 |
 |
thank you, Jill, thank you ears to you L On Thu, May 10, 2012 02:04, Jill Jones wrote: > for me it was the tones and touches of rhyme or almost, a sense of music, > of course, but how that has come 'through a blender' > > J > > > On 10/05/2012, at 7:43 AM, Douglas Barbour wrote: > > >> Agee with Sheila, but was also attracted by that other direction for >> both her & the poem…. >> >> Doug >> On 2012-05-09, at 10:49 AM, Lawrence Upton wrote: >> >> >>> Hallo Sheila >>> >>> >>> [I'm trying not to say Hi. I am working with a man called Matt and >>> hear myself greeting him _Heimat_] >>> >>> I am very pleased you read Headstone. Let's extend the mondegreen >>> into print! >>> >>> And they *are headstones. >>> >>> >>>> The sense that arrives from each tone intrigues. >>>> >>> >>> will do me. Thanks. I don't want to do anecdotes; so I played around >>> with it. You might have had an early version last week but the email >>> went down; this is better. >>> >>> Thanks so much for writing >>> >>> >>> Now. let's hit that tall memorial! >>> >>> >>> L >>> ----- >>> Lawrence Upton >>> Visiting Fellow, Music Dept, >>> Goldsmiths, University of London >>> New Cross, London SE14 6NW >>> ---- >>> >>> >> >> Douglas Barbour >> [log in to unmask] >> >> Recent publications: (With Sheila E Murphy) Continuations & >> Continuation 2 (UofAPress). >> Recording Dates (Rubicon Press). >> >> >> Something else is out there >> godamnit >> >> And I want to hear it >> >> >> C.D.Wright >> > ----- Lawrence Upton Visiting Fellow, Music Dept, Goldsmiths, University of London New Cross, London SE14 6NW ----