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Dear colleagues And another conference of interest to list members: CONFERENCE PROGRAMME Soundtracks: Music, Tourism and Travel 6-9 July 2012, Liverpool, United Kingdom Thursday, 5th July 2012 (Venue: Britannia Adelphi Hotel and The Cavern Club) 16:00-18:00 Registration desk open at the Britannia Adelphi Hotel (Ranelagh Place) Optional: Magical Mystery Tour* – to book go to: www.cavernclub.org/the-magical-mystery-tour<http://www.cavernclub.org/the-magical-mystery-tour> 19:00-21:00 Informal Conference Reception at the Cavern Club (8 Mathew Street, L2 6RE) with live music by Live Lounge 22:00 Beatles tribute show at the Cavern Club (8 Mathew Street, L2 6RE) Friday, 6th July 2012 (Venue: Britannia Adelphi Hotel, Ranelagh Place, Liverpool, L3 5UL) 08:30 Registration desk opens at the Britannia Adelphi Hotel (Ranelagh Place) Coffee at arrival 09:45-10:30 Conference Welcome and Opening Claire McColgan MBE, Director of Culture Liverpool, Liverpool City Council Dr Brett Lashua, Conference Chair, Leeds Metropolitan University 10:30-11:15 Keynote: Professor Sara Cohen, Director, Institute of Popular Music and Director of Research, School of Music, University of Liverpool and Dr Les Roberts, School of Arts, University of Liverpool Heritage Rocks! Mapping Spaces of Popular Music Tourism. 11:15-12:00 Keynote: Jo Dipple, CEO UK Music One Nation Under A Groove 12:00-13:30 LUNCH Session 1: Pop Music and Performances Session Chair: Brett Lashua Session 2: Festivals and Destinations Session Chair: Robert W. Fry Session 3: Cultures and Policy Intersections Session Chair: Isabella Sacramento 13:30-14:00 Shen Wen-Chun: Pop Music Festivals in Europe: A Hermeneutic Phenomenological Study of Tourist Experience from a Taiwanese’s Perspective Marco Camilli: Umbria Jazz: How a Music Festival can Emphasize the Spirit of a Destination Katarina Feodorovic: Touristic Potential of the International Music Competition "Davorin Jenko" for the Development of Cultural Tourism in the municipality Rakovica - City of Belgrade 14:00-14:30 Martinette Kruger and Melville Saayman: Do Markets Really Differ from City to City? Evidence of Live Performances J. Ballantyne, R. Ballantyne and J. Packer: Designing Transformative Music Festival Experiences to Enhance Visitor Psychological and Social Benefits Paula Guerra: Following the scene! The Pop Rock Music Festivals as Spaces of Extended Transactions in Portugal 14:30-15:00 Ivana Greguric: Made-up rockers, the media and techno culture Mac McCarthy and Peter McGrath: Journeying Through Dance – Experiencing Cambodian Culture Murat Gurel: Music Institutions of Bursa that is Turkey’s Culture and Tourism City-Contributions of the Institutions to City and Country Tourism in terms Music Communities 15:00-15:30 TEA 15:30-17:00 Session 4: Cities and Encounters Session Chair: Gabby Riches Session 5: Cultures and Transitions Session Chair: Melville Saayman Session 6: Travel and Music Fandom Session Chair: Marco Camilli 15:30-16:00 Nataša Makovecki and Marko Gams: Revitalization of Maribor through the Festival Lent Ruxandra Ana: Cuban Rumba beyond “The Tourist Gaze” Bernd Schabbing and Adrienne Steffen: “Music Festivals and Tourism: Fruitful Synergy or Alibi? Customer Segmentation Based on Three Major German Music Festivals.” 