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With apologies for cross posting.

A provisional schedule for the Cinema and Television History (CATH)
Research Centre postgraduate conference 'New approaches to gender, film and
television: Histories and futures in the digital age', is now available on
our website In Motion. <http://cathpostgrad.wordpress.com/>

Registration is still open and available
here<http://store.dmu.ac.uk/browse/extra_info.asp?modid=1&prodid=1814&deptid=5&compid=1&prodvarid=0&catid=74>,
priced at only £15. Lunch and light refreshments will be provided. All are
welcome.

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*New approaches to gender, film and television: Histories and futures in
the digital age*

*A postgraduate conference*

*organised in association with BAFTSS*

*Saturday 22nd June 2013, De Montfort University, Leicester, UK*

*Keynote Speaker:** *

*Dr. Clarissa Smith (Reader in Sexual Cultures, University of Sunderland)*

Author of *One for the Girls! The Pleasures and Practices of Reading
Women’s Porn* (2007, Bristol: Intellect)


In recent years, film and television studies have seen a sustained focus on
gender as both a category and an object of analysis. The CATH Centre has
been an active participant in highlighting the efforts of women through
collaborative ventures such as ‘Cine Sisters’, in conjunction with the
Cinema Museum, and the ‘Adopt a Woman’ campaign as part of the BECTU Oral
Histories project. These projects, as well as research elsewhere like the
AHRC-funded Global Queer Cinema project, indicate a growing interest in
re-examining gendered boundaries in the film and television industries and
in textual representation. Simultaneously, new technologies and digital
practices are changing how archival material is disseminated, while online
spaces are inciting new forms of fan response and interaction, and new
forums are emerging for academics to engage with wider publics, fans and
audiences. These technological and cultural shifts are increasingly
pertinent to the study of gender in film and television studies but remain,
as yet, under-theorised.



This conference will seek to explore the effects of rapidly changing
technologies and platforms on the study of gender in film and television.
What methodological challenges face postgraduate researchers in a context
of constant change? How do new approaches to film and television studies
affect gender representations and the way that we interpret them? And how
do changes in the present affect how we approach studies of gender, past
and future?



Papers will engage with studies of gender, new technologies and digital
practices either through specific case studies or in broader theoretical
reflections. Possible subjects include, but are not limited to:



-          Past and future issues of gender in the film and television
industries;

-          The implications of changing platforms to contemporary and
future studies in reception;

-          Online film and television criticism and new possibilities for
academic engagement;

-          Textual representations of gendered futures and the future of
gender representation;

-          How new technologies and digital practices affect studies of
gender in film and television history.


Delegates and attendees may also be interested in Console-ing Passions (
www.console-ingpassions.org), an three day international conference on
television, audio, video, new media and feminism, taking place at De
Montfort University from June 23rd.


[image: Inline images 1]             [image: Inline images 2]
-- 
*Cinema and Television History (CATH) Research Centre Postgraduates*

Room 3.06J
School of Media and Communication
Clephan Building
De Montfort University
The Gateway
Leicester
LE1 9BH

e: [log in to unmask]
w: http://cathpostgrad.wordpress.com/

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