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italian-studies: Scholarly discussions in any field of Italian studies

Dear all,


We'd like to remind you of our CFPs for AAIS 2014 which will be held May 23-25 at the University of Zurich. Please consider sending us an abstract, coming to the conference, and supporting the Queer Studies Caucus. Also, feel free to circulate this to anyone who might find it interesting or relevant to their work. The deadline for submission has been extended to 10 December 2013. If you're interested, or have questions, suggestions or comments, please do feel free to get in touch with SA Smythe (QSC President) and Julia Heim (QSC Secretary) at [log in to unmask]. The full abstracts are below, for the following proposed panels:


- Queer/Italian/Film

- Regulating Queerness in Italy

- Libertini, Sodomiti, Froci and Finocchi: Sexual Identity and the Sex Act

- A Reflection on the present and future of Queer Italian Studies (Roundtable)


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Title: Queer/Italian/Film

Chair: Dom Holdaway, University of Warwick

Taking inspiration from Carla Freccero's Queer/Early/Modern, this panel attempts to open up new understandings of queer Italian film that offer a productive challenge to film and media studies. Papers are welcomed that focus on the spaces between the terms, thus they might include considerations of the limits of the applicability of the term 'queer' in the case of Italy's cinema (the term's translatability, or possible Italian equivalents); the transcendence of national borders in queer film ('Italian' films not 'made in Italy', such as Mambo Italiano); the modes through which queer Italian subjects find expression that go beyond traditional film (camera phones, social media, photography, etc.); the representation of queer characters by straight actors; or the shifting spaces of queer aesthetics in traditional Italian cinema.

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Title: Regulating Queerness in Italy

Chair: SA Smythe, University of California, Santa Cruz

One of the frameworks for Jasbir Puar’s Terrorist Assemblages is the critique of “queer as regulatory,” that is, a controlled or directed expectation of queer identity or expression according to a predefined rule, principle, or law (such as homonormativity and/or secularity). With this framework in mind, this session focuses on those regulations and predefinitions that have been central to shaping the limits of queer Italian identity and have created or prevented forms of interplay between all groups and intersections of those considered to be “others” throughout Italy's social, political, and literary landscape.

Questions addressed in this panel include, but are not limited to:

- Where do identitarian and political categories of Black and Italian meet? 

- How do queerness or other non-normative sexual identities and the process of racialization interact in Italy’s current social climate? 

- Where and to what end does queer meet the postcolonial?

- How has homonormativity--a decidedly Anglo-American concept--been portrayed or introduced in Italian culture?

- How have answers to these questions changed along with the shifting status of immigration, queer visibility, class difference, and global accessibility to knowledge?


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Title: Libertini, Sodomiti, Froci and Finocchi: Sexual Identity and the Sex Act

Chair: Julia Heim, CUNY Graduate Center 

This panel will discuss portrayals and receptions of LGBT sex acts in Italy. What role do representations of LGBT sex play in Italian literature, film, television, politics, and other cultural media? What is the importance of the physical act in an age when political correctness can lead to an erasure of difference? Have the intersections of identity and action promoted or prohibited representations of queer experience? When considered from a historical perspective, has a lack of terminology increased or decreased the potential for the recognition of queerness in Italian society and culture? Papers that consider all forms of performativity and its relationship to identity and perceived identity are particularly encouraged.

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Title: A Reflection on the present and future of Queer Italian Studies


This roundtable will focus on the role of queer studies in academia today, in the United States, in Italy, and in Europe more broadly. How has queer studies been institutionalized? What is the impact/role of queer studies in Italian Studies? Scholars interested in discussing issues concerning the differences and convergences between Italian queer Italianists, Italian queer studies in the United States and queers within the Italian and Anglo cultural contexts should submit short proposals discussing their specific areas of interest regarding these topics, and include specific questions they would like to pose to the group more generally.

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Papers are welcomed from all disciplines in Italian studies (e.g., film, visual studies, literary criticism, history, social sciences) and can be in Italian or English. Presenters do not need to be members of the QSC, but are encouraged to join. Please submit a short description (250 words) to  [log in to unmask] by December 10, 2013 (note extended deadline).


We look forward to your participation,


SA Smythe                                                   Julia Heim
QSC President                                             QSC Secretary
History of Consciousness                            Comparative Literature (Italian)
University of California, Santa Cruz           CUNY Graduate Center
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