16:00-16:30 Lars Kaijser: Fragments in Motion Felicite Fairer-Wessels: “The Domba Dance” as Cultural Ritual of the Venda Tribe in South Africa Robert Fry: Becoming a "True Blues Fan”: Blues Tourism and Performances of Loyalty at the King Biscuit Blues Festival 16:30-17:00 Brett Lashua: The City of Musical Memory: Liverpool 8 – A case study Ivan Vander Biesen and Christiaan De Beukelaer: Tourism and Imagining Musical Traditions on the East African Coast: Harmony and Disharmony Cristiana Zara: ‘Tuning up with the Cosmic Vibration’: Tourism, Music and the Sonic Geographies of Varanasi (India) 19:00-21:00 Conference dinner at the Britannia Adelphi Hotel Saturday, 7th July 2012 (Britannia Adelphi Hotel, Ranelagh Place, Liverpool, L3 5UL) 09:00 Registration desk opens 09:30-10:30 Session 7: Markets and Strategies Session Chair: Orlando José Leite de Castro Session 8: Metal Tourism Session Chair: Brett Lashua Session 9: Disruptions and Challenges Session Chair: Linda Wilks 09:30-10:00 Martinette Kruger and Melville Saayman: Show me the Band and I will show you the Market Alick Kay: Motivating a Specific Cohort of Tourists to Visit Scandinavia through Viking Metal Music Incoronata Inserra: ‘Tourist Noise’ in Southern Italian Folk Music and Dance Festivals 10:00-10:30 Simon Hudson and Stefanie Benjamin: The Influence of Music Videos on Tourism Gabby Riches: ‘Keeping it Old School’: The Preservation and Re-Creation of Moshing Traditions within Extreme Metal Music Tony Kiely: “Staying Small – Staying Alive”: The Preservation of a Sean-Nós Traditional Music Festival in the West of Ireland 10:30-11:00 COFFEE 11:00-12:30 Session 10: Identities and Transitions Session Chair: Lars Kaijser Session 11: Histories and Heritage Session Chair: David Cashman Session 12: Nations and Nationalism Session Chair: Kelly Davidson 11:00-11:30 Sarah Buckler: Discordant Communities – Musical Tensions in Imagining the Future of Marginalised Communities Gilles Briand: Music as Intangible Heritage: Touring through Miners’ Musical Tradition: The ‘Chain Of Musical Practices’. A Programme Aiming at Preserving the Coalfield Musical Heritage of the Mining Culture through an Innovative and Unique Touristic Experience Christoph Mager: “From Kiel to Biel I Travelled to Every Jam”: Mobile Spaces of Authenticity in German Hip-Hop Music 11:30-12:00 Adam Kaul: Music on the Edge: Traditional Irish Music at The Cliffs of Moher and the Commodification of a Musical Landscape Linda Braun: “Every National Nuance Removed from Their Dances”? Dance Tourism in Germany, France, and Great Britain (1900-1930s) Jone M. Hernández: Look at “bertsolaritza” and Feel the Emotional Word. The Bertsolari Film: Opening the Basque Heritage up to the World 12:00-12:30 Trish Winter and Simon Keegan-Phipps: Englishness as a Beleaguered Identity and Contemporary English Folk Jacob Meir Barsky: Musical Pilgrimage to the Japanese Periphery: A Case Study of the National and All-Japan Tsugaru Shamisen Contests of Aomori Prefecture Margarida Vaz and Olga Silva: New Rurality and Traditional Music. Metamorphosis of Tourist Experience 12:30-13:30 LUNCH 13:30-15:00 Session 13: Genres and Scenes Session Chair: Gabby Riches Session 14: Histories and Places Session Chair: Ivan Vander biesen Session 15: Nations and Music Session Chair: Jan Gooren 13:30-14:00 Karl Spracklen and Beverley Spracklen: The Strange and Spooky Battle over Bats and Black Dresses: The Commodification of Whitby Goth Weekend and the Loss of a Subculture Anabela Dinis and Margarida Vaz: Regional Portuguese Music: A (Tourist) Journey with Michael Giacometti Thomas Herscht: Austropop as Cultural Heritage 14:00-14:30 Maria João Ramos: Punk’s Not Dead in Portugal: Music, Identity and Tourism Amane Kasai: Music and Tourism in Early Modern Japan: Hot Spring Resorts as Tourists’ Musical Community. Ivana Paula Gortan-Carlin and Ivona Orlić: Musical and Tourist Brand of the "Istrian Music Road" 14:30-15:00 Emília Barna: