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King' s College, London

25/10/2012 (09:00-16:00)
 
Despite attracting an audience of over 2 million and being dubbed Europe’s largest street party, the Notting Hill Carnival, like other Caribbean carnivals staged throughout the world, has been plagued by financial difficulties and a steady stream of criticism in the media arising from festival organizers’ alleged lack of entrepreneurial and organizational skills. This type of discourse is also replicated within academic literature. 
 
This symposium challenges the current consensus discourse both in popular media and within academia which suggests that the cultural entrepreneurs behind the Notting Hill Carnival, whilst being individuals of great creativity, lack entrepreneurial ability. It seeks to engage a range of cultural entrepreneurs including sound systems, steel bands, calypso singers, costume designers and event organizers to paint a picture of an innovative, highly sophisticated group of entrepreneurs who despite access to limited resources has managed to create a complex cultural production system.   
 
The Programme includes in-depth panel discussions with experts in:
Cultural networks
Black and ethnic minority businesses
Urban/underground cultures
Festival evaluation
Social media   
 
Speakers include:
 
Dr. Ruth Adams, Lecturer, Department of Culture, Media and Creative Industries, King’s College London   
 
Sue Bagwell, Research Development Manager, Cities Institute, London Metropolitan Business School  
 
Dr. Lionel McCalman, Leader of Nostalgia Steelband   
 
Pax Nindi, Creative Director at UK Centre for Carnival Arts   
 
The symposium is being organised by Nicole Ferndiand, PhD student in the Department of Culture, Media and Creative Industries with an Arts and Humanities Research Institute grant.

To book a place and receive updates on the event please email Nicole Ferdinand at [log in to unmask]

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