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L Walla not L wallydrag nor L wallaroo nor L waldrapp playing his waldflute!
P back to sorting the sty (pen)

-----Original Message-----
From: Poetryetc: poetry and poetics [mailto:[log in to unmask]] On
Behalf Of Lawrence Upton
Sent: 02 September 2011 10:23
To: [log in to unmask]
Subject: Re: Landscape diptych

nah

i just write whaaaat on my favourite walls

L

On Fri, September 2, 2011 10:20, Patrick McManus wrote:
> What no flame wars- poet warriors Unleashing naughty -bring back
> Kent!words
> at each other -bring back Kent! -the county of course!
>
>
> -----Original Message-----
> From: Poetryetc: poetry and poetics [mailto:[log in to unmask]] On
> Behalf Of Lawrence Upton
> Sent: 02 September 2011 10:11
> To: [log in to unmask]
> Subject: Re: Landscape diptych
>
>
> Dear Patrick
>
>
>> such a wonderful put down!!!cheers deboyed
>
> not intended as anything so strong, not really, tho I admit I might have
> hesitated had we not been mildly rude to each other over the posts; just
> wanted to make the point
>
> I am intrigued by the evocative power of a line or mark, well-placed, to
> show what is not actually shown, the brain persuaded to see
>
> and analogues in writing
>
> same wall? the word wall
>
> from nowhere comes the memory of many years ago, thirty years ago,
> reading the opening sequence of Bleak House in a seminar group and the
> tutor asking quietly Where's the main verb?
>
>>
>>
>> 'interesting that the poems have been ironed out by forwarding those
>> nice space bit all gone looks quite different in your original flattened
>> my poems tend to be flattened I must explore layout technique more
>> myself
>>
>> I was looking at the poems as a painter -diptych and was trying to
>> relate them (in my umble opinion) better For me the first poem worked
>> better than the second -who know's why????? > L analysis analysis??
>> Bloody
>> academics:-)
>>
>
>> in what way? By reading the bloody thing!!!!!!!!!!!!!!!!!!!!!
>
> you'll be kicking stones and declaiming in a Brummie accent next
>
>> Have good weekend  where are you now Goldsmith's left behind??
>>
>
> Goldsmiths
>
>
> In my end is my beginning
>
>
> Been in Cambridgeshire, was hoping to do a bit of Oxfordshire soon but
> have been unable to make the arts council grunt
>
> Bristol presently, briefly -- working and exhibiting; and curating
> cobbing again
>
> but Goldsmiths, Goldsmiths, for now anyway
>
> i've been doing stuff here, this way and that, for a decade
>
> L
>
>
>
>
>
>> Ps Am reading a fascinating book 'We  The Drowned'
>> Carsten Jensen some bits
>> remind me of your 'Cornish' poems
>
> I'll take that as a compliment then
>
>
> piptoodle
>
> L
> -----
> UNFRAMED GRAPHICS by Lawrence Upton
> 42 pages; A5 paperback; colour cover
> Writers Forum 978 1 84254 277 4
> wfuk.org.uk/blog ----
> Lawrence Upton
> Dept of Music
> Goldsmiths, University of London
>
>


-----
UNFRAMED GRAPHICS by Lawrence Upton
42 pages; A5 paperback; colour cover
Writers Forum 978 1 84254 277 4
wfuk.org.uk/blog
----
Lawrence Upton
Dept of Music
Goldsmiths, University of London