Hang on everybody I am the geriatric Mc Poetaster here !!

 

From: British & Irish poets [mailto:[log in to unmask]] On Behalf Of Peter Riley
Sent: 30 September 2012 19:56
To: [log in to unmask]
Subject: Re: University chiefs reel under critical attack

 

OK, I just got the impression that almost everything I've mentioned here recently received a denial from you. Like Poetry Parnassus -- I don't write these things lightly but I research them as best I can, so it is disturbing having someone say You've got it all wrong, it wasn't like that at all.  Perhaps it wasn't you who called me a geriatric poetaster either, but someone other Mc-Surname.   But to throw the ball back into your court -- what about those eight lines of Reid I quoted.  How would you make them out to be a critique of academe? What value would you find in them whatever their purpose?   (Having some knowledge of Guardian editors, it occurred to me that they might have omitted a sentence or more between "academia" and 'Brannigen'.)  

Peter

 

 

 

 

On 30 Sep 2012, at 19:15, Jamie McKendrick wrote:



Strange that you should say this, Peter. Even here, I don't consider my comment to be a categorical disagreement, whatever that is. I was just as much disagreeing with John's remark and I conceed that there may be a real concern about Guardian and other press coverage of poetry.

  It's especially strange because for the most part I've admired your Fortnightly Review pieces - and have commented positively here on at least a couple of them. The one I took issue with was the description of the Poetry Parnassus event and I tried to explain my objections, again not in the least categorically. Valid or not, they weren't favoured by any reply. On another recent occasion, I replied to Tim:

   "The threshold requirement for sense being made differs radically from reader to reader - though my tastes may be very different from Peter's

   I have the feeling from what he writes that the placement of this threshold is in the vicinity."

This would suggest to me something far from categorical disagreement - and something rather warmer than qualified agreement.

   If I'm coming over as contentious, it may be that I'm not in tune with the aesthetics of this list, if anything as unitary as that exists. But even if I were better attuned, surely disagreements would be natural enough.

In this case, I think Reid is a poet who doesn't deserve the mockery that followed your post, and on my limited knowledge of her work I see no reason to doubt the integrity of Aingeal Clare as a critic. If you consider what I've written misguided or wrong in this or any other instance, why not explain why?

Jamie

   

  

----- Original Message -----

From: [log in to unmask]">Peter Riley

Sent: Sunday, September 30, 2012 5:50 PM

Subject: Re: University chiefs reel under critical attack

 

Do you always disagree categorically with everybody or is it just me? 

 

 

 

On 30 Sep 2012, at 14:43, Jamie McKendrick wrote:



I see no evidence that in this review, or in other reviews I've read by Aingeal Clare, that she has compromised herself in any way rather than praised what she's enjoyed. That she enjoys what Peter and John clearly don't is not a reason to impugn her integrity. It's an astonishingly self-righteous assumption.

   I'm inclined to agree that there isn't much negative criticism in the Guardian poetry reviews and that more controversy would be welcome but that doesn't mean writers are "apparently obliged to laud the subject" or are excercising some kind of inner censorship. I've only written on poetry once for the Guardian and was under no pressure of any kind to praise.

Jamie

----- Original Message -----

From: [log in to unmask]">Peter Riley

Sent: Sunday, September 30, 2012 2:20 PM

Subject: Re: University chiefs reel under critical attack

 

OK but I don't understand why you have to compromise yourself just to write a poetry review for the Guardian. They have people of very different opinions writing about all sorts of poetry. They twice even featured me. I do notice that their poetry reviews are apparently obliged to laud the subject, which is bad policy for obvious reasons, and could be challenged.  I think in many outlets (such as the admirable Fortnightly Review)  a dose of controversy is welcomed as stimulating reader interest. 

Pr

 

 

 

 

On 30 Sep 2012, at 14:08, GOODBY JOHN wrote:

 

I agree with you. And I know Aingeal too. Her PhD research, recently finished, was on Finnegans Wake. She's a very bright young woman who knows the difference between the good and the whimsically bullshit. But then reviews in the Guardian help to get you an interview for that all-important first permanent academic post. Check the post-grad unemployment rate.If she was your daughter and wondering whether to take the Guardian shilling for the standard inspid, let's-not-rock-the-boat piece, what would you advise her to do?


John

On 29 September 2012 20:36, Peter Riley <[log in to unmask]> wrote:

In today's Guardian there is a review of Christopher Reid's new book "Nonsense" (Faber) by Aingeal Clare which among other things praises "some enjoyable sideswipes at the absurdity and pompousness of academia", quoting this example:

"Brannegan Wong
goes on too long.
Brannegan Wong
sings the same old song.

Brannegan Wong
with his luminous dong
and his numinous pong
comes on too strong."



THAT'LL SHOW THEM!   /pr