Internalizing the Tourist Gaze: The Strange Union of Folk Music and Alternative Rock In Hungary Steven Garabedian: Blues Historiography and White Pilgrimage Kumar Ashutosh: Music Tourism in India: A Case Study of Khajuraho Dance Festival In India 15:00-15:30 TEA 15:30-17:00 Session 16: Identities and Spaces Session Chair: Elizabeth Macy Session 17: Cities and Encounters Session Chair: Emilia Barna Session 18: Festivals and Destinations Session Chair: Stuart Moss 15:30-16:00 Marie-Christine Parent: When Tourism Contributes to the 'Heritagization' of Traditional Music: The Case Of The Seychelles Philip Long: Musicians’ Reflections on the Discourses of Cultural Tourism Strategies: The Case of Sheffield Raphaela Stadler: Reflections on a Festival Tourist Experience in Queensland 16:00-16:30 Georg Braunschweig: Performing Alternative Authenticities: Cover Bands in Balinese Tourist Bars Julia Sneeringer: “I’d Never Even Been to Manchester”: Liverpool Musicians in Hamburg’s Entertainment Economy, 1960-1965 Bruno Pongelupe Leite de Castro: The Samba Schools 16:30-17:00 Zhang Tianxin, Yamamura Takayoshi, and Ren Lixin: The Performance Space for Indigenous Music in the Context of Tourism Development - A Comparative Study of Naxi and Hezhe Aboriginal Areas in China Carlos Vargas: Culture in the City: Responsibility and Conviction: A New Festival for Lisbon (2009-2011) Diane L. Cormany: Coachella Fans and the Co-Production of an Affective Destination FREE EVENING Sunday, 8th July 2012 (Venue: Britannia Adelphi Hotel, Ranelagh Place, Liverpool, L3 5UL) 09:00 Registration desk opens 09:30-10:30 Session 19: Cities and Encounters Session Chair: Emilia Barna Session 20: Liminalities Session Chair: Gabby Riches Session 21: Histories and Heritage Session Chair: Marie-Christine Parent 09:30-10:00 Marija Ristivojevic: Belgrade on the “New Wave”: Analysing the Role of Music in Creating the City “Image” Annie Mitchell: Paronella Park: The Dream Continues Marc-Antoine Camp: Negotiating Cultural and Touristic Valorisation of Music in the Making of the Swiss Inventory of Intangible Cultural Heritage 10:00-10:30 W. Gerard Ryan: Attendee Profiles and Motivations: A Case Study of the Liverpool Mathew Street Festival Kelly Davidson: Primitive European Rock and Roll: A Menacing Tour of the Homeless, the Marginal and the Dead. Ian Sutherland: The White Album: Ideology, Tourism, Travel, Music and Album Cover Design in South Africa 1958 – 1985 10:30-11:00 COFFEE 11:00-13:00 Session 22: Nations and Nationalisms Session Chair: Stuart Moss Session 23: Networks and Mediations Session Chair: Linda Wilks Session 24: Consumption and Practice Session Chair: Annie Mitchell 11:00-11:30 Eva Moreda: Performing the Female Nation: Spanish Dance Companies in the United Kingdom during the First Years of the Cold War Simon Hudson and Rupert Hudson: The Use of Social Media to Attract and Engage with Music Tourists David Cashman: Music by Design: Implementing Tourist Music on Cruise Ships 11:30-12:00 Mateja Podlipec and Lluis Prats: Transformation of an Emerging Local Event into a Tourism Product: The Case of the Dance Festival and Workshops “Zmigaj Se!” Melinda Klausz and Ágnes Raffay: Characteristics of Purposive Social Media and Facebook Usage of Hungarian Popular Music Festivals Eduardo Rodriguez Clavo: Spanish Discotheques in the Mediterranean Coast: 1965-1973 - Between Kitsch and Psychedelia 12:00-12:30 Laila El-Mahgary: What are the Attitudes of the Tourists and Singers towards Music Performances in the Tourist Experience in Sharm El Sheikh, Egypt? Stephen Wallace: Procolisation: How Music Made the Village Global John V. Ward: Post-Modern Soundtracks: 21st Century Technology, Agency, and the Mediation of Places and Events 12:30-13:00 Denese Gascho: Dancehall Queen: Junko Kado and The Reggae Transnation Rob Horrocks: The Internet as a Resource for Histories of Music that Give Rise to Tourist Opportunities Mauro Dujmović and Aljoša Vitasović: Music Tourism and Commodification of Tourism Spaces 13:00-14:00 LUNCH 14:15-16:00 Study Visit To reserve a place (one tour per delegate only), please email up to 2 preferences to [log in to unmask]<mailto:[log in to unmask]>. 