Uttering indeed, Jill. I'm intrigued by how the capturing leads to these almost broken line-endings (or almost ended line breaks?) That is, a judder throughout.
Doug
On 2012-04-25, at 12:29 AM, Jill Jones wrote:
> Music and Weather
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>
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> Be hidden
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> Be leaves rattle to capture
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> The world-without-end
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> Ringing the high
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> To make thunder
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> Or phones.
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> Count its music times the
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> Length of the world
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> Don’t dream false or
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> Tomorrow the video
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> Men interview respite or
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> Nothing with trees I’m
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> Coffined with keyboards and
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> All moon night
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> Blues love it cold
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> But found that account of
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> Scorn to make bright
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> Uttering fields.
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Douglas Barbour
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Continuations & Continuations 2 (with Sheila E Murphy)
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Wednesdays'
http://abovegroundpress.blogspot.com/2008/03/new-from-aboveground-press_10.html
The postliterate sensibility is offended by anything that isn’t television, views with suspicion the compound sentence, the subordinate clause, words of more than three syllables. The home and studio audiences become accustomed to hearing voices swept clean of improvised literary devices, downsized into data points, degraded into industrial-waste product.
Lewis Lapham
