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-------- Original Message --------
Subject: 	CFP: From Transi Tomb to Castrum Doloris (PNRS Conference, 
18-21 Oct 2012)
Date: 	Wed, 4 Jul 2012 14:57:49 +0200
From: 	H-ArtHist (Elsje van Kessel) <[log in to unmask]>
Reply-To: 	H-NET List on Art History/Die E-Mail-Liste fuer 
Kunstgeschichte im H-Net <[log in to unmask]>
To: 	[log in to unmask]



From: Aleksandra Idzior<[log in to unmask]>
Date: Jul 4, 2012
Subject: CFP: From Transi Tomb to Castrum Doloris (PNRS Conference,
18-21 Oct 2012)

Abbotsford, British Columbia, October 18 - 21, 2012
Deadline: Jul 20, 2012

The Pacific Northwest Renaissance Society Conference
Call for Papers

“From Transi Tomb to Castrum Doloris: Lost and Found in Translation, or
Early Modern Sepulchral Art and Ritual in East-Central and Northern
Europe”

During the early modern period in Europe new religious, political, and
social concepts and attitudes led to a new mentality in relation to
death with a growing practice of creating monuments to the deceased. At
the same time this period was marked by a rapidly expanding and
international, if not homogenous, process of migration and cultural
interaction. As a result, new frameworks of contact and exchange were
established across physical geographies, cultural traditions and
religious differences. These new frameworks contributed to the
formulation of new forms of visual and material culture related to
sepulchral art and ritual. North of the Alps, commemorative visual
culture and ceremony took place in response to imported and local
stimuli, and it often required translation, adaptation, and
transformation of its themes and forms. Early modern funerary art,
tombs and burial ceremonies demonstrate not only Christian values but
also reinforce political and social hierarchies by representing both
private and public display of civic virtues. Those who commissioned
tomb portraiture and sculpture usually possessed wealth and power, and
often transferred - through commissions and wills - their earthly
ambitions and excess into sepulchral monuments and ceremonies This
practice was often in conflict with the value of humility and the
teaching of the Christian church. Furthermore, following the
Reformation, funerals became a means of exhibiting wealth and
translating it into status for both Catholics and Protestants alike.
Concurrently, people’s concern for the pomp and ceremony of their own
funerals testified to piety, charity and sense of personal reputation.
Ranging from religious to political instruments, from Roman-Catholic
(pre-Reformation and post-Tridentine) to Protestant, and from the
political body of the monarch to the individual aristocrat and
bourgeoisie, these tombs, monuments and rituals, while mixing Western
traditions with Ottoman elements, show broader cultural context of
transmissions of particular religious, social and ideological vision of
the world and were translated into and conveyed through material means.
This panel aims to explore how cross-cultural encounters in Europe —
south-north and west-east –- can be seen to have shaped the production
of funerary art. Across these broad networks of exchange the
participants of European culture — patrons, intellectuals, artists and
architects –-shaped, promoted and disseminated new forms, motifs and
functions of sepulchral art through the processes of translation and
adaptation.

Submissions related to all geographical areas of Eastern, Central and
Northern Europe are welcome, in particular those related to
cross-cultural encounters and translations; through the time period of
1450-1700; as well as contributions that engage the art and visual
culture of East-Central Europe – including Hungary, Poland, Bohemia,
Moravia.
Topics for discussion may include, but are not limited to:

-  Materiality of memory: tombs, chapels, mausolea, monuments,
memorials
-  Ephemeral architecture: catafalques, castra doloris
-  Pompa funebris or funerary rite as performance and theatre
-  Celebration of the deceased: transient moment and enduring
remembrance
-  Translatio of relics
-  Death masks
-  Coffin portraiture
-  Armored bodies as transmission of property
-  Tombs of children
-  Engraved brasses and sculpted tombs with shrouded figures
-  From verbal to visual: eulogies and epitaphs
-  From vanitas to melancholy
-  Adaptations and translations of various funerary customs from
ancient/pagan rites or different ethnic traditions
-  Material marking of the transformation from life to death, from
transient to eternal, and from body to soul
-  Transitional states of mourning
-  The fashion of mourning: public expressions of grief through customs
and costumes
-  Transitions from one medium to another: drawn, painted, printed and
literary records of tombs, sepulchral architecture and funerary
ceremonies

Please submit an abstract of no more than 250 words for a 20-minute
paper with a paper title and one-page CV with institutional affiliation
and contact information to Aleksandra Idzior
([log in to unmask]), University of the Fraser Valley, Abbotsford
by 20 July 2012.

Reference / Quellennachweis:
CFP: From Transi Tomb to Castrum Doloris (PNRS Conference, 18-21 Oct
2012). In: H-ArtHist, Jul 4, 2012.<http://arthist.net/archive/3591>.

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