14:15 Liverpool Museum: Wondrous Place Gallery Tour 1 (max 12 participants) 14:15 FACT: Foundation for Art & Creative Technology Tour 1 (max 15 participants) 14:15 Baltic Triangle Community Interest Company Tour (max 20 participants) 14:15 Liverpool’s Music Heritage Walking Tour (max 15 participants) 14:15 Liverpool Museum: World Museum Tour 1 (max 25 participants) 15:00 Liverpool Museum: Wondrous Place Gallery Tour 2 (max 12 participants) 15:15 FACT: Foundation for Art & Creative Technology Tour 2 (max 15 participants) 15:30 Liverpool Museum: World Museum Tour 2 (max 25 participants) FREE EVENING Monday, 9th July 2012 (Britannia Adelphi Hotel, Ranelagh Place, Liverpool, L3 5UL) 09:00 Registration desk opens 09:30-10:30 Session 25: Landscapes and Transitions Session Chair: Zhang Tianxin Session 26: Cities and Encounters Session Chair: Maria João Ramos Session 27: Experiences and Encounters Session Chair: TBC 09:30-10:00 Thorbjorg Daphne Hall: The Music Festival Iceland Airwaves – A Key to Music Tourism in Iceland? Elizabeth McLean Macy: Musical Gumbo and the Touristification of New Orleans Culture Sanda Kočevar: The first Croatian Choir Zora in Kaelovac: Keeping Musical Memory and Creating Touristic Experience 10:00-10:30 TBC Maria João Cordeiro: Music and the City: Fado in the Tourist Representation of Lisbon Jan Gooren: The Role of Music in Contemplative Tourism 10:30-11:00 COFFEE 11:00-12:30 Session 28: Productions and Mediations Session Chair: TBC Session 29: Music Tourism and Performance Session Chair: TBC Session 30: Histories and Heritage Session Chair: Jan Gooren 11:00-11:30 Daniel Hartley: “Avoiding Proper Work for 41 years”: Probe Plus Records and Transition away from Formalised Space in Commercial Narratives Chantal Laws: Putting Music On The Map: Creativity, Emerging Place Narratives and The Potential for Music Tourism In Cheltenham Spa, UK Cindy Miller: Tourism, Commemoration, Heritage: Remembering the Birth of Bill Monroe 11:30-12:00 Áine Mangaoang: The Birth of the Digital Tourist: Viral Video, Michael Jackson, and the (Un)Authorized Voyeur Isabella Sacramento and Valeria Lima Guimarães: Musical tradition and tourism? The development of conservatoria district, Rio de Janeiro, Brazil Krisztina Lajosi: Album D’un Voyageur: Travelling Through Europe with Liszt 12:00-12:30 Francesco Vallecoccia and Rima Aryandani: The Possibility of a New Device for Music Tourism in Manchester: A Comparative Study of London and Liverpool Grzegorz Brzozowski: Music as a part of ritual-like performance: the case of European festivity David Patmore, Elizabeth Carnegie and Daragh O’Reilly: ‘Macht Neues, Kinder’ (Richard Wagner): Artistic Renewal vs. Touristic Expectations 12:30-13:30 LUNCH 13:30-14:30 Session 31: Experiences and Encounters Session Chair: TBC Session 32: Cities and Encounters Session Chair: TBC 13:30-14:00 Bruno Pongelupe Leite de Castro: Santa Marta Hill: A Tourism Project Jacqueline Waldock: The Forgotten Homes 14:00-14:30 Ana Paula Garcia Spolon and Jorge G. Camargo Filho: Som do Céu: The Expression of Brazilian Christian Music in a Touristic Trip to