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italian-studies: Scholarly discussions in any field of Italian studies

Dear Colleagues,

ISHS (International Studies for Humor Studies - http://www.hnu.edu/ishs/) will be holding its annual conference in Europe next year (Krakow, 25-29 June 2012) with a multidisciplinary panel on Italian humour. For those interested in offering a paper, please find below the CFP.

Full details on the conference may be found at: http://info.filg.uj.edu.pl/ishs2012/?submit=Click+Here+to+Visit+the+2012+ISHS+Conference+Website

Best wishes,

Monica

Lecturer in Italian
Department of History, Languages and International Studies
School of Arts and Humanities
Nottingham Trent University
Clifton Lane
Nottingham NG11 8NS (UK)
Tel: +44-115-8483096
http://www.ntu.ac.uk/apps/Profiles/80755-1-2/Ms_Monica_Boria.aspx

Reviews Editor of Tuttitalia
http://www.all-languages.org.uk/publications/journals/tuttitalia
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International Society for Humor Studies, Krakow 25-29 June 2012

Panel on contemporary Italian humour

Convener: Monica Boria, Nottingham Trent University (UK), [log in to unmask]

The variety of comic forms in Italian culture since medieval times has been remarkable, both on the ‘learned’ and the popular front: from Boccaccio’s beffa to court fools, from traditional carnival celebrations to the ‘slapstick’ comedy of the commedia dell’arte, from the literary parodies of Pulci or Aretino to the amusing paintings of Arcimboldo. Times of heavy censorship (Counter-Reformation, Fascism) and the rise of certain artistic and intellectual forces (classicism, idealism) have often redrawn the boundaries of decorum, changing behavioural norms to the detriment of popular expressions of humour.

Seriousness and sophistication has been at the forefront of Italian cultural production well into the 20th century, however the rapid modernisation of Italy in the post-war years and subsequent political and social changes have slowly redressed the balance, especially in the mass media, with a plethora of comedians on TV, the bittersweet cinematic comedies from the 1960s, the countercultural theatre of Dario Fo, the satirical magazines of the 1970s, the popular jokes and political humour sparked by the corruption scandals of the early 1990s and, more recently, by Berlusconi.
Where is Italian humour heading in the new millennium? What is its relationship with traditional forms? What has the impact of the new media and globalisation on Italian humour been? Has recent immigration to Italy, traditionally a country of emigrants, produced new hybrid forms of humour?

The aim of this session is to attempt to answer some of these questions, by bringing together Humour Studies scholars with an interest in Italy and Italian culture as well as Italian Studies researchers interested in humour studies. Papers are welcome on a variety of cultural forms: film, television, radio, comics, websites/blogs, stand-up comedy, literature, theatre, jokes. Focus on one (or more) of the following aspects is particularly welcome, but proposals on other topics will also be considered:

Hybrid/transcultural humour
Ethnic/regional humour
Dubbed/translated humour
Popular humour
Political humour
National style of humour
Italian humour studies

Interested participants are invited to send a 300-word abstract to Monica Boria ([log in to unmask]) by March 1st 2012.
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