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Thanks, Harry. At 06:04 AM 2/5/2011, you wrote: >Tom Jenks or James Davies or Scott Thurston: > >e-mail address on their website is: ><mailto:[log in to unmask]>[log in to unmask] > >On 4 February 2011 22:11, Tony Frazer ><<mailto:[log in to unmask]>[log in to unmask]> wrote: >*** that wasn't for the list. Sorry folks! > >Tony > > >On 4 Feb 2011, at 21:55, Mark Weiss wrote: > >>Anybody know who to talk to at The Other Room >>or other venues in Manchester? I want to hit >>them up for a reading this coming summer. >> >>Best, >> >>Mark >> >> >>New from Chax Press: Mark Weiss, As Landscape. >>$16. Order from >><http://www.chax.org/poets/weiss.htm>http://www.chax.org/poets/weiss.htm >> >> >>"What a beautiful set of circumstances! What a >>lovely concatenation of particulars. Here is >>the poet alive in every sense of the word, and >>through every one of his senses. Instead of >>missing a beat or a part, Weiss’ fragments >>are like Chekhov’s short storiesÂthe more >>that gets left out, the more they seem to >>contain… One can hear echoes from all thhe >>various ancestors...[but] the voice, at its >>center, its core, is pure Mark Weiss. His use >>of the fragment is both elegant and bafflingly >>clear, a pure musical threnody…[it] opens a >>window, not only into a mind, but a person, a >>personality, this human figure at the emotional center of the poem." >> >>M.G. Stephens, in Jacket. >><http://jacketmagazine.com/40/r-weiss-rb-stephens.shtml>http://jacketmagazine.com/40/r-weiss-rb-stephens.shtml > > > > >-- >Arthur Shilling Press - ><http://arthur-shilling-press.blogspot.com>http://arthur-shilling-press.blogspot.com >Celery Lanes - <http://hjgodwin.blogspot.com>http://hjgodwin.blogspot.com >Cleaves Journal - <http://www.cleavesjournal.com>http://www.cleavesjournal.com >Small Press Catalogue - ><http://smallpresscatalogue.blogspot.com>http://smallpresscatalogue.blogspot.com New from Chax Press: Mark Weiss, As Landscape. $16. Order from http://www.chax.org/poets/weiss.htm "What a beautiful set of circumstances! What a lovely concatenation of particulars. Here is the poet alive in every sense of the word, and through every one of his senses. Instead of missing a beat or a part, Weiss’ fragments are like Chekhov’s short storiesthe more that gets left out, the more they seem to contain… One can hear echoes from all the various ancestors...[but] the voice, at its center, its core, is pure Mark Weiss. His use of the fragment is both elegant and bafflingly clear, a pure musical threnody…[it] opens a window, not only into a mind, but a person, a personality, this human figure at the emotional center of the poem." M.G. Stephens, in Jacket. http://jacketmagazine.com/40/r-weiss-rb-stephens.shtml