the Interior of Minas Gerais Philip A. Stauffer Todd: Alma Brasileira: Heitor Villa-Lobos and the imaginary inspirations of an irrepressible impresario 14:30-15:00 TEA 15:00-15:30 Conclusion 15:30 End of conference For more information on this conference, please go to http://soundtracksconference.wordpress.com/ Best regards Daniela === Daniela Carl Research Officer and Part-time Lecturer International Centre for Research in Events, Tourism and Hospitality (ICRETH) School of Events, Tourism and Hospitality Carnegie Faculty, Leeds Metropolitan University Brontë 206, Headingley Campus Leeds LS6 3QW United Kingdom Phone +44 (0)113- 812 8541 Fax +44 (0)113- 812 8544 === Forthcoming international conferences: Soundtracks: Music, Tourism and Travel<http://soundtracksconference.wordpress.com/> 6-9 July 2012, Liverpool, UK Active Countryside Tourism 23-25 January 2013, Leeds, UK From: Media, Communications and Cultural Studies Association (MeCCSA) [mailto:[log in to unmask]] On Behalf Of McLoone, Martin Sent: 22 June 2012 13:19 To: [log in to unmask] Subject: Irish Popular Music in Britain Colleagues, Can I draw your attention to the following conference taking place next week at Northumbria University. Places are available if you would like to attend. A Special Relationship? Irish Popular Music in Britain An interdisciplinary conference to be hosted at Northumbria University in conjunction with the Centre for Media Research at the University of Ulster 27 – 28 June 2012 Conference Programme Tuesday 26th June 7.30pm Welcome Event and Book Launch of Rock and Popular Music in Ireland: Before and After U2 by Noel McLaughlin and Martin McLoone. The event takes place in Popolo, 82-84 Pilgrim Street, Newcastle NE1 6SG. Directions here Wednesday 27th June 9.30 Tea and Coffee Foyer of Lipman Building. 9.45 Room 0026 Lipman Building: Welcome Address: Dr Noel McLaughlin (Northumbria University) 10.00 Room 0026 Panel 1: Folk roots and Pop routes: The Irish in Britain Dave Laing, Freelance writer and academic, ‘Clare to Here: the Irish dimension of the English Folk Revival’ Professor Rebecca Miller, Hampshire College, Massachusetts, US ‘Hucklebucking at the Tea Dances: Irish Showbands in 1960s Britain’ Q&A/Discussion 11.15 Tea and Coffee Room 032 Lipman Building 11.30 Room 0026 Panel 2: Van Morrison: The Dweller on the Threshold? Professor Stephen Regan, Durham University ‘The Allusive Van Morrison’ Dr Peter Mills, Leeds Metropolitan University Paper title: ‘Song of Home - Van Morrison and the idea of exile’ Q&A/Discussion 1.00 – Lunch Room 032 Lipman Building 2.00 Panel 3. The Irish in Britain in the 1970s: The ‘Popular’ and the ‘Serious’. Professor Gerry Smyth, Liverpool John Moores – [log in to unmask]<mailto:[log in to unmask]> Paper title: ‘The interesting case of Val Doonican’ Dr Matteo Cullen Paper title: ‘From The Clifton Grange to Ladbroke Grove and the Isle of Wight: Irish Rock and Britain, 1968-78’ Q&A/Discussion 3.15. Tea and Coffee Room 032 Lipman Building 3.45 Panel 4. Music, politics and contact zones Anthony Walker, University of St Andrews. ‘Piping in a Time of Peace - The influence of terrorism on Irish Traditional Music’ Gareth Dylan Smith, The Institute of Contemporary Music Performance, London. ‘“Everybody's Welcome to the Hooley! A haon, do, trí, ceathair!”: A case study of a London-Irish trad/punk musician’ Q&A/Discussion 7.30 Dinner at El Torero Restaurant, Milburn House, Side City Centre, NE1 1PR. Directions here Thursday 28th June 9.30 Tea and Coffee – Lipman Foyer 10.00 Opening Keynote: Dr Sean Campbell, Anglia Ruskin University. Q&A/Discussion 11.15 Tea and Coffee Room 032 Lipman