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Last year the Goethe-Institut organised the first UK retrospective of the
documentaries of Peter Nestler.
As Peter was unable to attend the series, Maren Hobein invited him now for a
short visit, which will provide the opportunity to re-discover some of his
films and to further engage with them in a dialogue with the filmmaker.
Please see details of the 5 screening events below!

Peter Nestler - Reprise Programme 1
Friday, 1 November 2013, 7pm
Goethe-Institut London
How to make Glass (manually) + Pachamama ­ Our Land

In the 1970s, Peter and Zsóka Nestler collaborated on a series of
educational films for television on the history of crafts and the making of
things. These ³biographies of objects" are rigorous investigations into the
history of working techniques, production processes and materials exploring
the relation between economics, politics and history. One of the most
compelling one in this series, How to Make Glas (Manually) depicts different
processes of glass making.

Peter Nestler directed Pachamama after The North Calotte, his remarkable
film about the preservation of the Sami indigenous culture and the damage
brought to the landscape of Northern Europe by heavy industrialisation. As
the previous film Pachamama is a travelogue, this time filmed in Ecuador,
moving from the hills of Quito to the country¹s mountains, fields and its
coast. The film is constructed around a musical structure and motif and
gently depicts the layering of history and cultures, presenting the current
situation of the peasants and rural workers, their communal organisation and
the hardships of their toil and struggle, as well as the transformation of
the landscape through deforestation and land exploitation.

How to Make Glass (manually) (Wie macht man Glas? (handwerklich), Sweden
1970, b/w, 16mm, 24mins. Dir: Peter Nestler in collaboration with Zsóka
Nestler. 
Pachamama ­ Our Land (Pachamama - Nuestra Tierra), Germany 1995, colour,
16mm (transferred to Digibeta), 90mins. Dir: Peter Nestler. Total Running
Time: 114 minutes. Followed by a Q & A with Peter Nestler


Peter Nestler - Reprise Programme 2

Ödenwaldstetten + Time
Saturday, 2 November, 3pm
Goethe-Institut London

Ödenwaldstetten describes the changes brought by industrialisation to a
Swabian village in the 1960s, thus evoking the transformation the whole of
Germany was undergoing at the time.
Filmed almost 30 years later, Time takes us to Hungary and introduces us to
a number of Hungarian folk artists who, after years of adversity, share
their life experiences and love for their craft with the filmmakers.

Ödenwaldstetten, FRG 1964, b/w, 16mm, 36mins. Dir: Peter Nestler in
collaboration with Kurt Ulrich.
Time, Germany 1992, colour, 16mm, 43mins. Dir: Peter Nestler in
collaboration with Zsóka Nestler.


Peter Nestler - Reprise Programme 3
From Greece + Chile Film
Saturday, 2 November, NEW!: 5.30pm
Goethe-Institut London
Just as urgent today as it was when it was made during the Greek crisis of
1965, From Greece looks back at anti-fascist struggle and resistance in the
1940s as a warning against the re-emergence of fascism.
Made for television and for a young audience, Chile Film is another
excellent example of Nestler¹s educational and political cinema. The film
combines a montage of documents, ranging from spoken texts to photographs of
Thomas Billhardt and Karl Erik Jagare, old photos, drawings from Chilean
artists, with the music of Luis Roca and Ramon Chavez. In a clear and
straightforward manner it explains the history of Chilean resistance and
class struggle from the colonisation of the country up to the overthrow of
Salvador Allende¹s government exactly 40 years ago. Like From Greece, the
film, which clearly sides with the Unidad Popular, is a powerful plead
against oppression. In the beginning of the film we listen to the sentence:
"The Chilean people have had to endure much for hundreds of years." The film
was never broadcasted.

From Greece, FRG 1965. b/w, 16mm, 28mins. Dir: Peter Nestler in
collaboration with Reinald Schnell.
Chile Film, Sweden 1973 /74, b/w, 16mm, 23mins. Dir. Peter Nestler in
collaboration with Zsóka Nestler


Peter Nestler - Reprise Programme 4
Up the Danube + Die Judengasse
Saturday, 2 November, NEW!: 7.30pm
Goethe-Institut London
Made twenty years apart, these two films are essential to understand the
core of Peter Nestler's cinematographic practice and concerns. Up the Danube
follows a riverboat upstream, excavating the river¹s layers of history from
Roman times to the present.
Discussions about the conservation of Die Judengasse (Jew¹s Alley) in
Frankfurt motivated Peter Nestler to reconstruct the history of the Jews in
this city. It is a history of centuries of persecution and exclusion,
interrupted only by a few periods in which emancipation seemed possible. As
in his other films, Nestler uses different kinds of documentary material to
establish the relationship between past and present.

Die Donau Rauf (Up the Danube), FRG 1969, 16mm, colour, 28mins. Dir: Peter
Nestler in collaboration with Zsóka Nestler.
The Jewish Lane (Die Judengasse), Germany 1988, colour, 16mm, 44 mins. Dir:
Peter Nestler.  


Peter Nestler - Reprise Programme 5
By the Dike Sluice + A Working Men¹s Club in Sheffield
Sunday, 3 November, 3pm.
Showroom & Workstation, 15 Paternoster Row, Sheffield, S1 2BX

Peter Nestler¹s first film, By the Dike Sluice, presents life in a small
seaside village, unusually described from the perspective of an old
floodgate.
Highlighting the musicality of much of his work, A Working Men's Club in
Sheffield is Nestler¹s paean to the working class, depicting the hard work
and leisure time of those gathering at the Dial House Working Men's Club.

By the Dike Sluice (Am Siel), FRG 1962, 35mm, b/w, 13 min, Dir: Peter
Nestler in collaboration with Kurz Ulrich.
A Working Men¹s Club in Sheffield (Ein Arbeiterclub in Sheffield), FRG 1965,
16mm (DigiBeta), b/w, 41mins. Dir: Peter Nestler.

Tickets: £3 individual programme at the Goethe-Institut, £6 for all 3
programmes on Saturday, £9 all 4 screenings at the Goethe-Institut. Free for
Goethe-Institut Language Students and Library Members. Booking Essential.
T +44 20 7596 4000
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We warmly recommend you this opportunity!

Susanne Hammacher
Film Officer | Festival Manager
------------------------------------
The Royal Anthropological Institute
50 Fitzroy Street
London W1T 5BT
UK
tel +44-(0)20-7387 0455
fax +44-(0)20-7388 8817
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