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medieval-religion: Scholarly discussions of medieval religion and culture


Sebastian is now in Germany once more and the Canterbury Workshop is led by 
 Leonie Seliger.
But I totally concur with what Jim has said - this is very old hat indeed  
and anyone wanting more should consult Madeline Caviness's superb volume.
 
Gordon Plumb
 
 
 
In a message dated 13/11/2012 01:19:28 GMT Standard Time,  
[log in to unmask] writes:

medieval-religion: Scholarly discussions of medieval religion and  culture  
  
Dear  Paul,
This makes good copy for the media, but stained glass scholars have  long 
been aware of this situation, thanks to the consummate scholarship of  
Madeline Caviness, whose volume for the British Committee of the Corpus  Vitrearum 
Medii Aevi, The Windows of Christ Church Cathedral Canterbury  (London: 
1981) carefully charts the original glass and the many "restored" and  made-up 
panels by its 19th and 20th century restorers, amongst whom Samuel  Caldwell 
Jr. is certainly the most notorious.  In the freewheeling world  of stained 
glass restoration at that time, this was pretty common practice,  and there 
are lots of "fakes" about, both in churches and in museum  collections.  At 
that time, the conservation of stained glass was, if one  was lucky, in the 
hands of professional stained glass artists, but if one was  not available, 
the local plumber (who knew how to work with lead) might be  called in.  
Conservation was not actually taught as a subject in its own  right, and there 
were no ethical guidelines to follow.  Now, of course,  stained glass 
conservation itself is a highly technical business which must  keep to scrupulous 
ethical standards, and is taught as a university  subject.  And the 
Canterbury glass is now in very safe hands, thanks to  the stained glass 
restoration workshop at the cathedral, led, I believe, by  Dr. Sebastian Strobl.
Cheers,
Jim

 
____________________________________
  
From: medieval-religion - Scholarly discussions of medieval  religious 
culture [[log in to unmask]] on behalf of Paul  Chandler 
[[log in to unmask]]
Sent: November 12, 2012  6:46 PM
To: [log in to unmask]
Subject:  [M-R] The Fake Medieval Images in Canterbury Cathedral



medieval-religion: Scholarly discussions of medieval religion and culture  
From _medievalists.net_ (http://medievalists.net/) :
_http://www.medievalists.net/2012/11/12/the-fake-medieval-images-in-canterbu
ry-cathedral/_ 
(http://www.medievalists.net/2012/11/12/the-fake-medieval-images-in-canterbury-cathedral/) 


In ‘Fakes and Forgeries in Canterbury’s Stained Glass’, a lecture given  
last week at the University of Toronto, Rachel Koopmans explained how these  
images came into the cathedral and have fooled people for so long. One of  
the faked images is known as the Pilgrims panel, which shows four figures on  
the move and has been associated with the characters of the Canterbury 
Tales  by Geoffrey Chaucer. The other is a portrait of the famous martyr and 
saint  Thomas Becket, which some books have even described as being a 
contemporary  depiction of the twelfth-century Archbishop. 
Koopmans explains that both of these images, and many more in the  
Cathedral, were actually created by Samuel Caldwell Jr., who was the person  in 
charge of restoring Canterbury’s glass for more than fifty years. During  this 
time he created dozens of works and duped various church officials into  
believing they were genuine medieval images.


-- 
Paul Chandler, O.Carm.
Holy Spirit Seminary   |  PO Box 18 (487 Earnshaw Road)  |  Banyo Qld 4014  
|  Australia
office: (07) 3246 9888  |  home: (07)  3246 9894
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