Building 11.30 Panel 5: Over-views and Comparative Contexts Professor Martin McLoone, University of Ulster ‘Authenticity and Hybridity in Irish Popular Music’ Professor Richard Ekins, University of Ulster ‘“Dying Embers”, Maintaining Authenticity and New Orleans Jazz Revivalism: The Case of Liverpool's Merseysippi Jazz Band’ Q&A/Discussion 1.00 Lunch Room 032 Lipman Building 2.00 Panel 6. Irish post-punk in Britain Dr Claire Monk, De Montfort University ‘The Virgin Prunes in England’ Dr Kevin J. Donnelly, Southampton University ‘“Heresie” or “A New Form of Beauty”: the Inassimilable Virgin Prunes’ [log in to unmask]<mailto:[log in to unmask]> Q&A/Discussion 3.15 Tea and Coffee Room 032 Lipman Building 3.30 Panel 7. On the Edges of Irishness? Dr Noel McLaughlin, Northumbria University ‘Peripherally Queer: Inbetween-ness and Mary Cigarettes’ Michael Waugh, Northumbria University ‘“Jynweythek Ylow” (“Machine Music”): Futuristic Braindance, Celtic Pastoralism & Hybridised Irishness in the Aphex Twin Myth’ Q&A and Closing Round table. ................................................................................................. Martin McLoone Professor of Media Studies (Film, Television and Photography) Centre for Media Research School of Media, Film and Journalism University of Ulster Coleraine Northern Ireland BT52 1SA +44 (0)28 7032 4372 New Book: 'Rock and Popular Music in Ireland: Before and After U2' (Irish Academic Press) http://www.irishacademicireland.com/acatalog/IAP_Catalog_Forthcoming_13.html -------------------------------------------------------- MeCCSA mailing list -------------------------------------------------------- To manage your subscription or unsubscribe from the MECCSA list, please visit: https://www.jiscmail.ac.uk/cgi-bin/webadmin?SUBED1=MECCSA&A=1 ------------------------------------------------------- MeCCSA is the subject association for the field of media, communication and cultural studies in UK Higher Education. Membership is open to all who teach and research these subjects in HE institutions, via either institutional or individual membership. The field includes film and TV production, journalism, radio, photography, creative writing, publishing, interactive media and the web; and it includes higher education for media practice as well as for media studies. This mailing list is a free service from MeCCSA and is not restricted to members. For further information, please visit: http://www.meccsa.org.uk/ -------------------------------------------------------- To view the terms under which this email is distributed, please go to http://disclaimer.leedsmet.ac.uk/email.htm -------------------------------------------------------- MeCCSA mailing list -------------------------------------------------------- To manage your subscription or unsubscribe from the MECCSA list, please visit: https://www.jiscmail.ac.uk/cgi-bin/webadmin?SUBED1=MECCSA&A=1 ------------------------------------------------------- MeCCSA is the subject association for the field of media, communication and cultural studies in UK Higher Education. Membership is open to all who teach and research these subjects in HE institutions, via either institutional or individual membership. The field includes film and TV production, journalism, radio, photography, creative writing, publishing, interactive media and the web; and it includes higher education for media practice as well as for media studies. This mailing list is a free service from MeCCSA and is not restricted to members. For further information, please visit: http://www.meccsa.org.uk/ --------------------------------------------------------