers or simply to humans imply?How do these diverse forms of
     absence shape literary texts, theater, cinema and other visual arts?Do authors and artists offer
     discursive and theoretical explorations of the  non-representational, the non-figural or the
non-human as ways to reconsider existing certainties within their literary and
artistic fields?Of what use could this concept
     of “no man’s land” be in a colonial and/or post-colonial world?And finally, what does it mean
     to say that a land is not suitable for man?Possible topics could
include or be related to:
 Spaces of war
 Visions of hellTranscendental and liminal
     spacesExile and/or spaces of transitMigrationLimits/FrontiersNationalism and TransnationalismControlled spaces (the prison,
     school, etc.)Colonial and postcolonial
     concerns with the unexplored (space, body, experiences, etc.)Body as space and/or space as
     bodiesScience fiction (the non-human)The cosmicAnonymityForbidden or not yet fully
     explored spacesContested spacesLandscapes in cinemaTheories of
     (re/de)territorializationSpaces between disciplines The French and Italian
Graduate Society members welcome submissions in Italian, French and English
from a range of disciplines, including (but not limited to) language and
literature, art history, history, political science, sociology, theater, and
film studies. Presentations should not exceed 15 minutes.









































Please send a 250-word
abstract with your name, affiliation, and email address at [log in to unmask] by January 15, 2014.

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